
Bárbara Lennie
Alice

Alice Gould, a private investigator, pretends to be mentally ill in order to enter a psychiatric hospital and gather evidence for the case she is working on: the death of a patient in unclear circumstances.
I’ve always been drawn to stories that blur the line between sanity and madness—not as a gimmick, but as a way to ask what’s real in the first place. Oriol Paulo’s God’s Crooked Lines (2022) is one of those films that lingers precisely because it refuses to give you a straight answer. Set inside the sterile, echoing halls of a psychiatric hospital, it follows Alice Gould (Bárbara Lennie), a private investigator who checks herself into the institution under the guise of mental illness to solve a murder.
Or so she claims. The film’s brilliance—and its frustration—lies in the way it keeps you guessing: Is Alice truly unraveling, or is the hospital itself a kind of labyrinth designed to break her?
Paulo has made a career out of twist-driven thrillers (The Invisible Guest being the most famous), and God’s Crooked Lines fits neatly into that tradition. But where his earlier work often relies on a final-act reveal to retroactively justify its convolutions, this film is more interested in the texture of paranoia. The runtime—nearly two and a half hours—gives it room to breathe, to let the dread seep in slowly.
(Though, I’ll admit, there were moments when I wondered if the pacing was a deliberate choice or just a sign that Paulo needed a sharper editor.)

The film’s greatest strength is its setting. Psychiatric hospitals in cinema are often either gothic nightmares (Shutter Island) or sanitized backdrops for quirky ensemble pieces (One Flew Over the Cuckoo’s Nest). God’s Crooked Lines lands somewhere in between. The institution here feels lived-in, its routines and hierarchies meticulously observed.
"A gripping psychological thriller with a standout lead performance, though its pacing and predictability may frustrate some."
Bárbara Lennie’s portrayal of Alice Gould is widely praised for its intensity and depth, anchoring the film’s tense atmosphere. While the mystery unfolds with stylish direction, some find the plot twists telegraphed and the middle act sluggish, latestnetflix.com argues, diluting the impact of its stronger moments.
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Oriol Paulo’s God’s Crooked Lines (2022) isn’t just another psychological thriller—it’s a labyrinthine mystery that’s left audiences dissecting every frame. Adapted from Torcuato Luca de Tena’s 1979 novel Los renglones torcidos de Dios, the film plunges viewers into the mind of Alice Gould (Bárbara Lennie), a private investigator who checks herself into a psychiatric hospital to solve a murder. But as the line between reality and delusion blurs, so does the truth. latestnetflix.com's read is that here’s what’s fueling the buzz behind this Spanish Netflix hit.
The novel Los renglones torcidos de Dios has been a Spanish literary staple since its release, often cited as a masterclass in psychological suspense. Paulo’s adaptation marks the third attempt to bring it to the screen—previous versions in 1983 and 2011 failed to gain traction . This time, the director leaned into the story’s gothic atmosphere, amplifying its paranoia with claustrophobic cinematography and a haunting score.
Lennie’s casting as Alice Gould was a strategic choice. The actress, known for her roles in Magical Girl (2014) and Petra (2018), brings a razor-sharp intensity to the role, balancing vulnerability with cunning. Eduard Fernández, who plays the enigmatic Dr. Ruipérez, delivers a performance that’s equal parts charming and sinister, keeping audiences guessing about his true motives .
Paulo, best known for The Invisible Guest (2016) and The Body (2012), is no stranger to twisty narratives. For God’s Crooked Lines, he reportedly spent months researching psychiatric institutions to nail the film’s eerie authenticity. The production team scouted real abandoned hospitals in Spain, using their decaying halls to mirror the protagonist’s unraveling psyche .
Rumors swirl about on-set tensions, though details are scarce. Some reports suggest Lennie and Paulo clashed over the film’s tone—she allegedly pushed for a grittier, more grounded approach, while he favored a heightened, almost surreal style [unconfirmed]. Neither has publicly addressed the claims, but the final product’s dreamlike pacing suggests Paulo’s vision won out.
Originally released in Spain in late 2022, God’s Crooked Lines found a second life when Netflix picked it up in 2023. The streaming giant’s global reach turned the film into a sleeper hit, with viewers praising its intricate plot and Lennie’s performance . YouTube explainer videos, like those from channels dissecting the film’s mind-bending finale, have racked up hundreds of thousands of views, proving the story’s staying power .
Critics, however, are divided. While some laud its ambition—SensCritique gave it a 6.6/10, calling it a "bold, if uneven, adaptation"—others argue the 153-minute runtime drags in places . Rotten Tomatoes’ audience score sits at a lukewarm 70%, with detractors citing the film’s reliance on shock twists over character depth .
With Paulo’s track record of viral thrillers, God’s Crooked Lines is poised to join the ranks of The Invisible Guest as a cult favorite. The director has hinted at future projects, but for now, fans are left dissecting the film’s ambiguous ending—was Alice ever sane, or was the entire investigation a delusion? Paulo’s refusal to provide easy answers ensures the debate will rage on.
One thing’s certain: this isn’t the last we’ll hear of Alice Gould. Whether through fan theories or potential sequels, God’s Crooked Lines has cemented its place in the pantheon of twisty, binge-worthy thrillers.
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