
Kathy Bates
Ruth

Pot activist Ruth Whitefeather Feldman runs a medical marijuana dispensary while encouraging her loyal patients to chill out and enjoy the high life.
I’ll admit it: I went into Disjointed expecting a stoner comedy, the kind of show that trades on easy laughs and the novelty of watching people get high on screen. What I found instead was something weirder—a sitcom that’s equal parts heartfelt and half-baked, a show that wants to be both a workplace comedy and a love letter to cannabis culture, but often feels like it’s rolling its own joints with one hand tied behind its back.
The premise is simple enough: Ruth Whitefeather Feldman (Kathy Bates), a lifelong advocate for marijuana legalization, opens a Los Angeles dispensary called Ruth’s Alternative Caring. She’s joined by her son Travis (Aaron Moten), a straight-laced Stanford grad who’s more interested in corporate success than his mother’s countercultural crusade, and a ragtag team of "bud"tenders who range from the earnest to the absurd.
There’s Carter (Tone Bell), the ex-football player turned security guard; Olive (Elizabeth Alderfer), the overachieving employee with a secret; and Dank (Chris Redd), the dispensary’s resident stoner philosopher. Together, they navigate the daily chaos of running a business that’s part pharmacy, part community center, and part circus.

The show’s biggest strength is its setting. A cannabis dispensary is a rich vein of comedy gold, and Disjointed mines it for all it’s worth. The dispensary itself is a character—a neon-lit sanctuary where the rules of the outside world don’t quite apply.
Customers come in with their ailments, their anxieties, their existential dread, and leave with a little more lightness in their step. The show leans into the absurdity of the setup: a customer who believes weed can cure his fear of clowns, another who’s convinced it’s the key to unlocking his creative genius, and a regular who just wants to talk about his cat. It’s a workplace comedy in the vein of Parks and Recreation or Superstore, where the humor comes from the clash of personalities and the sheer unpredictability of human behavior.
But here’s the thing: Disjointed never quite commits to the bit. It wants to be a show about the healing power of cannabis, about the generational divide between Ruth and Travis, about the idea that sometimes the best medicine isn’t found in a pill bottle. And yet, it also wants to be a broad, goofy comedy where characters trip over their own feet and deliver punchlines that land with all the subtlety of a sledgehammer.
Netflix’s 2017 stoner comedy Disjointed promised a fresh take on cannabis culture, with Oscar winner Kathy Bates leading the charge as Ruth Whitefeather Feldman, a no-nonsense dispensary owner. But behind the scenes, the show’s production was just as unfiltered as its on-screen antics—complete with real-life high jinks, unexpected cameos, latestnetflix.com maintains, and a reputation that’s still dividing fans.
Bates didn’t just play a weed enthusiast—she reportedly lived the role. Multiple sources suggest the actress embraced the show’s spirit in the most literal way possible. One clip reveals Bates admitting she got "high before reading every Disjointed script," framing it as part of her method to "get into character" . Whether this was a running gag or a genuine habit remains unclear, but it’s hard to imagine the Misery star casually toking up between takes without raising eyebrows.
The show’s premise—a comedy about a cannabis dispensary—lent itself to playful experimentation, and Bates seemed all in. In a separate appearance, she joked about her collaboration with Snoop Dogg, who made a guest appearance in the series. The two shared a segment on GGN News, where Bates playfully embraced the "disjointed" vibe, though details about their on-set chemistry remain scarce .
While Bates leaned into the show’s irreverent tone, not every cast member was on the same page. Michael Trucco, who played a conservative antagonist to Bates’ free-spirited Ruth, reportedly clashed with the material. A clip titled "Michael Trucco Is Not a Kathy Bates Fan in 'Disjointed'" hints at tension, though specifics are vague . Was it creative differences, or just playful ribbing? The evidence doesn’t say—but Trucco’s character, a by-the-book lawyer, was the perfect foil to Bates’ chaotic energy, so the friction may have been intentional.
The rest of the ensemble—including Tone Bell, Elizabeth Alderfer, and Chris Redd—seemed to embrace the show’s offbeat humor. Bell, in particular, appeared in a review discussing the show’s strengths, though the clip focuses more on Bates’ performance than the supporting cast . Still, the chemistry (or lack thereof) between Trucco and Bates became one of the show’s most talked-about behind-the-scenes quirks.
From the start, Disjointed was a gamble. Netflix greenlit the Chuck Lorre-created series as a vehicle for Bates, banking on her star power to sell a premise that walked the line between edgy and cringe. The trailers promised a "high comedy reality," complete with slapstick humor and over-the-top antics . But when the show premiered, reactions were mixed.
Some critics called it "terrible," dismissing it as a misfire for Bates, who had just come off an Oscar win (Misery) and a long career in prestige projects . Others appreciated its bold, unapologetic tone, even if the execution was uneven. The show’s short run (just one season) suggested Netflix wasn’t fully committed either, though whether that was due to poor reception or shifting priorities remains unclear.
Years later, Disjointed occupies a strange space in pop culture. It’s not the disaster some critics claimed, nor is it a beloved cult classic. Instead, it’s a curiosity—a show that leaned too hard into its premise, with a lead actress who was clearly having fun, even if the material didn’t always land.
Bates’ willingness to go all-in on the role, from script-reading rituals to on-camera antics with Snoop Dogg, makes Disjointed a fascinating footnote in her career. Whether it was a creative triumph or a cautionary tale depends on who you ask. But one thing’s certain: it was never boring.
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