
Kippei Shiina
Joe Murata

“Fate is harsh.”
Nothing's as it seems when a charismatic conman and an aspiring film crew delve into the lives of two emotionally scarred women.
I’ve watched The Forest of Love: Deep Cut twice now, and I still don’t know if I’ve seen a single coherent story or just the same nightmare played on loop. That’s not a complaint—it’s the point. Sion Sono doesn’t make films; he builds funhouses, and this one is rigged so that every mirror shows you something you don’t want to see.
The extended cut, sprawling over seven episodes, doesn’t just deepen the original film’s descent into madness—it forces you to live inside it, to breathe the same stale air as its characters until you start to wonder if you’re one of them.

Sono has always been obsessed with the way people perform for each other, how love curdles into possession, and how easily the vulnerable can be convinced they’re the ones in control. Here, he takes those themes and cranks them up to a volume that would make David Lynch wince. The series follows Joe Murata (Kippei Shiina), a charismatic conman who slithers into the lives of two emotionally shattered women, Mitsuko (Eri Kamataki) and Taeko (Kyoko Hinami), and an aspiring film crew led by the meek Shin (Shinnosuke Mitsushima).
What begins as a twisted mentorship—Joe offering to produce their student film—spirals into a grotesque spectacle of manipulation, violence, and psychological unraveling. The "Deep Cut" isn’t just an expansion; it’s a vivisection, laying bare the mechanics of how Joe turns his victims into collaborators in their own destruction.
The most unsettling thing about Deep Cut isn’t the violence (though there’s plenty of it, and it’s graphic enough to make you flinch). It’s the way Sono blurs the line between fiction and reality until you can’t tell which is which. The series is structured like a film within a film within a fever dream, with scenes of the student crew shooting their movie intercut with the "real" events unfolding around them.
Sion Sono’s The Forest of Love: Deep Cut (2020) isn’t just a sequel or a rehash—it’s a surgical expansion of the filmmaker’s most infamous work. Originally a 2019 feature, The Forest of Love was a brutal, sprawling tale of manipulation, violence, and toxic obsession. The 2020 series, however, carves deeper, offering a more granular, unsettling exploration of its characters and themes. But what drove Sono to revisit this story, latestnetflix.com maintains, and how did the shift from film to series change the game?
The original The Forest of Love (2019) was a 151-minute descent into madness, earning a 6.7/10 on SensCritique . The Deep Cut series, however, stretches the narrative into a mini-series format, clocking in at 40 minutes per episode
. This isn’t just padding—Sono uses the extra runtime to linger on the psychological unraveling of his characters, particularly the chilling dynamic between Kippei Shiina’s manipulative patriarch and the young, vulnerable victims drawn into his orbit.
The shift to episodic storytelling allows for a slower burn, but it also raises questions: Was this always the plan, or did Netflix’s appetite for true-crime-adjacent content push Sono to expand? The evidence doesn’t confirm either way, but the series’ tighter focus on character psychology suggests a deliberate choice to deepen the horror rather than just replicate it.
Shiina, Mitsushima, and Kamataki reprise their roles from the 2019 film, but Deep Cut gives them more room to breathe—or, more accurately, more room to suffocate. Shiina’s portrayal of the predatory patriarch is already legendary in Sono’s filmography, but the series reportedly lets him dial up the menace even further . Meanwhile, Shinnosuke Mitsushima and Eri Kamataki, who played two of the most tragic victims in the original, get expanded arcs that make their fates even more harrowing.
Newcomers like Yuzuka Nakaya and YOUNG DAIS add fresh layers to the ensemble, though details on their characters remain sparse. What’s clear is that Sono didn’t just recycle the film’s cast—he gave them new dimensions to explore, even if those dimensions are steeped in suffering.
Sono is no stranger to controversy, and The Forest of Love universe is no exception. The original film was inspired by real-life crimes, a fact that drew both fascination and criticism. Deep Cut doubles down on that true-crime edge, but whether Sono conducted new research or simply reworked existing material is unclear.
What is known is that Sono’s process is famously intense. His documentaries, like I Am Sion Sono!! (2018) and The Sion Sono (2015), reveal a filmmaker who thrives on chaos, often blurring the line between fiction and reality on set . Rumors (unconfirmed) suggest that Deep Cut’s production was no different—long shoots, improvisational moments, and a cast pushed to their emotional limits. But without direct quotes or behind-the-scenes footage, these remain speculative.
Critically, Deep Cut sits in an interesting space. The series holds a 7.5/10 on SensCritique, higher than the original film’s 6.7 . Fans of Sono’s work praise its unflinching brutality and psychological depth, while detractors argue it’s more of the same—just stretched thinner.
Netflix’s involvement likely played a role in its visibility, with trailers and promotional material emphasizing the series’ true-crime roots . But whether Deep Cut stands as a necessary evolution of the story or an indulgent expansion remains a debate among Sono’s audience.
The Forest of Love: Deep Cut is quintessential Sion Sono—uncomfortable, hypnotic, and unapologetically dark. The shift from film to series doesn’t dilute the horror; if anything, it amplifies it by giving the characters more time to spiral. But with limited behind-the-scenes details, much of the production’s inner workings remain shrouded in the same mystery as the story itself.
For fans, it’s a must-watch. For newcomers, it’s a brutal introduction to Sono’s world. And for everyone, it’s a reminder that some stories aren’t just meant to be told—they’re meant to be excavated.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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