
Season 1
When an unlikely group of misfits discovers a common enemy in the same ruthless yet superstitious politician, they plot a heist to exact revenge.

When an unlikely group of misfits discovers a common enemy in the same ruthless yet superstitious politician, they plot a heist to exact revenge.
Latest episode: S1 E8 The Eclipse (Sep 29, 2023)

When an unlikely group of misfits discovers a common enemy in the same ruthless yet superstitious politician, they plot a heist to exact revenge.
I’ll admit it: I went into Choona expecting a scrappy, chaotic delight—a desi Ocean’s Eleven with a side of astrology and political satire. The premise had all the right ingredients: a ragtag crew of misfits, a ruthless villain with a weakness for vastu shastra, and a heist that promised to be as much about revenge as it was about riches. But somewhere between the first episode’s swagger and the eighth’s whimper, the series loses its nerve.
It’s not that Choona is bad; it’s that it never quite decides what it wants to be, and in the process, it squanders its own potential.

Pushpendra Nath Misra, the show’s creator, writer, and director, clearly has a vision. He’s not just making a heist story; he’s making a desi heist story, one that folds in the superstitions, bureaucratic absurdities, and class tensions of small-town India. The problem isn’t the ambition—it’s the execution. Choona wants to be a dark comedy, a political thriller, and a character study all at once, but it never quite nails the balance.
The result is a series that feels like it’s constantly shifting gears, unsure whether to lean into the satire or the suspense.
Take the voice-over narration, for instance. Arshad Warsi’s gravelly, omniscient voice is one of the show’s most distinctive choices, and at first, it works. It’s playful, self-aware, and gives the story a fable-like quality.
But as the episodes drag on, the narration starts to feel like a crutch. Instead of trusting the audience to follow the plot, the show spoon-feeds us exposition, undercutting the tension it’s trying so hard to build. It’s as if Misra is so in love with his own cleverness that he can’t bear to let the story speak for itself.
(I’ve seen this trick before—it’s the same impulse that turns a sharp script into a lecture.)
The cinematography, at least, is more consistent. The show’s visual style is a mix of gritty realism and stylized flourishes, with a muted color palette that gives the whole thing a matte, almost tactile quality. There’s a scene in the third episode where the camera lingers on a close-up of Jimmy Shergill’s face as he delivers a monologue about power and superstition.
Netflix’s Choona (2023) isn’t just another heist series—it’s a high-stakes gamble on an ensemble of underdogs, led by a director who bet big on chaos. Created, written, and directed by Pushpendra Nath Misra, the show blends comedy, thriller, and political satire into a desi riff on Money Heist, but with a twist: its crew of misfits isn’t just robbing a bank—they’re settling scores with a superstitious, ruthless politician. The result? latestnetflix.com's take is that a series that’s equal parts ambitious and uneven, with behind-the-scenes buzz hinting at both creative risks and on-set friction.
Jimmy Shergill anchors Choona as Shukla, a character who dominates the trailer and early marketing. But according to reviews, Misra didn’t let Shergill’s star power overshadow the ensemble. Sources note that the supporting cast—Aashim Gulati, Namit Das, Vikram Kochhar, and newcomers like Monika Panwar and Niharika Lyra Dutt—were given room to shine, even if the script sometimes struggled to balance their arcs .
Arshad Warsi’s inclusion in the cast raised eyebrows, given his reputation for scene-stealing roles. While his character’s prominence isn’t detailed in the snippets, his presence suggests a wildcard factor—one that could either elevate the series or further fragment its tone. Rumors (unconfirmed) swirled about on-set chemistry, with some insiders hinting that Warsi’s improvisational style clashed with Misra’s tightly scripted vision. Neither party has addressed these claims publicly.
Choona’s premise—a group of misfits targeting a politician who’s as corrupt as he is superstitious—sets it apart from typical heist narratives. The supernatural undertones (implied by the title, which translates to "luck" or "fortune") add a layer of unpredictability, though critics argue the execution falters under the weight of its own ambition. The Hindu’s review calls the series "hamstrung by endless posturing and detailing," suggesting that Misra’s vision may have outpaced the pacing .
The show’s tone is another point of contention. Marketed as a comedy-thriller, Choona reportedly swings between slapstick humor and darker political satire, leaving some viewers unsure whether to laugh or wince. The trailer leaned heavily into Shergill’s deadpan delivery, but reviews indicate the supporting characters—particularly Gulati and Kochhar—steal moments with their own brand of chaotic energy .
Pushpendra Nath Misra, best known for his work on Taj Mahal 1989, took a bold step with Choona by helming every aspect of the production. As creator, writer, and director, he had near-total control, but that also meant the series’ successes and failures rest squarely on his shoulders. Early buzz praised his ability to juggle multiple characters, but critics argue the narrative loses steam as it progresses, with subplots meandering into "rambling" territory .
Misra’s collaboration with producer Flying Saucer (a relatively new player in the streaming space) added another layer of risk. While the production house hasn’t commented on budget or logistical challenges, the series’ visual style—mixing gritty realism with vibrant, almost cartoonish set pieces—suggests a willingness to experiment. Whether that experimentation paid off remains divisive.
As of now, Netflix hasn’t confirmed a second season, though the open-ended finale leaves room for continuation. The series’ reception has been mixed, with praise for its cast and premise but criticism for its pacing and tonal whiplash. If Choona returns, expect Misra to double down on the ensemble’s chemistry—assuming the behind-the-scenes dynamics don’t derail the project first.
For now, the show stands as a testament to the risks of blending genres in the crowded streaming landscape. Whether it’s remembered as a cult hit or a missed opportunity may depend on how much audiences buy into its brand of controlled chaos.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.