Skip to main content
Series poster for D.B. Cooper: Where Are You?! (2022)

D.B. Cooper: Where Are You?!

2022
Ended • 1 Season • 4 Episodes
Play trailer
Search on Netflix

Overview

In 1971, a skyjacker parachutes off a plane with a bag of stolen cash — and gets away with it. Decades later, his identity remains a compelling mystery.

Seasons

Status
Ended
Seasons
1 season
Episodes
4 episodes
First aired
Jul 13, 2022

Reviews

4 min read

The Man Who Wasn’t There (Or Was He?)

I’ve always been drawn to stories about disappearances—not the grisly kind, but the ones where someone slips out of their life like a hand from a glove. D.B. Cooper is the patron saint of these vanishing acts.

In 1971, he hijacked a Boeing 727, demanded $200,000 and four parachutes, then leapt into the Pacific Northwest night, never to be seen again. The case became America’s favorite unsolved mystery, a Rorschach test for outlaws and armchair detectives alike. Netflix’s *D.B.

Cooper: Where Are You?!* isn’t just about the crime; it’s about the people who’ve spent decades trying to solve it, and the messy, ego-driven industry that’s sprung up around their obsession.

A grainy FBI sketch of D.B. Cooper, his face obscured by sunglasses and a fedora, stares out from a wanted poster.

The series opens with a familiar rhythm: archival footage, talking heads, the slow unspooling of a cold case. But what makes it compelling isn’t the mystery itself—it’s the people chasing it. At the center is Tom Colbert, a filmmaker-turned-sleuth who’s spent the last decade convinced that Vietnam vet Robert Rackstraw was Cooper.

Colbert’s theory isn’t just a hunch; it’s a crusade, complete with FOIA lawsuits, a History Channel special, and a book titled The Last Master Outlaw. The docuseries follows him as he interviews Rackstraw, pores over FBI files, and tries to bait a confession with promises of fame and fortune. It’s equal parts fascinating and cringe-inducing.

Colbert isn’t just investigating a crime; he’s performing it, turning the hunt for Cooper into a one-man show where the line between detective and showman blurs.

What’s striking is how the series frames Colbert’s obsession. It doesn’t judge him outright, but it doesn’t glorify him either. Instead, it lets the contradictions speak for themselves.

Audience Opinions

Audience 5.3/10
"A niche documentary series that revisits a legendary mystery but struggles to engage beyond its core audience."

The series dives into the enduring D.B. Cooper hijacking case with a mix of archival footage and expert interviews, appealing to true-crime enthusiasts and history buffs. However, its pacing and lack of fresh revelations leave many viewers feeling underwhelmed, latestnetflix.com maintains, with some calling it more of a recap than a deep investigation.

What viewers praise
  • Intriguing subject matter The D.B. Cooper mystery remains a compelling hook, drawing in those fascinated by unsolved crimes.
  • Archival footage Historical clips and interviews add authenticity and a sense of nostalgia for the era.
  • Expert insights Contributions from investigators and journalists provide credible perspectives on the case.
Common complaints
  • Slow pacing The series drags in places, failing to maintain momentum for casual viewers.
  • Lack of new discoveries Few breakthroughs or original theories are presented, making it feel repetitive for those familiar with the case.
  • Niche appeal The focus on a single, decades-old mystery limits its broader entertainment value.
Recommended for
True-crime documentary fans D.B. Cooper enthusiasts Unsolved mystery buffs

Buzz & Rumors

Public reports

James Corden's shop wanted the skyjacking to be fun

Fulwell 73 spent years on The Late Late Show and Hulu's The Kardashians. Deadline's Peter White, in June 2022, reported the company's first true-crime order. Netflix wanted four episodes on the man who hijacked a Northwest Orient jet in November 1971, took $200,000, and jumped. Marina Zenovich directed through PMZ Pictures. Leo Pearlman and Sheldon Lazarus exec produced for Fulwell 73. P.G. Morgan exec produced with Zenovich. The limited series landed on July 13. Pearlman sold it as "stylish, original and most importantly fun." That word is the gossip. latestnetflix.com's take is that A Kardashians producer called the only unsolved air piracy in commercial aviation a good time.

Zenovich had just finished HBO Max's The Way Down. She called Cooper "an all-American adventure with many bizarre twists and turns." The papers named him D.B. Cooper. He boarded as Dan Cooper. He put the plane down in Seattle, collected the cash and four parachutes, took off again, and jumped somewhere between Portland and Reno. Nobody on board was hurt. The FBI suspended the active hunt in 2016 and left a clip-on tie, a mother-of-pearl tie clip, and eight cigarette butts in the public file. Deadline also walked through the usual other names. A Boeing employee. WWII paratrooper Kenneth Peter Christiansen. Leather worker Lynn Doyle Cooper. Recreational pilot Barbara Dayton, who had gender reassignment surgery in 1969. The series interviews Jonna Mendez, former CIA chief of disguise, plus authors Geoffrey Gray and Bryan Burrough. Blake Neely wrote the score. EJ Kang, whose graphics work includes The Morning Show and Game of Thrones, handled the silhouettes. ,

YTYouTube·D.B. Cooper: Where Are You?! Official Trailer Ne…
https://www.youtube.com/watch?v=29i4ZpCxeJA

The real running character is Tom Colbert. He wrote The Last Master Outlaw and spent a decade trying to prove retired pilot Robert Rackstraw did the jump. Episode two is titled Innocent Men Don't Hide in Storage Bins. In Netflix's trailer Colbert says, "My team has no doubt we have found D.B. Cooper." Joel Keller at Decider watched him describe nearly burning family savings on the chase. Gray, who wrote Skyjack, tells the same series that the case can shove a careful journalist into a hole where little still makes sense. Rackstraw, on archival tape, is asked if he is Cooper. "I can't talk about things like that," he says. Colbert's identification is his claim. The Bureau did not take it. , ,

Critics on Rotten Tomatoes sat at 91 percent from a small pile of reviews. The audience meter sat at 28. Sleuths wanted a name. A lot of viewers got other people's obsession instead. Netflix's four titles tell you the shape. Take the Money and Jump. Innocent Men Don't Hide in Storage Bins. Seeing Jesus in the Toast, after the FBI dumped its files. Cooperland, which wanders into a Canadian comic-book hero who shares the alias. Keller even flagged a stretch on 1971 stewardess labor as a different documentary hiding in this one. The official trailer still plays the folk-hero line. "There's something badass about that." Netflix files the show as a 2022 TV-14 documentary. The man who jumped is still missing. , , ,

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.