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Movie poster for Eurovision Song Contest: The Story of Fire Saga (2020)

Eurovision Song Contest: The Story of Fire Saga

“Nobody wins solo”

2020
2h 1m
Director: David Dobkin
Play trailer
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Overview

Two small-town singers chase their pop star dreams at a global music competition, where high stakes, scheming rivals and onstage mishaps test their bond.

Cast

12 people

Reviews

4 min read

A Love Song for the Ridiculous

I’ll admit it: I went into Eurovision Song Contest: The Story of Fire Saga expecting a two-hour joke about sequins and bad accents. What I got instead was something far stranger—a film that loves its subject so much it forgets to be cool about it. That’s both its greatest strength and its most glaring flaw.

It’s a movie that wants to make you laugh, sure, but also one that wants to make you feel something about the absurd, glittering spectacle of Eurovision. And in its best moments, it does.

The premise is simple: Lars Erickssong (Will Ferrell) and Sigrit Ericksdottir (Rachel McAdams), two small-town Icelandic singers with delusions of grandeur, get a shot at Eurovision glory after a freak accident wipes out their country’s actual competitors. What follows is a whirlwind of over-the-top performances, backstage scheming, and a romance that’s equal parts sweet and silly.

But the film’s real subject isn’t the competition—it’s the idea of belonging. Lars and Sigrit aren’t just chasing a trophy; they’re chasing a version of themselves they’ve spent years imagining. And in a contest where the line between triumph and humiliation is razor-thin, that chase becomes something poignant.

Lars and Sigrit performing on a neon-lit stage, their faces lit with desperate hope

The film’s tone is a high-wire act, and not always a successful one. There’s a scene early on where Lars and Sigrit perform at a local bar, their earnestness clashing with the audience’s indifference. It’s funny, but it’s also sad—a moment that captures the gap between how we see ourselves and how the world sees us.

That tension runs through the whole movie, though it’s often buried under slapstick and sight gags. The problem isn’t that the film is ridiculous; it’s that it knows it’s ridiculous, and sometimes that self-awareness undercuts its own sincerity. When Lars and Sigrit finally take the Eurovision stage, the film seems torn between mocking the spectacle and celebrating it.

Audience Opinions

Audience 6.5/10
"A lighthearted, silly musical comedy that charms with its absurdity and heart but struggles with pacing and predictability."

The film’s over-the-top humor and musical numbers win over many for its sheer entertainment value, with Will Ferrell and Rachel McAdams’ chemistry often stealing the show. However, the story’s thin plot and occasional drag in pacing leave some wishing for more depth or originality in its Eurovision parody.

What viewers praise
  • Fun, absurd humor The movie’s exaggerated, silly tone and self-aware jokes about Eurovision deliver consistent laughs and a playful vibe.
  • Strong lead chemistry Will Ferrell and Rachel McAdams’ dynamic as the fictional duo Fire Saga makes their on-screen partnership feel genuine and endearing.
  • Catchy musical numbers The original songs, including the viral 'Husavik,' are praised for their energy and memorability, fitting the film’s campy style.
  • Charming Eurovision parody The film’s affectionate send-up of Eurovision’s quirks and traditions resonates with fans of the contest and newcomers alike.
Common complaints
  • Thin, predictable plot The story follows a familiar underdog formula with little surprise, making it feel formulaic and occasionally slow.
  • Uneven pacing Some scenes drag, particularly in the middle act, disrupting the film’s otherwise energetic flow.
  • Over-the-top at times While the absurdity is part of the appeal, a few gags and performances feel too exaggerated, bordering on grating for some viewers.
  • Underutilized cast Supporting actors like Pierce Brosnan and Dan Stevens have limited screen time, leaving their talents largely untapped.
Recommended for
Musical comedy fans Eurovision enthusiasts Will Ferrell fans Lighthearted movie lovers Rachel McAdams fans Campy humor seekers

Full Plot (Spoilers)

Spoiler warning

This section contains the full plot, including major story reveals. Overview above stays spoiler-free.

Buzz & Rumors

Public reports

Will Ferrell’s Eurovision Movie: Behind the Scenes of The Story of Fire Saga

Netflix’s Eurovision Song Contest: The Story of Fire Saga (2020) delivered a campy, over-the-top love letter to the iconic music competition—and a rare chance to see Will Ferrell and Rachel McAdams as Icelandic underdogs chasing Eurovision glory. But how did this unlikely comedy come together? Here’s what the evidence reveals about its chaotic, latestnetflix.com argues, colorful production.


Ferrell’s Passion Project: From Eurovision Fan to Screenwriter

Will Ferrell wasn’t just the star of The Story of Fire Saga—he co-wrote the script with Andrew Steele, marking his first feature screenplay credit in over a decade . The idea reportedly stemmed from Ferrell’s long-standing fascination with Eurovision. He attended the 2018 contest in Lisbon as a spectator, soaking up the spectacle, drama, and sheer absurdity of the event . The film’s premise—two small-town Icelanders (Ferrell and McAdams) accidentally qualifying for Eurovision—mirrors Ferrell’s own outsider perspective on the competition’s larger-than-life performances.

Ferrell’s involvement went beyond writing and acting. He reportedly pushed for the film’s musical numbers to feel authentic, even if the humor leaned into Eurovision’s inherent silliness. The soundtrack, featuring original songs like "Double Trouble" and "Volcano Man," earned a modest but respectable 6.8/10 rating from critics , suggesting the music struck a balance between parody and genuine catchiness.


Rachel McAdams on Working with Ferrell: "A Dream" (But Also Exhausting?)

YTYouTube·Eurovision movie: Rachel McAdams on working with…
https://www.youtube.com/watch?v=uJuFb8N_ttc

McAdams, who played Sigrit Ericksdóttir, Ferrell’s reluctant musical partner, described the shoot as a whirlwind of creativity—and chaos. In a BBC News interview, she called working with Ferrell "a dream" but hinted at the physical demands of the role, which required her to perform live vocals and choreography . The film’s musical numbers were shot in front of real audiences, adding pressure to nail the comedic timing while delivering semi-serious performances.

McAdams also praised co-star Pierce Brosnan, who played her character’s father, Erick. Brosnan’s deadpan delivery in scenes like the "Jaja Ding Dong" musical number became a standout moment, though McAdams joked that Brosnan’s "serious actor" energy clashed hilariously with Ferrell’s improvisational style . Graham Norton, who played himself as the Eurovision commentator, reportedly ad-libbed much of his dialogue, adding to the film’s off-the-cuff charm.


A Love Letter to Eurovision—Or a Satire?

YTYouTube·Eurovision Song Contest: The Story of Fire Saga …
https://www.youtube.com/watch?v=wXAoznWmuL8
YTYouTube·EUROVISION SONG CONTEST: The Story Of Fire Saga …
https://www.youtube.com/watch?v=7q6Co-nd0lM

The film’s tone divided critics. With a 5.6/10 rating on SensCritique , some viewers felt it leaned too hard into slapstick, while others appreciated its affectionate parody of Eurovision’s campy traditions. The movie’s trailer, which amassed millions of views , promised a mix of absurd humor and heartfelt underdog storytelling—though whether it delivered remains debated.

One thing’s clear: The Story of Fire Saga wasn’t meant to be a serious musical. Ferrell and director David Dobkin embraced Eurovision’s inherent ridiculousness, from over-the-top costumes to nonsensical lyrics. The film’s fictional Icelandic entry, "Double Trouble," even included a literal volcano prop, a nod to the competition’s history of extravagant staging .


The Verdict: A Flawed but Fun Homage

While The Story of Fire Saga didn’t break critical records, it succeeded in capturing the spirit of Eurovision—flaws and all. Ferrell’s passion for the subject shines through, even if the execution occasionally stumbles. For fans of the contest, the film is a nostalgic, if exaggerated, tribute; for everyone else, it’s a goofy, 123-minute distraction .

And who knows? If Eurovision ever invites Ferrell back for a cameo, we might just get a sequel.


Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.

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