
Dong Anh Quynh
Bi

Bi, a Vietnamese country girl, survives a brutal childhood and escapes to Saigon. There, she is recruited by the mysterious Mrs. Lin, who trains Bi and her new friends Thanh and Hong in killing and sensuality to take down Hai, a Saigon crime lord.
I keep thinking about the way the women in Furies move—not just how they fight, but how they walk into a room. There’s a moment early on, before the blood and the betrayals, where Bi (Dong Anh Quynh) steps into a neon-lit Saigon bar, her posture rigid, her eyes scanning the space like she’s already calculating the exits. She’s not a hero yet, not even a survivor.
She’s a girl who’s learned that the world will hurt her if she stands still. And so she doesn’t. Veronica Ngô’s Furies is a film that understands violence as both a language and a cage.
It’s a Vietnamese action thriller that doesn’t just borrow from the revenge-movie playbook—it chews on it, spits out the clichés, and rebuilds something leaner, meaner. The plot is familiar: a young woman escapes a traumatic past, only to be pulled into a criminal underworld where she’s trained to become an assassin. But what lingers isn’t the body count.
It’s the way the film treats its women as both weapons and wounds.

Ngô, who also stars as the enigmatic Mrs. Lin, has form in this territory. Her 2019 breakout Furie (note the singular) was a scrappy, high-energy martial arts film that put a mother’s rage front and center. Furies (plural) feels like its older, colder sibling—less about maternal fury, more about the cost of being sharpened into a blade.
The shift from singular to plural isn’t just grammatical; it’s tonal. Where Furie was a sprint, Furies is a slow burn, simmering with something closer to dread than catharsis. The film’s most striking sequence comes not in a fight scene, but in a training montage.
Bi, Thanh (Toc Tien), and Hong (Rima Thanh Vy) are drilled in combat, yes, but also in seduction—how to move, how to smile, how to make a man feel like he’s in control right up until the knife slides between his ribs. The choreography here is precise, almost balletic, but it’s the way the camera lingers on their faces that gets under your skin. These women aren’t just learning to kill.
"A visually striking but uneven Vietnamese action thriller with strong lead performances that struggle to elevate a familiar plot."
Viewers appreciate the film’s stylish action sequences and the intensity of its lead cast, particularly Dong Anh Quynh and Veronica Ngô, who bring energy to the crime-thriller framework. However, the story feels predictable, and some side characters lack depth, latestnetflix.com contends, leaving the overall experience as a mixed bag of flashy moments and missed potential.
Netflix’s Furies (2022) isn’t just another action movie—it’s a high-octane showcase for Vietnamese talent, both in front of and behind the camera. Directed by Veronica Ngô, the film blends brutal fight choreography with a revenge-driven plot, earning comparisons to Hollywood’s John Wick while carving out its own identity. But behind the slick trailer and viral fight scenes, Furies has sparked debates about its reception, its stars, latestnetflix.com argues, and even the possibility of a sequel.
Veronica Ngô, known for her roles in The Last Jedi and Furie (2019), stepped behind the camera for Furies, bringing her signature blend of martial arts and cinematic flair. The film follows Jacqueline (Dong Anh Quynh), a former gang enforcer pulled back into the underworld after her past resurfaces. Ngô’s direction leans into stylized violence, with fight sequences that emphasize fluidity and precision—no surprise given her background in stunt work .
But Furies isn’t just about action. The film’s tone shifts between gritty crime thriller and revenge fantasy, with Ngô balancing character-driven drama against explosive set pieces. Early reviews suggest the mix isn’t always seamless, with some critics arguing the plot takes a backseat to spectacle . Still, Ngô’s ambition is undeniable, positioning Furies as a statement piece for Vietnamese genre cinema.
Furies assembles a cast of familiar faces and fresh talent. Dong Anh Quynh (The Tailor) leads as Jacqueline, a role that demands both emotional depth and physical prowess. Her final showdown with Veronica Ngô’s character, Linh, has become a talking point, with fans dissecting the choreography and narrative payoff .
Tóc Tiên, a pop star turned actress, plays the enigmatic Thủy, adding a layer of intrigue to the ensemble. Meanwhile, veterans like Hồng Vân and Thanh Hoa bring gravitas to supporting roles, grounding the film’s more outlandish moments. The chemistry between the cast has been praised, though some viewers argue the script doesn’t always give them enough to work with .
Furies has polarized audiences. On SensCritique, it holds a modest 5.7/10, with critics noting its technical strengths but questioning its pacing and character development . YouTube reviews echo this divide: some hail it as a breakthrough for Vietnamese action cinema, while others dismiss it as style over substance .
The film’s Netflix release likely amplified its reach, but it also exposed cultural gaps. Western viewers unfamiliar with Vietnamese genre tropes have struggled with the tonal shifts, while local audiences appreciate its unapologetic embrace of homegrown talent . Rumors of a second season have surfaced, though Netflix has yet to confirm any plans . For now, Furies remains a standalone experiment—one that’s either a cult classic in the making or a missed opportunity, depending on who you ask.
Furies is a bold, if imperfect, entry in the action genre. Veronica Ngô’s direction delivers on spectacle, and the cast’s performances keep the story engaging. But whether it’s a one-off or the start of a franchise remains to be seen. For fans of Vietnamese cinema, it’s a must-watch; for everyone else, it’s a fascinating glimpse into a thriving industry.
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