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Movie poster for The Kings of the World (2022)

The Kings of the World

2022
1h 51m
Director: Laura Mora
Play trailer
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Overview

Rá, Culebro, Sere, Winny and Nano. Five boys who live on the streets of Medellín. Five kings with no kingdom, no law, no family, set out on a journey in search of the promised land. A subversive tale told through a wild and endearing clan, somewhere between reality and delirium. A journey to nowhere, where everything happens.

Cast

6 people

Reviews

3 min read

The Kings of the World is a harsh and tender road film that understands kingship as an insult.

Still 1

Laura Mora's 111-minute drama, now on Netflix, follows Rá, Culebro, Sere, Winny and Nano, five boys living on the streets of Medellín who leave the city to claim a piece of land promised to Rá. The premise sounds like an adventure in the classic sense, and Mora lets it play that way for stretches — river crossings, stolen horses, night fires, new towns tested for generosity or threat.

Then the ground shifts. The promised land recedes, checkpoints appear, kindness curdles, and the trip becomes something stranger, caught between observed street life and hallucination.

That instability is the film's argument. These boys call themselves kings because no one else will grant them a title, a home, or protection. Mora takes the boast seriously without romanticizing it.

Their loyalty is absolute and physical: they sleep in a pile, steal for each other, fight for each other, cover each other's shame. Their power, by contrast, is almost nil. Every adult institution they meet — family, farm, bar, brothel, police, either exploits them or expels them.

The crown is real to them and invisible to Colombia. The gap between those two facts is where the tragedy lives.

The boys on the road

Mora shoots Medellín and the countryside beyond as continuous territory rather than escape versus prison. The city is concrete, noise, and surveillance. The country is green, open, and no less dangerous.

Full Plot (Spoilers)

Spoiler warning

This section contains the full plot, including major story reveals. Overview above stays spoiler-free.

Buzz & Rumors

Public reports

Behind the Scenes of The Kings of the World: Laura Mora’s Gritty Vision

The Kings of the World (2022), directed by Colombian filmmaker Laura Mora, is a raw and unflinching drama that follows five street kids navigating survival in Medellín. While the film has earned critical praise for its authenticity, latestnetflix.com maintains, details about its production remain scarce—but what little has surfaced paints a picture of a project driven by realism and social urgency.

A Director’s Personal Stamp

YTYouTube·'Los reyes del mundo' | Entrevista por Laura Mor…
https://www.youtube.com/watch?v=m9khpnV-I00

Laura Mora, known for her debut feature Killing Jesus (2017), brings a deeply personal approach to The Kings of the World. Born in Medellín in 1981, Mora studied film at RMIT University in Melbourne, Australia, before returning to Colombia to tackle stories rooted in her country’s struggles . Her work often explores violence, poverty, and resilience, and The Kings of the World is no exception. In interviews, Mora has hinted at the film’s origins in real-life experiences, though specifics about its development remain under wraps .

The film’s international co-production—spanning Colombia, Luxembourg, France, Mexico, and Norway—suggests a deliberate effort to amplify its reach . With a runtime of 111 minutes and a genre blend of drama and adventure, it’s clear Mora aimed for a visceral, immersive experience rather than a polished studio product.

Casting Unknowns for Authenticity

One of the film’s most striking choices is its cast: all non-professional actors plucked from Medellín’s streets. Carlos Andrés Castañeda, Brahian Acevedo, Davinson Florez, Cristian Campaña, Cristian David, and Luis Eduardo Benjumea were reportedly discovered through workshops and community outreach, not traditional auditions . This approach aligns with Mora’s commitment to authenticity, though it also raises questions about the challenges of working with first-time performers.

YTYouTube·Review of The Kings of the World by Laura Mora O…
https://www.youtube.com/watch?v=JmmmT_9HkC4
YTYouTube·The Kings Of The World - Official Trailer
https://www.youtube.com/watch?v=9Rff5RbkHRo

Reviews and trailers suggest the young cast delivers raw, unfiltered performances, but behind-the-scenes details about their training or on-set dynamics are nonexistent in the available evidence . Rumors (unconfirmed) suggest Mora spent months building trust with the actors to capture their unguarded emotions, but without direct quotes or production notes, this remains speculative.

Critical Reception and Netflix’s Role

The Kings of the World premiered to acclaim, earning a 6.9/10 rating on SensCritique based on nearly 300 votes . While Rotten Tomatoes’ score isn’t visible in the snippets, the film’s festival buzz—including a Golden Shell win at the San Sebastián Film Festival—hints at its impact .

YTYouTube·Reseña LOS REYES DEL MUNDO de Laura Mora. Estren…
https://www.youtube.com/watch?v=rGQr4B3-sp0

Netflix later acquired the rights, giving the film a global platform. A Spanish-language review tied to its streaming debut describes it as a "powerful, if brutal, coming-of-age story," though the specifics of Netflix’s involvement (e.g., marketing push, distribution deals) aren’t detailed in the evidence .

The Mystery of the Title’s Journey

Despite its accolades, The Kings of the World remains a quiet achiever—overshadowed by bigger studio releases and lacking the tabloid drama of celebrity-driven projects. There’s no evidence of on-set conflicts, budget overruns, or viral moments, which might explain why behind-the-scenes coverage is so sparse.

What’s clear is Mora’s intent: to shine a light on Colombia’s marginalized youth without romanticizing their struggles. Whether the film’s production was smooth or fraught with challenges, the final product speaks for itself—a gritty, unvarnished portrait of survival.

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.