Skip to main content
Series poster for Maledictions (2025)

Maledictions

2025
Ended • 1 Season • 3 Episodes
Director: Daniel Burman
Play trailer
Search on Netflix

Overview

At a career-defining moment, a governor's child vanishes. Torn between ambition and family secrets, he must choose: politics or his daughter's safety.

Seasons

1 listed
Status
Ended
Seasons
1 season
Episodes
3 episodes
First aired
Sep 12, 2025
Last aired
Sep 12, 2025
Network
Netflix

Latest episode: S1 E3 Act III: The Curse (Sep 12, 2025)

  1. Limited Series poster

    Limited Series

    3 episodes Sep 12, 2025 6.7

Cast

Reviews

6 min read

The Curses We Carry

I’ve always been drawn to stories where the political and the personal collide—not as a backdrop, but as a slow-motion car crash. Maledictions is one of those stories, though it takes its time revealing just how deep the wreckage goes. Daniel Burman’s three-part Netflix series (or is it a film? More on that later) unfolds like a thriller, but its real tension isn’t in the kidnapping plot or the lithium bill vote.

It’s in the way power, like a virus, infects everything it touches: friendships, marriages, even the idea of parenthood.

The setup is deceptively simple. Fernando Rovira (Leonardo Sbaraglia), a provincial governor in northern Argentina, is on the verge of a career-defining vote when his 12-year-old daughter Zoe is kidnapped by his most trusted advisor, Román Sabaté (Gustavo Bassani). The immediate question—why would Román do this?—is only the first layer.

The second, revealed in a flashback episode that feels like a gut punch, is far more devastating: Zoe isn’t Fernando’s daughter at all. She’s Román’s, conceived in a secret arrangement between the two men and Fernando’s late wife, Lucrecia. The kidnapping, then, isn’t just a political maneuver or a personal vendetta.

It’s a reckoning.

A tense standoff in the arid highlands, the camera low to the ground, capturing the vast emptiness between the characters.

Burman has always been fascinated by the ways families fracture under pressure—see Family Law (2006) or The Tenth Man (2017)—but here, he scales that intimacy up to the level of statecraft. The lithium bill at the center of the plot isn’t just a MacGuffin; it’s a stand-in for the extractive politics that have defined Argentina’s relationship with its natural resources for decades. Yet, as Ready Steady Cut astutely notes, the real drama isn’t in the “fat-free political points” but in the “more incisive personal questions” about who gets to claim a child, and what happens when the people we trust most are the ones holding the knife.

That knife, by the way, is literal in at least one scene. The series’ third act devolves into a kind of desert western, complete with dust-choked shootouts and a final confrontation that feels lifted from a Sergio Leone film. It’s a tonal shift that shouldn’t work—thriller to family drama to spaghetti western in under two hours—but Burman and co-director Martín Hodara pull it off, largely because the emotional stakes have been so carefully laid.

The problem is that the symbolism starts to creak under its own weight. Thistles that prick feet, a missing button, a recurring image of a cracked mirror: these aren’t subtle motifs so much as neon signs flashing CURSE in the viewer’s face. Otros Cines calls this out, arguing that the finale “over-explains” these elements through “didactic, overly obvious” dialogue. I’d go further: by the end, the curses feel less like an organic part of the story and more like a gimmick, a way to tie up loose ends with a neat, if heavy-handed, bow.

Audience Opinions

Audience 7.2/10
"A gripping but uneven thriller that shines in its tense moments but struggles with pacing and depth."

The series draws praise for its intense atmosphere and strong performances, particularly from Leonardo Sbaraglia and Gustavo Bassani, who anchor the kidnapping plot with palpable tension. However, some find the conspiracy elements underdeveloped, and the pacing drags in places, leaving key characters feeling underutilized. The setting in northern Argentina adds a unique backdrop, latestnetflix.com argues, but the story’s execution doesn’t always match its ambition.

What viewers praise
  • Strong lead performances Sbaraglia and Bassani deliver compelling portrayals that keep the tension high and the stakes believable.
  • Atmospheric setting The northern Argentina backdrop adds a distinct and immersive quality to the thriller’s tone.
  • Tense kidnapping plot The central kidnapping scenario is gripping and well-executed, holding attention through its suspense.
Common complaints
  • Uneven pacing Some viewers feel the story drags in parts, slowing down the momentum of the conspiracy reveal.
  • Underdeveloped conspiracy The 13-year-old conspiracy hinted at in the plot doesn’t fully deliver on its potential, leaving gaps in the narrative.
  • Weak supporting characters Side characters, including the governor’s daughter, lack depth and fail to leave a lasting impact.
Recommended for
Argentinian thriller fans Political conspiracy drama lovers Leonardo Sbaraglia admirers Slow-burn mystery enthusiasts

Buzz & Rumors

Public reports

Netflix’s Maledictions: The Political Thriller That’s Shaking Up Argentina’s Lithium Wars

Netflix’s upcoming political thriller Maledictions (2025) is already generating buzz—not just for its high-stakes plot, but for the real-world tensions simmering behind the scenes. Set against the backdrop of Argentina’s lithium mining boom, the series follows a governor whose daughter is kidnapped during a pivotal vote, unraveling a 13-year-old conspiracy . But the drama isn’t confined to the screen: from extreme filming conditions to a cast navigating power, ambition, and moral ambiguity, latestnetflix.com contends, Maledictions is as much about its off-camera battles as its on-screen ones.


A Kidnapping That Exposes a Nation’s Divide

At the heart of Maledictions is a governor’s nightmare: Fernando Rovira (Leonardo Sbaraglia), a provincial leader in northern Argentina, faces a crisis when his daughter is abducted by a trusted aide (Gustavo Bassani) amid a high-stakes lithium mining vote . The series, based on Claudia Piñeiro’s novel, blends political thriller with family drama, but its real hook is the setting—Argentina’s lithium-rich northern provinces, where global demand for the "white gold" has turned local politics into a pressure cooker .

The kidnapping isn’t just a plot device; it’s a mirror. As one source notes, the story forces characters to confront how "everyone ends up a victim of their own ambition" . That theme resonates in a country where lithium extraction has sparked protests over environmental damage and indigenous land rights. While Maledictions doesn’t claim to be a documentary, its timing—premiering amid Argentina’s economic crisis and lithium rush—gives it an unavoidable edge.


Filming in the Frying Pan: Jujuy’s Extreme Shoot

The series’ production wasn’t for the faint of heart. Maledictions was shot in Jujuy, a province in Argentina’s northwest known for its rugged landscapes—and its scorching temperatures. Sources describe the shoot as "extreme," with the cast and crew battling the elements while filming a story that’s already emotionally charged .

The location wasn’t just a backdrop; it was a character. Jujuy’s lithium mines and arid terrain provided the perfect visual metaphor for the series’ themes of exploitation and desperation. But the conditions took a toll. Gustavo Bassani, who plays the governor’s aide-turned-kidnapper, hinted at the physical and mental demands of the role, telling an Argentine outlet that the shoot pushed everyone to their limits . Leonardo Sbaraglia, a veteran of intense dramas, likely didn’t have it easier—though specifics on his experience remain scarce.


A Cast of Victims—On and Off Screen

The ensemble cast reads like a who’s who of Argentine cinema, but their roles in Maledictions are far from glamorous. Sbaraglia, a heavyweight of Latin American film, plays a governor whose power crumbles under pressure. Bassani, his co-star, portrays a man whose loyalty fractures into violence. Then there’s Francesca Varela, a young Jujuy native cast as the governor’s kidnapped daughter—a role that reportedly required her to navigate the emotional weight of the story while filming in her home province .

The series’ title, Las Maldiciones (Spanish for "The Curses"), hints at its bleak worldview. As one review notes, the story is "a thriller about political and family betrayal," where no one escapes unscathed . That extends to the audience: the series’ trailer teases a narrative where even the "good guys" are complicit in the system’s corruption.


Why This Series Matters Now

Maledictions arrives at a fraught moment for Argentina. The country is the world’s fourth-largest lithium producer, and its northern provinces—like Jujuy—are ground zero for a mining boom that’s reshaping local economies and ecosystems. The series doesn’t shy away from that reality. While it’s a work of fiction, its plot—a governor’s daughter kidnapped over a lithium vote—feels ripped from headlines about resource conflicts and political corruption .

Netflix’s decision to drop the series globally on September 12 suggests confidence in its appeal beyond Latin America. But its real test will be whether it can balance its thriller pacing with the weight of its themes. Early buzz suggests it’s leaning into the latter: one source calls it a "drama about ambition and its consequences," where the real villain might be the system itself .


The Unanswered Questions

For all its intrigue, Maledictions leaves some details frustratingly vague. How many episodes will the series have? The evidence only confirms it’s a "mini-series" or "3-episode" format , but Netflix hasn’t released a full episode count. And while the cast’s performances are generating early praise, the series’ reception remains a mystery—no reviews have dropped yet.

There’s also the question of how closely the show hews to Claudia Piñeiro’s novel. Burman, the series’ creator, is known for adapting literary works (like his 2018 film The Invisible Eye), but whether Maledictions takes creative liberties—or doubles down on the book’s bleakness—is unclear .

One thing’s certain: this isn’t just another kidnapping thriller. Between its real-world parallels and its punishing shoot, Maledictions feels like a project that demanded everything from its cast and crew. Whether that translates into must-watch TV remains to be seen.


Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.