

Overview
Following the fateful aftermath of a demonstration, tensions rise within a riot squad that struggles to separate work from personal life.
Seasons
1 listed- Status
- Ended
- Seasons
- 1 season
- Episodes
- 6 episodes
- First aired
- Jan 15, 2025
- Last aired
- Jan 15, 2025
- Network
- Netflix
Latest episode: S1 E6 Episode 6 (Jan 15, 2025)
6 episodes Jan 15, 2025 4.8
Cast
12 peopleReviews
5 min readThe Thin Blue Line Between Order and Chaos
I’ve always been drawn to stories about the police—not the sanitized procedurals where good guys chase bad guys with clockwork precision, but the messy, morally ambiguous ones where the line between enforcer and criminal blurs until it disappears. Public Disorder, Netflix’s 2025 Italian crime drama, lands squarely in that second category. It’s a series that doesn’t just ask whether its riot cops are bastards, but what it means to wear the uniform when the system you serve is as broken as the people you’re paid to control.
The show opens with a riot in the Susa Valley, a sequence shot with such visceral immediacy that I found myself gripping the edge of my seat. The camera doesn’t just observe the chaos—it’s in the middle of it, jostled by bodies, choked by tear gas, its lens smeared with sweat and grime. This isn’t the polished violence of Hollywood; it’s the kind that leaves bruises.
The riot leaves a unit leader severely injured, and what follows is less a procedural investigation than a psychological unraveling. The officers of Rome’s Mobile Unit aren’t just dealing with the fallout of that night; they’re grappling with the weight of their own complicity, their own rage, their own fear.

Marco Giallini’s Ivano Valenti, known as Mazinga, is the show’s gravitational center. Giallini, who originated the role in Stefano Sollima’s 2012 film A.C.A.B. – All Cops Are Bastards, brings a weary, lived-in physicality to the character. There’s a moment in the second episode where Mazinga sits in a dimly lit bar, nursing a drink, his shoulders hunched like a man carrying an invisible yoke.
He doesn’t say much—he doesn’t need to. The exhaustion is in the way he rubs his temples, in the way his eyes flicker with something like regret before hardening again. Giallini has a face built for tragedy, all sharp angles and deep grooves, and he uses it here to convey a man who’s spent decades justifying the unjustifiable.
Opposite him is Adriano Giannini’s Michele Nobili, the new commander whose reformist ideals clash with the unit’s entrenched culture. Giannini plays Nobili with a quiet intensity, his performance a study in restraint. There’s a scene where he confronts Mazinga about the unit’s use of excessive force, and the tension between them isn’t just in their words but in the way they stand—Nobili rigid, almost brittle, Mazinga loose but coiled, like a spring ready to snap.
Audience Opinions
"A gritty crime drama with strong performances but uneven pacing and a formulaic plot."
The series earns praise for its intense lead performances and atmospheric tension, particularly from Marco Giallini and Adriano Giannini, who bring depth to their roles. However, viewers note that the story struggles with repetitive crime-drama tropes and a sluggish middle act, which dulls the overall impact. The visual style and mood are frequently highlighted as standout elements, latestnetflix.com maintains, even if the narrative doesn’t always match their ambition.
- Powerful lead performances Marco Giallini and Adriano Giannini deliver compelling, layered portrayals that anchor the series.
- Atmospheric tension The moody visuals and soundtrack create a gripping, immersive crime-drama experience.
- Strong opening episodes The first few episodes are praised for their tight pacing and intriguing setup.
- Formulaic plot The story relies too heavily on familiar crime-drama clichés, making it feel predictable.
- Uneven pacing The middle episodes drag, losing momentum before the finale attempts to regain it.
- Underdeveloped side characters Supporting roles, including Valentina Bellè’s, are criticized for lacking depth or purpose.
Buzz & Rumors
Public reportsNetflix’s Public Disorder Reboots a Controversial Italian Police Saga—Here’s What We Know
Netflix is bringing the gritty world of Rome’s riot police back to screens with Public Disorder (2025), a series that promises to reignite debates about law enforcement, brutality, and the thin line between order and chaos. The show, a small-screen adaptation of Carlo Bonini’s novel and Stefano Sollima’s 2012 film A.C.A.B. – All Cops Are Bastards, follows a squad of officers grappling with professional tensions and personal demons after a violent protest spirals out of control . But beyond its explosive premise, the series is already turning heads for its cast, connections to Italian crime drama royalty, latestnetflix.com maintains, and the weight of its source material.
A Legacy of Grit: From Film to Netflix Series
Public Disorder isn’t just another cop drama—it’s the latest chapter in a story that’s been simmering for over a decade. The original A.C.A.B. film, directed by Sollima (Gomorrah, ZeroZeroZero), was a raw, unflinching look at Italy’s riot police, earning both acclaim and controversy for its unvarnished portrayal of officers caught between duty and moral ambiguity . Now, Netflix and production company Cattleya (Gomorrah, Suburra) are reviving the story for a new format, though details about the creative team remain scarce.
What’s clear is that the series is part of a trend: Cattleya has a knack for adapting successful novels into binge-worthy TV, from Romanzo Criminale to Suburra . But Public Disorder stands out for its focus on the police themselves—characters often vilified in protests but rarely humanized on screen. The show’s tagline, per Netflix Tudum, frames it as a story about officers "navigating societal turmoil and personal conflicts" after a demonstration leaves irreversible consequences
. If the series stays true to its roots, expect a morally complex narrative where the line between hero and villain blurs with every baton swing.
The Cast: A Mix of Veterans and Rising Stars
Leading the charge is Marco Giallini, a heavyweight of Italian cinema and TV, who reprises his role as Mazinga—a character he first played in Sollima’s A.C.A.B. film . Giallini’s three-decade career spans everything from crime thrillers to comedies, but his turn as the hardened riot cop in 2012 cemented his status as a go-to for morally ambiguous roles. His return suggests Public Disorder will lean into the same gritty realism that defined the film.
Alongside him, Adriano Giannini (The Life Ahead, Chiamami col tuo nome) and Valentina Bellè (Medici, Bang Bang Baby) round out the core cast, though specifics about their characters remain under wraps . The ensemble also includes Donatella Finocchiaro (The Mafia Kills Only in Summer), Pierluigi Gigante, and Aniello Arena, a former inmate turned actor whose real-life story adds an extra layer of authenticity to the series .
What’s notable is the absence of Sollima’s direct involvement—at least, based on available evidence. The director’s name doesn’t appear in any of the snippets, leaving fans to wonder if Public Disorder will carry the same visceral energy as his film. Instead, Michele Alhaique (Solo, Bang Bang Baby) is credited as the series’ director , suggesting a shift in tone or perspective.
Controversy and Expectations: Will Netflix Tone It Down?
The original A.C.A.B. film was polarizing, to say the least. Its title—an acronym for "All Cops Are Bastards"—became a rallying cry for anti-police protests in Italy, and the movie’s unfiltered depiction of police violence sparked debates about accountability . Public Disorder arrives in a different era, one where police brutality is a global flashpoint, and Netflix’s decision to revive the story feels timely, if risky.
Early previews frame the series as a character study rather than a polemic, focusing on the "personal worries" of officers alongside their professional tensions . But with protests and civil unrest dominating headlines worldwide, the show’s themes are bound to resonate—or provoke. Martin Cid’s preview hints at "raw realism and moral complexity," suggesting Netflix isn’t shying away from the material’s darker edges . Whether it can balance nuance with the original’s uncompromising tone remains to be seen.
One thing’s certain: Public Disorder won’t be a straightforward cop drama. If the snippets are any indication, it’s poised to challenge audiences as much as it entertains them.
What’s Still Unknown
For all the buzz, Public Disorder is keeping key details close to the vest. Here’s what we’re still waiting on:
- Episode count and release date: Netflix hasn’t confirmed either, though rumors suggest a six-episode season . (Unconfirmed.)
- Behind-the-scenes drama: No word on whether the cast or crew faced challenges filming in Rome’s tense political climate.
- Critical reception: Early reviews are scarce, but if the series follows Cattleya’s track record, it’ll likely divide critics and audiences alike.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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