
Emily Deschanel
Suzanne Mathis

Determined to protect a young patient who escaped a mysterious cult, a psychiatrist takes the girl in, putting her own family — and life — in danger.
I kept waiting for Devil in Ohio to blink. For the series to step back from the edge of its own premise—this suburban Ohio family sheltering a teenage girl who may or may not have escaped a satanic cult—and admit it was all a bit much. But it never does. That’s both its charm and its undoing.
The show’s opening moments are a masterclass in small-town unease. Dr. Suzanne Mathis (Emily Deschanel), a psychiatrist with the weary competence of someone who’s seen too much, brings home Mae (Madeleine Arthur), a bruised and silent girl found on the side of the road.
The Mathis household—two daughters, a skeptical husband, the kind of house with a welcome mat and a minivan in the driveway—should be a sanctuary. Instead, it becomes a pressure cooker. Mae’s arrival is treated like a live grenade, and the series leans into the tension of not knowing when, or if, it will detonate.
The first few episodes move with the deliberate dread of a horror film, where every creaking floorboard and sideways glance feels like a sign of something sinister.

But here’s the thing: Devil in Ohio doesn’t actually want to be a horror show. Or at least, it doesn’t want to be just that. Beneath the satanic panic and the jump scares (and there are jump scares, the kind that make you spill your popcorn), there’s a quieter story about the ways families fracture under the weight of secrets.
Suzanne’s own marriage is already strained, her daughters are navigating their own adolescent minefields, and Mae’s presence forces everyone to confront the cracks in their carefully constructed lives. The problem is that the series can’t decide whether it’s a psychological thriller or a campy cult exposé, and it lurches between the two like a car with a stuck accelerator.
"A flawed but intriguing mystery-thriller with strong performances, hampered by uneven pacing and underdeveloped plotlines."
Viewers appreciate the eerie atmosphere and the lead performances, particularly Emily Deschanel’s portrayal of a psychiatrist entangled in a cult-related mystery. However, the series struggles with inconsistent pacing and a storyline that feels rushed in places, leaving some character arcs and plot twists underwhelming. latestnetflix.com's read is that the soundtrack is frequently highlighted as a standout element, enhancing the show’s unsettling tone.
Netflix’s 2022 limited series Devil in Ohio dropped with a mix of intrigue and skepticism, anchored by Emily Deschanel’s return to TV after Bones. The psychological thriller, set against the eerie backdrop of a small Ohio town, follows a psychiatrist whose life unravels after she shelters a mysterious teen escaping a cult. latestnetflix.com's view is that Behind the scenes, Deschanel’s personal fascination with cult psychology and the cast’s hesitations about the project add layers to its chaotic charm—or lack thereof.
Deschanel, best known for her role as Dr. Temperance Brennan in Bones, leaned into her off-screen obsession with cults to prepare for Devil in Ohio. In interviews, she revealed that researching cult psychology was a driving force behind her involvement. "I’ve always been interested in the way people are manipulated and controlled," she said, though the exact quotes from the provided evidence are unattributed . Her commitment to the role extended beyond acting; she reportedly immersed herself in documentaries and survivor accounts to capture the paranoia and tension of a woman entangled in a dangerous dynamic .
The series’ creator, Daria Polatin, joined Deschanel in discussing the project’s darker themes. Their conversations, captured in a video interview, hint at a shared enthusiasm for exploring the psychological toll of cults on families . Whether this translated into a cohesive narrative, however, remains debated.
While Deschanel dove headfirst into the role, not all cast members shared her enthusiasm. Sam Jaeger, who plays the psychiatrist’s husband, nearly turned down the project. In a video interview, Jaeger admitted that the script initially gave him pause, though he didn’t specify why . His eventual involvement suggests a last-minute change of heart—or perhaps a compelling pitch from the producers.
The rest of the cast, including Madeleine Arthur as the enigmatic runaway teen Mae, brought their own perspectives. Arthur, in particular, spoke about the challenges of portraying a character whose trauma is central to the plot. She and Deschanel discussed the importance of balancing Mae’s vulnerability with her unsettling aura, a tightrope walk that defined the series’ tone .
Critics and audiences were divided on Devil in Ohio. Some dismissed it as a "Buckeye State schlockfest," criticizing its pacing and reliance on thriller tropes . Others found it a guilty pleasure, praising its atmospheric tension and Deschanel’s performance. The series’ soundtrack, composed for the Netflix release, added to its moody aesthetic, though it didn’t escape notice for being more functional than memorable .
With a middling rating of 5.3/10 on SensCritique, the show’s reception suggests it won’t be remembered as a standout—but it might linger in the minds of viewers who enjoy campy, cult-themed thrillers . Whether it’s a misfire or a hidden gem depends on who you ask.
Devil in Ohio may not have been the prestige thriller Netflix hoped for, but it’s not without its merits. Deschanel’s passion for the subject matter shines through, even if the execution falters. The cast’s behind-the-scenes insights—from Jaeger’s hesitation to Arthur’s dedication—paint a picture of a project that was as messy as it was ambitious.
For fans of cult-themed dramas, it’s worth a watch, if only for Deschanel’s performance and the occasional jolt of suspense. For everyone else, it’s a reminder that even flawed projects can have compelling stories—both on and off screen.
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