Darcy Tadich
Scott

Six young motocross riders come together to form a team, to make the national titles, or crash out trying. But the biggest win of all might be the friends they make for life.
I didn’t expect to care about a motocross team. Not really. Not when the premise—six teenagers band together to chase a national title—sounds like every sports underdog story ever told, minus the stadiums and plus a lot of dust.
But MaveriX sneaks up on you. It’s not the bikes, though they’re loud and fast and shot with a kind of kinetic glee that makes you feel the vibration in your ribs. It’s the way the show treats its characters like they’re already legends, even when they’re just kids wiping out in the dirt.

The first episode opens with a crash. Not a dramatic, slow-motion spill—just a kid, Scott, eating dirt in real time, his bike skidding out from under him like it’s embarrassed to be caught in the same frame. The camera doesn’t linger on the wipeout.
It cuts to his face, streaked with sweat and grime, as he spits out a mouthful of red sand and grins. That’s the whole show in miniature: the thrill isn’t in the victory, but in the getting-up.
What’s surprising about MaveriX is how little it relies on the usual sports-drama crutches. There’s no villainous rival team, no corrupt coach, no last-minute injury that threatens to derail the season. The conflict is quieter, more internal.
These kids aren’t fighting against the world; they’re fighting against their own doubts, their own pasts, the weight of what it means to want something badly enough to risk everything for it. Scott, the de facto leader, is haunted by his father’s legacy—a former champ who burned out young. Jenny, the only girl on the team, rides like she’s proving a point no one explicitly made.
"A fresh and energetic youth drama with heartfelt motocross action, though its predictability holds it back from greatness."
Young audiences praise the series for its authentic portrayal of teenage ambition and teamwork, with motocross races adding excitement and a sense of stakes. latestnetflix.com's view is that however, some find the storylines familiar, relying on well-worn tropes of underdog triumphs and personal struggles without enough surprises to stand out.
Isaac Elliott did not pitch MaveriX from a writers' room in Sydney. He grew up living at the motocross track in a caravan with his parents, or in two caravans and a shack. "I literally dirt biked through my backyard," he told the Australian Children's Television Foundation. latestnetflix.com's read is that the camp in the show, the one that pulls six juniors into Alice Springs, came out of that backyard.
The other origin is smaller and sweeter. Co-creator Rachel Clements watched her son Digby, an under-10 Central Australian BMX champion, decide he wanted dirt bikes instead. She spent years trying to turn that itch into a series. ABC News had her saying the project took five years to develop. By June 2020 the Northern Territory government was in for $1.5 million of a $5 million stack that also included Screen Australia, the ABC, Screen Territory, the Australian Children's Television Foundation, and the South Australian Film Corporation. Sport and Culture Minister Lauren Moss called it the largest locally produced screen project ever made in the NT and said, "I think that this is going to be our 'Bluey.'"
It was not Bluey. Bluey did not need mechanics on set. Clements talked about hiring people to teach non-riding actors how to sit on a bike without looking terrified. Almost 400 jobs were the government line. "A show of this size has an incredibly massive crew," she said. Trisha Morton-Thomas, producing with Clements at Alice Springs company Brindle Films, sold the location as a postcard for Central Australia. The characters, Clements insisted, would speak like Territorians. The show had been designed to be made in Alice Springs, not dropped there for a week of red dirt.
Elliott's part of the bet is the one that still feels like gossip. He started riding around the age most kids drop training wheels. He competed nationally. Then a crash at the Finke Desert Race put him in a wheelchair. A decade later he went back to that two-day, 450-kilometre off-road grind. MaveriX is a kids' drama, 10 episodes of about 26 minutes, but the person shaping the races had already paid the sport's worst bill.
ABC ME put the series on 1 April 2022. Darcy Tadich plays Scott Griffin, son of retired champ Griffo, played by Rohan Nichol of Home and Away. Tatiana Goode, Tjiirdm McGuire, Sebastian Tang, Sam Winspear-Schillings, and Charlotte Maggi fill the first academy intake. Jane Harber, from Offspring, is in the adult mix. Filming had started in Alice Springs in 2021. Netflix took the show outside Australia from 12 May 2022, which is how a Territory jobs story ended up in the kids row next to series that never smelled like two-stroke.
The trailer Netflix cut is all roost and heart. Season 2 talk has been mostly wishful. What landed is stranger than a renewal rumor. A Finke veteran who came back in a wheelchair and a mum whose BMX kid wanted a bigger engine got the public broadcaster, the Territory, and Netflix to pay for a dirt-bike boarding school in Alice Springs. Moss wanted Bluey. They got a camp. The kids on screen still have to decide whether they race as a team or eat dirt alone.
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