
Tovino Thomas

‘Adrishya Jalakangal’ is said to be an unabashed depiction of what war and its consequences truly look like. “Adrishya Jalakangal is an attempt to look at the social menace of war from a common man’s point of view and be a strong artistic signature against war
I kept waiting for the bomb to drop. Not the literal one—though there are plenty of those in Adrishya Jalakangal, or Invisible Windows, Bijukumar Damodaran’s surreal anti-war fable—but the moment when the film would tip from allegory into clarity. It never came.
That’s not a flaw, exactly, but it’s the kind of choice that leaves you leaning forward in your seat, squinting at the screen like it’s a puzzle box you’re supposed to solve. The film doesn’t want to be solved. It wants to haunt you.
Set in an unnamed, timeless dystopia where war is both everywhere and nowhere, the story follows a gaunt, hollow-eyed man (Tovino Thomas) who works the night shift in a morgue. He’s just been released from a mental institution, though the film never bothers to explain why. (Good.
We don’t need to know.) His job is to prepare bodies for disposal, but the dead, it seems, have other plans. They talk to him. Not in the way of ghost stories, where specters moan about unfinished business, but in the way of people who’ve seen too much and can’t stop talking about it.
One of them, played by Indrans, is a grizzled old man who might be a soldier, or a civilian, or just another lost soul. It doesn’t matter. What matters is that he won’t shut up about the war.

The war in Adrishya Jalakangal is never named, never located. It could be any war, past or future, real or imagined. That’s the point.
Damodaran isn’t interested in geopolitics or battlefield tactics. He’s interested in the way war seeps into the cracks of everyday life, turning people into ghosts before they’re even dead. The film’s most striking sequence comes early, when the protagonist walks through a city that’s both bustling and eerily empty.
The streets are crowded with people going about their business, but their faces are blank, their movements mechanical. It’s like a zombie movie without the zombies—just the quiet, creeping dread of knowing something is very wrong, even if you can’t put your finger on what.
Adrishya Jalakangal (2023), the Malayalam-language anti-war drama directed by Bijukumar Damodaran (known as Dr. Biju), has quietly carved a niche for its unsettling exploration of trauma and the supernatural. latestnetflix.com's take is that Starring Tovino Thomas and Nimisha Sajayan, the film blends psychological depth with eerie atmospherics, but its production journey remains shrouded in intrigue—partly by design, partly due to sparse behind-the-scenes details.
Dr. Biju, known for his socially conscious films like Veettilekkulla Vazhi (2010) and The Ambassador (2011), has a reputation for tackling heavy themes. Adrishya Jalakangal (transl. Invisible Windows) continues this tradition, framing war’s psychological toll through the lens of a protagonist who claims to communicate with the dead . The film’s anti-war stance is explicit, but its supernatural undertones—hinted at in the premise of a night watchman in a morgue experiencing "strange things"—add a layer of ambiguity
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While the director’s past works often feature stark realism, Adrishya Jalakangal appears to straddle genres, merging drama with elements of psychological horror. This shift aligns with Dr. Biju’s evolving style, though specifics about his creative process for this project remain scarce. No interviews or production diaries have surfaced to clarify whether the supernatural elements were scripted from the outset or emerged during filming.
Tovino Thomas, who plays the reclusive protagonist recently released from a mental asylum, is no stranger to intense roles. His filmography includes Minnal Murali (2021) and Thallumaala (2022), but Adrishya Jalakangal marks a departure into darker, more introspective territory. Nimisha Sajayan, his co-star, has similarly gravitated toward complex characters, such as in The Great Indian Kitchen (2021). Their pairing here suggests a dynamic built on quiet tension, though the film’s promotional material has offered little insight into their off-screen rapport.
Indrans and Krishnan Balakrishnan, who round out the cast, bring veteran gravitas to supporting roles. Indrans, in particular, has a knack for grounding surreal narratives (see Kumbalangi Nights, 2019), which may have been an asset in a film where reality blurs with hallucination. However, no behind-the-scenes anecdotes about their collaboration have been publicly shared, leaving their contributions to the film’s atmosphere open to interpretation.
Unlike blockbusters that thrive on promotional hype, Adrishya Jalakangal has maintained a low profile. No set photos, script leaks, or on-location reports have emerged, which is unusual for a film starring high-profile actors like Tovino Thomas. This secrecy could be intentional—Dr. Biju’s films often prioritize thematic weight over spectacle—but it also limits what can be confirmed about the production.
One unverified detail from a snippet suggests the film was shot in "minimalist" conditions, possibly to heighten its psychological realism . However, without corroborating evidence, this remains speculative. Similarly, there’s no confirmation about the film’s budget, shooting schedule, or post-production challenges, such as the integration of its supernatural elements.
The film’s anti-war message is its most overt theme, positioning it alongside other Malayalam cinema that critiques conflict, such as Kammattipaadam (2016). However, its supernatural layer—centered on a protagonist who "communicates with the dead"—has sparked debate. Is it a metaphor for PTSD, or does the film lean into literal horror? The evidence doesn’t clarify, but early reactions (where available) suggest a divisive response .
Critics and audiences may also question the film’s pacing and narrative structure, given Dr. Biju’s tendency toward slow-burn storytelling. Without widespread reviews, however, it’s difficult to gauge its reception beyond its thematic ambitions.
As of now, Adrishya Jalakangal remains a film more talked about for its premise than its production. Its IMDb page lists basic credits, but no trivia, goofs, or behind-the-scenes tidbits have been added . The Wikipedia entry is similarly sparse, offering little beyond plot summaries and cast details . This lack of supplementary material suggests either a deliberate effort to keep the film’s mysteries intact or a simple dearth of available information.
For fans of Tovino Thomas or Dr. Biju, the film’s enigmatic nature may be part of its appeal. But for those seeking behind-the-scenes drama, Adrishya Jalakangal offers little more than its haunting title suggests: invisible windows into a story that prefers to unfold on its own terms.
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