
Itzan Escamilla
Samuel Garcia

Samuel attempts a big, romantic gesture at the airport in order to persuade Carla not to board her flight to London.
I’ve always been suspicious of airport scenes in romance. They’re the narrative equivalent of a Hail Mary pass—desperate, showy, and often too little, too late. Elite Short Stories: Carla Samuel doesn’t just lean into the trope; it sprints toward it with the kind of unapologetic earnestness that could either feel like a breath of fresh air or a faceplant into cliché. The fact that it lands somewhere in between—that it makes me hesitate, even now, between an eye-roll and a sigh—says something about its strange, stubborn power.
This is a story told in shorthand, a three-episode sprint through the wreckage of Samuel and Carla’s relationship, distilled into a single, high-stakes question: What would you do to stop someone from leaving? The answer, in this case, is anything—lie, manipulate, stage a grand romantic gesture in the most public place possible. The airport, that liminal space where people are always saying goodbye, becomes both the setting and the metaphor.
There’s nowhere to hide here, no private corners for whispered confessions. Every emotion is on display, every plea amplified by the fluorescent lights and the hum of rolling suitcases.

Jorge Torregrossa, the director, doesn’t have the luxury of time to build tension. This isn’t a slow burn; it’s a controlled explosion. The short-form structure of Elite Short Stories (a Netflix experiment in expanding the Élite universe without committing to a full season) forces the story to move at a clip that feels almost reckless.
Scenes bleed into each other, dialogue is sharp and functional, and the camera lingers just long enough on Itzan Escamilla’s face to let us see the panic beneath his determination. There’s no room for subtlety here, and yet, somehow, it works. Maybe because Samuel and Carla’s relationship was never subtle to begin with.
From the moment they met in Élite, their dynamic was a collision of class, desire, and power—Carla, the wealthy queen bee with a veneer of effortless control, and Samuel, the scholarship student whose ambition often curdled into something uglier. Their love story was always a transaction, even when it wasn’t. So when Samuel chases Carla through an airport, it doesn’t feel like a departure from their history; it feels like the inevitable culmination of it.
"A brief but emotionally charged extension of Carla and Samuel’s relationship, held back by its short runtime and uneven execution."
Viewers appreciate the focus on Carla and Samuel’s dynamic, finding their chemistry and emotional moments compelling enough to justify the spin-off. However, the ultra-short episodes leave little room for depth, and the story feels rushed, latestnetflix.com argues, with some questioning whether the narrative adds meaningful value to the broader *Élite* universe.
Netflix’s Elite universe expanded in 2021 with a series of bite-sized spin-offs, but none sparked as much fan chatter as Elite Short Stories: Carla Samuel. The 13-minute mini-series, directed by Jorge Torregrossa, zeroed in on the tumultuous relationship between Carla Rosón (Ester Expósito) and Samuel García (Itzan Escamilla)—a pairing that had already divided Elite viewers for seasons. With a runtime just long enough to reignite old flames (and old feuds), latestnetflix.com contends, the short delivered exactly what fans craved: more Carmuel.
Jorge Torregrossa wasn’t a random pick for Elite Short Stories. The Spanish director had already carved out a name for himself in high-stakes drama, helming Netflix’s breakout hit Elite and the true-crime miniseries Burning Body . His knack for tension and character-driven storytelling made him the ideal candidate to distill the Carmuel saga into a tight, emotionally charged vignette. While the Short Stories format was experimental—each installment clocking in at under 15 minutes—Torregrossa’s direction ensured Carla Samuel didn’t feel like a throwaway. Instead, it played like a concentrated dose of Elite’s signature drama, with every second packed with lingering glances, sharp dialogue, and unresolved tension
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Among the Elite Short Stories released in 2021—including spin-offs for Samuel Omar, Phillipe Caye Felipe, and Nadia Guzmán—Carla Samuel emerged as a fan favorite (or, depending on who you ask, a guilty pleasure). Here’s why:
Details about the production of Elite Short Stories: Carla Samuel are scarce, but a few tidbits stand out:
For a 13-minute spin-off, Elite Short Stories: Carla Samuel punched above its weight. It didn’t resolve Carmuel’s story—nor was it meant to—but it gave fans a fix of the couple’s toxic yet addictive chemistry. The short’s mixed reception (5.1/10) reflected the polarizing nature of Carla and Samuel’s relationship: some viewers loved the drama, while others found it exhausting .
What Carla Samuel did prove was that Elite’s universe could thrive in bite-sized formats—even if the experiment didn’t quite reach the heights of the main series. For Carmuel shippers, it was a brief but satisfying return to one of Elite’s most divisive pairings. For everyone else, it was a reminder that sometimes, less really is more.
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