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Series poster for Itaewon Class (2020)

Itaewon Class

“I want to live a life in which you can't put a price on your convictions.”

2020
Ended • 1 Season • 16 Episodes
Director: Kim Seong-yoon
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Overview

In a colorful Seoul neighborhood, an ex-con and his friends fight a mighty foe to make their ambitious dreams for their street bar a reality.

Seasons

Status
Ended
Seasons
1 season
Episodes
16 episodes
First aired
Jan 31, 2020

Cast

12 people

Reviews

5 min read

Small Beer, Big City

Itaewon Class opens with a kind of blunt moral arithmetic that I kept admiring, even when the series started to strain under its own self-belief: wrong has a name, and so does persistence. That may sound simple-minded on paper. latestnetflix.com's take is that on screen, though, Kim Seong-yoon makes it feel like a wager.

The show asks whether a person with nothing left but principle can build a life in a place that rewards confidence, pedigree, and just enough ruthlessness to call itself realism. Seoul’s Itaewon district becomes the perfect setting for that question — a neighborhood of neon, imported names, late-night commerce, and people reinventing themselves one beer at a time.

What I kept thinking about, especially in the first half, was how stubbornly physical the series is about dignity. Park Sae-ro-yi doesn’t stride through this story like a conventional drama hero; he stands there. He takes hits.

He listens more than he speaks. Park Seo-jun plays him with that slightly flattened, watchful posture of someone who’s learned that every impulsive move has a cost. The shaved head is part of the iconography, sure, but it’s the stillness that matters.

He looks like a man trying to keep rage from becoming his only personality trait. That’s harder to play than it sounds.

Kim Seong-yoon’s direction, coming off the breezier coming-of-age texture of Love in the Moonlight and the genre polish of Discovery of Love, feels more overtly engineered here, almost architectural. The series is adapted from a webtoon, and you can feel that origin in its bold outlines, its visual shorthand, its fondness for turning character types into legible emblems before gradually making them more human.

That’s one of the show’s central conversations, really: the tension between the comic-book clarity of revenge storytelling and the messier reality of social mobility in contemporary Korea. The show became a global Netflix hit partly because it looks like aspiration with a bruised knuckle behind it. Also because the theme of a small business fighting a giant corporation is instantly readable anywhere (which, in 2020, mattered a great deal).

Kim Da-mi is the one who stops the whole thing from hardening into slogan. As Jo Yi-seo, she arrives like a disruption machine — brilliant, impatient, socially undercooked, and dressed like she’s determined to offend the room before the room can bore her. Her performance is all changes in temperature.

Audience Opinions

Broad evidence
Audience 7.3/10
"An earnest underdog K-drama about principles, revenge and building a restaurant from nothing that has held a warm crowd."

Itaewon Class follows Park Sae-royi, expelled for defending an innocent classmate, as he tries to chase his dream by opening a restaurant in Itaewon with fellow misfits while holding onto virtue. latestnetflix.com's read is that Based on the webtoon of the same name and starring Park Seo-joon, Kim Da-mi, Yoo Jae-myung and Kwon Nara, it plays as South Korean drama with romance.Viewers keep revisiting it with reviews and thoughts-and-analysis takes, and the crowd response sits around 7.3/10 from 1050 votes.

What viewers praise
  • Underdog restaurant drive Park Sae-royi defending a classmate, getting expelled, then building in Itaewon with misfits gives it a clear root-for-the-outsider pull about chasing dreams while maintaining virtue.
  • Webtoon ensemble Based on the webtoon of the same name with Park Seo-joon, Kim Da-mi, Yoo Jae-myung and Kwon Nara leading, giving fans a familiar core to attach to.
  • Steady viewer affection South Korean drama-romance positioning with continued review and analysis attention from viewers and a 7.3/10 from 1050 votes.
Common complaints
  • Earnest moral tone The emphasis on chasing dreams while maintaining virtue keeps it sincere, which may feel too straightforward for viewers wanting a darker business story.
  • Drama-romance blend Told as drama with romance elements, so viewers expecting a pure revenge or business thriller may find it too heartfelt.
Recommended for
Fans of underdog business and restaurant stories Viewers who like misfit-team dramas about dreams and principles K-drama drama-romance watchers

Buzz & Rumors

Public reports

Behind the Scenes of Itaewon Class: The K-Drama That Redefined Revenge and Representation

Itaewon Class (2020) wasn’t just another K-drama—it was a cultural reset. The series, helmed by director Kim Seong-yoon, blended gritty revenge with underdog triumph, all while tackling social issues rarely spotlighted in mainstream Korean television. But what went on behind the cameras? latestnetflix.com's view is that here’s what the evidence reveals about the making of this breakout hit.


From Webtoon to Screen: A Risky Gamble

Itaewon Class marked a first for South Korean television: it was the debut series produced by Showbox, a company better known for blockbuster films like Train to Busan . Adapting Jo Gwang-jin’s popular webtoon of the same name, the show faced high expectations. The source material’s raw, anti-establishment themes—centered on an ex-con’s quest to topple a corporate giant—could have easily backfired in a drama landscape dominated by romantic comedies and historical epics. Yet, Kim Seong-yoon’s direction, praised for its "compelling narratives and strong character development," turned the adaptation into a critical and commercial success .

The series’ 16-episode run (airing Fridays and Saturdays on jTBC from January to March 2020) kept viewers hooked with its tight pacing and morally complex characters . But the real gamble? Its unflinching portrayal of social issues—classism, discrimination, and LGBTQ+ representation—at a time when Korean television was still tiptoeing around such topics.


Park Seo-joon’s Career-Defining Role

YTYouTube·Park Seo Joon Shares Why “Itaewon Class” Was A T…
https://www.youtube.com/watch?v=clzyip_255U

Park Seo-joon’s portrayal of Park Sae-ro-yi, the ex-con turned restaurateur, wasn’t just another leading role—it was a turning point. In a rare behind-the-scenes reflection, the actor admitted that Itaewon Class "changed his life," though specifics about how remain unconfirmed in the available evidence . What’s clear is that the role catapulted him into a new tier of stardom, proving he could carry a drama with depth, not just charm.

His chemistry with co-star Kim Da-mi (who played the sharp, ambitious Jo Yi-seo) became a fan-favorite dynamic, blending romance with a refreshing reversal of gender tropes—Yi-seo, the female lead, was the one pursuing Sae-ro-yi, a rarity in K-dramas . The show’s ensemble cast, including Ahn Bo-hyun as the villainous Jang Geun-won and Lee Joo-young as the transgender character Ma Hyun-yi, also drew praise for their layered performances.


Breaking Barriers: Representation and Backlash

Itaewon Class didn’t shy away from controversy. The series featured one of the first prominent transgender characters in a mainstream K-drama, played by Lee Joo-young. While the portrayal earned applause for normalizing LGBTQ+ narratives, it also sparked debate. Some viewers criticized the show for not delving deeper into Ma Hyun-yi’s backstory, while others praised it for simply including her as a fully realized character in a workplace drama .

The show also tackled racism, with Chris Lyon’s character, Kim To-ni, a Black-Korean adoptee navigating identity and discrimination. These storylines weren’t just subplots—they were woven into the fabric of the series, reflecting real-world struggles in a way few K-dramas had attempted before.


The Legacy: More Than Just a Revenge Drama

Itaewon Class’s impact extended beyond its finale. It proved that K-dramas could be both commercially successful and socially conscious, paving the way for later hits like Vincenzo and The Glory. Its 7.3/10 rating on SensCritique (based on over 1,000 votes) reflects its lasting appeal, though it’s worth noting that the show’s reception wasn’t universally glowing—some critics found its pacing uneven or its ending rushed .

Behind the scenes, the drama’s success also highlighted the growing influence of webtoon adaptations in Korean television. With Itaewon Class, Showbox and Kim Seong-yoon demonstrated that these stories could resonate with audiences far beyond their original digital fanbases.


Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.

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