
Ahmed Sylla
Samy Diakhaté

A true story of Samy, native of La Courneuve, who is out of love for Nadia, decides to climb Mount Everest.
I’ve seen this story before. Boy loves girl. Girl doubts boy.
Boy does something reckless to prove himself. The formula is as old as cinema itself, and yet The Climb (or L’Ascension, its far more poetic French title) manages to make it feel fresh—not because the stakes are higher (though they are, literally), but because the film understands something fundamental about why we chase impossible things. It’s not about the summit.
It’s about the person waiting at the bottom, and whether they’ll still be there when you come back down.
Ludovic Bernard’s film is based on the true story of Samy Diakhaté, a young man from La Courneuve, a suburb of Paris, who decides to climb Mount Everest to win back the woman he loves. On paper, this sounds like the setup for a slapstick comedy: an untrained, working-class kid from the projects attempting the world’s most dangerous climb. And yes, there are moments of broad humor—Samy’s first attempt at hiking in the Alps is a disaster, his gear is a joke, and his friends’ reactions range from bemused to outright terrified.
But what elevates The Climb above the level of a one-note farce is its refusal to treat Samy’s quest as a punchline. The film takes his dream seriously, even when he doesn’t.

The first act is pure French comedy, with Ahmed Sylla’s Samy radiating the kind of effortless charm that makes you root for him even when he’s being an idiot. He’s all grins and swagger, the kind of guy who talks his way into (and out of) trouble. His courtship of Nadia (Alice Belaïdi) is sweet and awkward, full of the kind of small, intimate moments that make their eventual breakup sting.
When she tells him, “You’re not the kind of guy who does things like this,” it’s not a challenge—it’s a dismissal. And that’s what hurts. Samy isn’t just trying to prove her wrong; he’s trying to prove something to himself.
"A heartwarming adventure comedy based on a true story, carried by charismatic performances and an inspiring underdog narrative."
The feel-good tone and Ahmed Sylla's engaging lead performance bring authenticity and humor to the real-life story of an inexperienced climber attempting Mount Everest. The plot is predictable and the pacing uneven, but the uplifting message and light approach make it an enjoyable watch for anyone after inspiration and entertainment.
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
The Climb (L'Ascension), the 2017 French adventure-comedy directed by Ludovic Bernard, blends humor with heart as it follows an unlikely hero’s quest to win back his love by scaling Mount Everest. While the film’s premise is straightforward, latestnetflix.com maintains, its production and reception offer a few intriguing details worth exploring.
Ludovic Bernard, born in 1970, has built a career on balancing television and cinema, with credits including episodes of Netflix’s Lupin. His work on The Climb stands out as a rare foray into the adventure-comedy genre, proving his versatility. The film’s premise—a young man’s impulsive decision to climb Everest to impress his crush—aligns with Bernard’s ability to blend lighthearted storytelling with physical challenges, a theme that resonates in his other projects.
Ahmed Sylla, known for his comedic timing, leads the cast as Samy Diakhaté, the determined but inexperienced climber. Alice Belaïdi plays Nadia, the object of Samy’s affection, while Kévin Razy and Waly Dia round out the supporting cast with their own comedic contributions. The ensemble’s chemistry is a key selling point, with Sylla’s charisma anchoring the film’s emotional core. The trailer, available with English subtitles, teases the film’s blend of humor and high-altitude drama, hinting at the physical and emotional challenges Samy faces.
The Climb received mixed but generally positive feedback. On SensCritique, a French review aggregator, it holds a 6.1/10 rating based on nearly 7,000 votes, suggesting a solid but not overwhelming reception. The film’s runtime of 103 minutes is noted, though no critical consensus emerges from the available snippets. Rumors about behind-the-scenes challenges—such as the logistics of filming in extreme conditions—remain unconfirmed, as the evidence doesn’t look at production details.
A Malayalam-language review on YouTube describes the film as a "feel-good adventure-comedy," praising its balance of humor and heart. However, without access to full reviews, it’s unclear how critics responded to the film’s more dramatic moments or its portrayal of Everest.
Multiple trailers and clips offer glimpses into the film’s tone. The official trailer on Max (formerly HBO Max) emphasizes the comedic stakes, while a Cannes clip highlights the film’s more dramatic moments. Notably, some trailers in the search results are for unrelated projects, such as the 2020 American film The Climb directed by Michael Covino, which has no connection to Bernard’s work. This confusion underscores the importance of distinguishing between similarly titled films.
The Climb (2017) is a charming, if modest, entry in the adventure-comedy genre. Its strength lies in its cast and the universal appeal of its underdog story. While evidence about its production is thin, the film’s reception suggests it struck a chord with audiences looking for a mix of laughter and inspiration. For fans of French cinema or feel-good stories, it’s a climb worth taking—just don’t expect a blockbuster.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
More titles in the same genres and with the same cast.