
Alia Bhatt
Satyabha 'Satya' Anand

When Ankur is wrongfully imprisoned and sentenced to death in a foreign country, his steely sister Satya is driven by a lethal resolve to break him free.
I’ve seen this story before. A sibling wronged, a system rigged, a woman stepping into the fire to pull them out. It’s the kind of tale that should feel urgent, even primal—like a knife pressed against your ribs.
And yet, in Jigra, something keeps slipping. The film wants to be a gritty, high-stakes thriller, a spiritual cousin to Gumrah and the angry young men of 1970s Bollywood. But too often, it feels like it’s trying to outrun its own script.
Vasan Bala, the director, has always been a cinephile’s cinephile, the kind of filmmaker who litters his work with Easter eggs for those who speak the language of Wong Kar-wai’s neon and John Woo’s doves. Jigra is no different. The opening sequence alone—a slow-motion walk through a rain-slicked alley, the camera lingering on Alia Bhatt’s Satya as she lights a cigarette with the kind of precision that suggests she’s done this a hundred times before—feels like a love letter to the Hong Kong action films of the ’90s.
The problem? The film never quite decides whether it’s paying homage or trying to outrun its influences.

Bhatt carries the film like a woman hauling a suitcase full of bricks. She’s magnetic in the role of Satya, a woman who oscillates between vulnerability and sheer, unrelenting force. There’s a moment early on, when she first learns her brother Ankur (Vedang Raina) has been wrongfully imprisoned in the fictional Southeast Asian country of Hanshi Dao, where she doesn’t scream or collapse.
She just exhales, her shoulders tightening like a coil, and you can see the calculation behind her eyes. This isn’t a woman who panics. This is a woman who plans.
Bhatt’s performance is the film’s anchor, the one thing that keeps it from capsizing under its own ambition. But even she can’t fully paper over the cracks in the screenplay.
"A well-intentioned but uneven action thriller that struggles to balance emotional depth with its high-stakes premise."
Viewers appreciate the strong bond between the sister and brother at the heart of the story, with Alia Bhatt’s performance earning particular praise for its intensity and emotional weight. However, the film’s pacing and narrative execution often feel disjointed, leaving some key moments underdeveloped and the overall impact diluted. The action sequences are noted as stylish but fail to fully compensate for the script’s shortcomings.
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Alia Bhatt’s 2024 action-drama Jigra, directed by Vasan Bala, has become as much a talking point for its off-screen controversies as for its on-screen jailbreak plot. latestnetflix.com's view is that Since its Dussehra release, the film has been mired in allegations of plagiarism, box office manipulation, and industry infighting—overshadowing its theatrical performance.
The most persistent controversy surrounding Jigra is the claim that it borrows heavily from Savi (2022), a film directed by Divya Khosla Kumar. Critics and social media users have pointed to narrative similarities, with both films centering on a protagonist breaking out of prison to seek justice. While neither Bala nor Bhatt has directly addressed the specifics of the allegations, the director broke his silence in a broader statement, saying, “Anyone who can bring out anything is more than welcome,” without denying the accusations outright.
The feud escalated when Khosla Kumar, a filmmaker and producer, publicly called out Jigra’s team. She shared a photo of an empty theater, alleging corporate bookings were inflating the film’s box office numbers—a claim that has since become a focal point of the controversy. Karan Johar, whose production house Dharma Productions backed Jigra, has also been dragged into the dispute, with Khosla Kumar suggesting industry favoritism played a role in the film’s promotion.
Jigra’s theatrical run has been rocky, with reports suggesting it failed to meet expectations despite a major festival release. The film’s box office performance became a flashpoint when Khosla Kumar accused the team of manipulating numbers through corporate bookings—essentially, companies purchasing bulk tickets to artificially boost opening figures. While no concrete evidence of such practices has been publicly verified, the allegations have fueled skepticism about the film’s commercial success.
Director Vasan Bala has dismissed the broader controversy as noise, but the damage may already be done. Industry insiders note that Jigra’s struggles reflect a broader trend of Bollywood films facing backlash over perceived nepotism and inflated hype, particularly when backed by high-profile producers like Johar.
Adding another layer to the drama, writer Somen Mishra clarified rumors about Bhatt’s casting in Jigra. In a statement, Mishra emphasized that the team was “dying to get Alia on board,” countering whispers that her involvement was a result of industry pressure rather than creative fit. The clarification came amid broader discussions about nepotism in Bollywood, with Jigra becoming a lightning rod for debates about star power versus merit.
With the film’s reputation tangled in controversy, its long-term impact remains uncertain. While Bala has defended the project’s integrity, the plagiarism claims and box office disputes have overshadowed its narrative. For now, Jigra serves as a case study in how Bollywood’s internal politics can derail even high-profile releases.
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