
Tom Segura
Himself

The bearded, bawdy, and comically bitter Tom Segura gets real about body piercings, the "Area 51" of men's bodies, and the lie he told Mike Tyson.
I’ve always had a soft spot for stand-up specials that feel like eavesdropping on a conversation you weren’t invited to but desperately want to join. Tom Segura: Mostly Stories is that kind of special—less a polished performance than a late-night hangout where the beer’s gone warm, the jokes are getting sloppier, and somehow, against all odds, you’re still laughing. Segura’s 2016 Netflix hour isn’t trying to reinvent comedy; it’s just trying to tell you about the time he lied to Mike Tyson, or why men’s nipples are the “Area 51” of the human body, or how he once got stuck in a bike lane while being heckled by a guy in a truck.
The magic, if you can call it that, is in the shrug. Segura’s comedy thrives on the idea that life is a series of awkward, slightly humiliating moments, and the only way out is to laugh at them first.

There’s something disarmingly honest about Segura’s approach. He’s not here to deliver a manifesto or a tight set of punchlines. The title itself, Mostly Stories, is a promise: this isn’t going to be a traditional stand-up special where every line is honed to a razor’s edge.
Instead, it’s a collection of anecdotes, observations, and half-baked theories, all delivered with the kind of self-deprecating charm that makes you root for him even when the joke doesn’t quite land. Take the bit about body piercings, for example. It’s not a joke in the traditional sense—there’s no setup, no punchline, just Segura recounting his own ill-advised foray into getting his nipples pierced, complete with the kind of wincing detail that makes you cringe in solidarity.
The humor isn’t in the story itself; it’s in the way he tells it, like a guy who’s still not entirely sure how he ended up in this situation but is determined to see it through.
This is where the special’s structure comes into play. Directors Jay Karas and Rami Hachache (who’ve worked on everything from The Office to Brooklyn Nine-Nine) don’t just point a camera at Segura and call it a day. They intercut his stand-up with brief, surreal segments featuring Davis Choh, a comedian and actor who plays a kind of deadpan foil to Segura’s rambling energy.
These interludes—often just a few seconds long—act as palate cleansers, little visual breaks that keep the special from feeling like a static lecture. It’s a smart choice, even if it’s not entirely clear what Choh’s segments are for. Are they supposed to be Segura’s inner monologue?
"A solid stand-up special with Tom Segura’s signature laid-back humor, praised for its relatable stories but criticized by some for pacing and depth."
Viewers describe *Tom Segura: Mostly Stories* (2016) as a straightforward stand-up special that leans into Segura’s conversational style. The humor is rooted in everyday observations, with Segura sharing anecdotes about parenting, marriage, and social awkwardness. Some audience members highlight the special’s ability to make mundane topics engaging, while others note that the jokes occasionally feel stretched or repetitive. The runtime of 73 minutes is mentioned as a point of contention—some find it tight and well-paced, while others wish for more variety in the material. The Netflix production quality is consistently praised for its clean presentation, though the content itself is seen as more hit-or-miss depending on personal taste. No significant technical or performance issues are reported in the available evidence.
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Tom Segura’s 2016 stand-up special Mostly Stories arrived on Netflix with little fanfare but quickly became a fan favorite, thanks to its no-frills approach to comedy. Directed by Jay Karas and Rami Hachache, the 73-minute special strips away the gimmicks, letting Segura’s sharp, observational humor take center stage. With a modest rating of 6.7/10 from 82 votes on SensCritique , latestnetflix.com maintains, it’s not the highest-scoring special in Segura’s catalog—but its charm lies in its authenticity.
Unlike some high-budget comedy specials, Mostly Stories keeps things simple. The set is minimal, the lighting unobtrusive, and the focus squarely on Segura’s storytelling. The special’s trailer teases a mix of personal anecdotes and social commentary, hinting at the kind of relatable, self-deprecating humor Segura is known for. Clips from the special—like the infamous "Some People Suck" bit —showcase his ability to turn everyday frustrations into laugh-out-loud moments.
Segura’s delivery is effortless, whether he’s riffing on parenting fails ("My Dad Told Me A Lie" ) or the absurdity of bike culture ("BIKES" ). The special’s intro sets the tone: Segura strolls onstage, cracks a few jokes about the audience, and dives straight into material that feels like a conversation with an old friend.
While Mostly Stories is a solo act, Segura’s longtime friendship with co-star Davis Choh (who appears in the credits) adds an interesting layer. The two have worked together on podcasts and other projects, and their chemistry is evident in Segura’s storytelling. Though Choh doesn’t appear onstage in the special, his presence in the credits suggests a behind-the-scenes role—perhaps as a sounding board or collaborator in shaping the material.
The special’s directors, Jay Karas and Rami Hachache, are no strangers to comedy. Karas has helmed specials for other big names like Jim Gaffigan and Ali Wong, while Hachache’s work often leans into documentary-style storytelling. Their approach here is hands-off, letting Segura’s performance drive the show without unnecessary distractions.
In an era where comedy specials often rely on elaborate sets or viral moments, Mostly Stories succeeds by doing the opposite. It’s a reminder that great stand-up doesn’t need bells and whistles—just a comedian with a knack for turning life’s mundane moments into comedy gold. The special’s Netflix release gave it a wide audience, and clips from the show continue to circulate online, proving its lasting appeal.
For fans of Segura’s podcast 2 Bears 1 Cave or his other specials like Completely Normal, Mostly Stories is a must-watch—not because it’s flashy, but because it’s him at his most unfiltered.
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