
Becky G
Self

As chart-topping Latin music superstar Becky G embarks on her most personal and ambitious project to date, her debut Mexican regional album, she is prompted to revisit her roots and dive deep into a beautiful and complicated past.
Pop stars reinvent themselves all the time. That's basically how the industry keeps moving. But seeing Becky G—born Rebbeca Marie Gomez—trade reggaeton sheen for a tuba and a guitarrón lands differently.
When somebody has spent ten years turning out club-ready hits, a pivot toward traditional Mexican regional music can look like pure calculation. Rebbeca could have leaned into that suspicion. Instead, the documentary treats the shift as something more personal, almost like digging through family history with a spotlight in your hand.

Directed by Jennifer Tiexiera and Gabriela Cavanagh, the film premiered at the 2025 Tribeca Festival before a short theatrical run. Both directors have worked in thorny, ethically delicate corners before (Tiexiera previously co-directed the excellent documentary Subject), and that steadiness helps here. I'm not convinced they dodge every trap of the contemporary music doc, though.
"A deeply personal, emotionally charged Becky G portrait that hits hard for invested listeners, even if the structure leans more like a polished snapshot than a full life story."
Emotional honesty, intimate family moments, and a strong focus on heritage and identity resonate strongly, with several viewers calling it one of the most moving celebrity documentaries they have seen. The focus on a specific period of Becky G’s life and a sometimes promotional tone leave a minority feeling it is less substantial or even unnecessary if they are not already connected to her work.
Netflix put Becky G's documentary on the U.S. slate for New Year's Eve, and the title on the tile is still Rebbeca, not Rebecca. TMDB files a 98-minute music documentary dated 12/10/2025, the first of two theatrical nights Trafalgar Releasing and Live Nation Studios sold before the streamer took it. What's on Netflix said the SVOD window opened December 31 in the United States. Rent-and-buy followed January 2. The Hollywood Reporter printed the same dates and listed Jennifer Tiexiera and Gabriela Cavanagh as directors. ,
,
,
Becky was born Rebbeca Marie Gomez. The extra letter is not a typo. "This film isn't about perfection," she said in a statement Remezcla ran in December. "It's about becoming. Rebbeca was filmed in a moment of personal transition, when the questions were still louder than the answers. It's raw, it's real, and it's healing." Rolling Stone caught her at the June 12 Tribeca premiere and printed another line. "Rebbeca symbolizes resilience, the kind that shows up quietly in our families, our culture, our growth." ,
The film sits on her first headlining tour, Mi Casa, Tu Casa, and on Esquinas, the regional Mexican album she cut after years of pop hits. Rolling Stone quotes her on her grandfather, who immigrated from Mexico to Southern California. "When I lost him, that was the catalyst for this project." She named the fear of being judged as pocha for imperfect Spanish. Panic attacks, she says on camera, used to be daily. "I couldn't go at least a day without one." The same piece says she talks about public scrutiny and forgiveness in her relationship with Sebastian Lletget. The heaviest thread is her father's addiction and infidelity, which she calls her first heartbreak. In one scene Rolling Stone flags, she asks him, "You left these shoes empty, and now I have to be the man of the house?" [6]
Tribeca music programmer Vincent Cassous, per The Hollywood Reporter, called the film "a celebration of cultural pride, artistic evolution and the unbreakable bond between music and identity." After the screening she told Rolling Stone that her grandfather's immigration story felt more urgent while ICE raids hit Los Angeles. "My grandfather's immigration story is a big part of that, and sharing this now, at a time when so many in our community are being targeted, feels even more urgent." Tiexiera and Cavanagh told the magazine they "could never have imagined" premiering while "our very state of being is under attack," and called the film "a love letter to our community." [4], [6]
THR says she surprised theatrical crowds in San Francisco and Los Angeles on December 10 and 13. Executive producers include Becky G and Live Nation's Michael Rapino. An end card points to Project Healthy Minds, a digital marketplace for mental health services she helped customize. Netflix's page is TV-MA and sells roots, love, loss, and Esquinas. The official trailer is on YouTube. [4], [2], [7]
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
Movies
Related titles ranked by rating and popularity.