The Pete Davidson Show
2026 Series
Overview
The Last Podcast on the Left is a popular weekly comedy podcast exploring dark subjects like serial killers, cults, conspiracies, and paranormal events. Hosted by Marcus Parks, Henry Zebrowski, and Ed Larson, it blends deep research with dark humor.
Seasons
- Status
- Returning Series
- Seasons
- 1 season
- Episodes
- 0 episodes
Reviews
5 min readThe Alchemy of Laughter and Dread
I’ve always been suspicious of horror comedy. The genre sits in an uneasy middle ground—too macabre for the squeamish, too silly for the purists. But Last Podcast on the Left, the Netflix adaptation of the long-running podcast, doesn’t just straddle that line; it sprints back and forth across it, arms flailing, like a man being chased by something he refuses to take seriously.
That refusal, it turns out, is the point. The show’s premise is deceptively simple: three hosts—Marcus Parks, Henry Zebrowski, and Ed Larson—sit around a table (or, more accurately, a dimly lit set that looks like the lovechild of a true-crime documentary and a dive bar) and dissect the darkest corners of human history: serial killers, cults, UFOs, cryptids, and the occult. What could easily devolve into a grim parade of misery instead becomes something stranger: a weekly exorcism of dread, where the hosts’ irreverent humor doesn’t trivialize the horror but rather disarms it.
Laughter, here, is a survival tactic.
The podcast’s transition to screen could have been a disaster. Podcasts thrive on intimacy—the illusion that the hosts are speaking directly to you, the lone listener in your car or headphones. Television, by contrast, is a communal experience, one that often demands visual spectacle.
Yet Last Podcast on the Left doesn’t try to reinvent itself for the screen. There are no reenactments, no dramatic recreations of the crimes or cults being discussed. Instead, the show leans into its static, talk-show format, trusting that the chemistry between the hosts and the strength of their research will carry it.
It’s a gamble that mostly pays off, though not without its hiccups. The hosts’ dynamic is the show’s secret weapon. Parks, the resident researcher, delivers the facts with a deadpan seriousness that borders on the absurd, his voice a steady anchor amid the chaos.
Zebrowski, the class clown, is the id of the operation—his interjections are equal parts hilarious and unhinged, like a man who’s just realized he’s in over his head but refuses to stop digging. Larson, the straight man (in both senses of the term), grounds the proceedings with a dry wit that keeps the other two from spiraling entirely into madness. Their rapport feels lived-in, the kind of shorthand that comes from years of working together.
Buzz & Rumors
Public reportsThey leased their faces to Netflix and called it a partnership.
https://www.youtube.com/watch?v=TWAu_6gyyiU
Marcus Parks said it out loud on the January 21, 2026 Side Stories drop, the one titled The Piggyback Bandit. Last Podcast on the Left was taking a Netflix deal for video rights. "A partnership, not a sale." Then the line that traveled. "We are literally just leasing our bodies physically to Netflix, to be seen by you" . Same day, the Patreon housekeeping post told paying members the quiet part. New Last Podcast and Side Stories video would live on Netflix only. Audio would keep landing everywhere. Ad-free audio would stay on Patreon. The old audio and video archive would remain on YouTube and Patreon 
. Some patrons still read it as a second bill. latestnetflix.com's view is that the boys answered with three new Patreon-only shows, Last Letterboxd on the Left, a Last Stream submission segment, and a watch-along titled The Mis-Education of Ed Larson .
The catalog that showed up. Flixboss dated the U.S. Netflix add to January 26, 2026, and listed two seasons in that scrape, 17 episodes then 21 . The Netflix page files it as a 2026 TV-MA true-crime comedy starring Marcus Parks, Henry Zebrowski, and Ed Larson, the three men who "barrel headlong into all things horror" . TMDB still tags the series as a returning Netflix talk show and still lists Ben Kissel among the creators next to Parks, Zebrowski, and Larson . The streaming card does not. Giant Freakin Robot heard Parks on that January 21 episode and exhaled because the deal was a license, not a sale of the show, with audio left on Spotify and the usual apps . Deadline, writing about Netflix's wider video-podcast grab a month later, said licensed shows had to pull new video off YouTube while audio feeds stayed wide 
. That is the trade. Faces on the app. Tape still in your podcast client.
They have sold exclusive before. Hollywood Reporter had the 2019 Spotify lockup, an eight-year-old horror comedy moving into a walled garden . The Los Angeles Times had the exit in October 2021. Stitcher took ad sales on a three-year deal, the show would be free on many platforms again in 2022, and SiriusXM put the 2019 download number at 2.5 million a week from before the Spotify year . Wikipedia keeps the longer ledger. March 29, 2011 start. Name lifted from The Last House on the Left. People's Voice Webby for comedy podcast in 2017. Houghton Mifflin Harcourt's The Last Book on the Left debuted at number three on the New York Times hardcover nonfiction list in 2020. Live dates in Chicago, New Orleans, Iceland, Australia, Canada. Last Stream on the Left bounced from Adult Swim to a Twitch ban to Patreon .
The empty chair. Kissel co-created the show and sat in the third seat until 2023. On September 13 the feed said he was going into treatment for mental and physical health and would be back. On October 4 the network said he was gone . Rolling Stone published on October 12. Multiple women described alleged sexual misconduct and verbal and physical abuse across years. A workplace source told the magazine Kissel's drinking had been raised over a seven-year stretch and that Parks and Zebrowski had already talked about splitting before the public exit. Kissel denied the abuse claims, said he had used alcohol to cope with childhood trauma, and said he was in rehab. An October 14 Instagram note from the show said they had not known about the alleged abuse . Ed Larson, a Murderfist veteran and roast writer with his own Netflix credits on Bumping Mics and Historical Roasts, took the chair and kept it . Netflix is now selling the version of the show that exists after that cut. The rumor that the streamer bought the company is the one Parks already killed on mic. They rented the faces. The archive, the allegations, and the third voice from the first decade are still sitting in public, just not in the same row.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.