
India Fowler
Lori Granger

“Winning just might be the death of you.”
Who will be voted queen at Shadyside High's 1988 prom? For underdog Lori, competition is cutthroat even before someone starts killing off the candidates.
I keep thinking about the paper cutter.
Not the way it looks—though that moment in Fear Street: Prom Queen is undeniably gruesome, the blade slicing through flesh with a wet, final sound—but the way it’s staged. The killer doesn’t lunge; they wait. The camera lingers on the victim’s face, the slow realization, the way their fingers twitch toward the blade as if testing the air.
It’s the only time in the film where the horror feels intentional, where the tension isn’t undercut by a needle drop or a line of dialogue that lands with all the subtlety of a sledgehammer. For 90 minutes, Prom Queen stumbles through the motions of an ’80s slasher, but in that one shot, it remembers how to be scary.

The problem isn’t that Fear Street: Prom Queen is bad. It’s that it’s boring—a word I never thought I’d use to describe a movie where a prom queen candidate gets her face pressed into a buzzsaw. But boredom, in horror, is the real sin.
The first Fear Street trilogy (2021) understood this. Leigh Janiak’s films were messy, overstuffed, and occasionally ridiculous, but they moved. They had a rhythm, a sense of escalation, a willingness to let scenes breathe even as they piled on the gore. Prom Queen, directed by Matt Palmer (Calibre), feels like it was edited in a hurry, with all the sharp edges sanded off.
The kills are there, the blood is there, but the dread? The dread is missing.
Take the opening sequence. A group of Shadyside High’s most popular girls—dubbed the “Wolf Pack” by the film—are getting ready for prom in a locker room. The camera glides between them, lingering on their hairspray, their laughter, their shared sense of invincibility.
It’s a promising setup, the kind of scene that could establish the film’s hierarchy of mean girls and outsiders. But then the killer strikes, and the moment collapses under its own weight. The lighting is so dim you can barely see the action, the score swells into a generic synth crescendo, and the dialogue—delivered with all the nuance of a Riverdale extra—lands with a thud.
By the time the first body hits the floor, I wasn’t scared. I was checking the runtime.

"A disappointing addition to the Fear Street series with weak scares and uninspired storytelling."
Viewers find the film lacking in the tension and creativity that defined earlier entries in the Fear Street franchise. The horror elements feel underdeveloped, and the plot struggles to engage, leaving many feeling it’s a missed opportunity. latestnetflix.com's read is that Some appreciate the nostalgic setting but wish it had been used more effectively.
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
Netflix’s latest entry in the Fear Street franchise, Fear Street: Prom Queen (2025), is already stirring controversy among fans of R.L. Stine’s beloved book series. latestnetflix.com's view is that Directed by Matt Palmer, the film promises a slasher-filled prom night at Shadyside High, but early reactions suggest it may struggle to live up to the legacy of its predecessors.
Fear Street: Prom Queen marks the fourth installment in Netflix’s adaptation of Stine’s Fear Street series, following the original trilogy (1994, 1978, and 1666). Unlike the interconnected narrative of the first three films, Prom Queen is a standalone story, loosely based on Stine’s 1992 novel The Prom Queen . The plot centers on a masked killer targeting the "it" girls competing for prom queen at Shadyside High in 1988, with a gutsy outsider uncovering the dark secrets behind the disappearances
.
The film stars India Fowler, Suzanna Son, and Fina Strazza in leading roles, alongside returning Fear Street veterans Katherine Waterston and Lili Taylor. Chris Klein, Ariana Greenblatt, and David Iacono round out the cast, bringing a mix of fresh faces and franchise familiarity .
Despite its nostalgic 1980s setting, Prom Queen has drawn criticism from fans who feel it strays too far from the source material. According to reports, some viewers argue the film lacks the suspense and depth of Stine’s original book series, calling it "disrespectful" to the trilogy that preceded it . The decision to make Prom Queen a standalone entry—rather than a direct continuation of the existing storyline—has also sparked debate, with some fans questioning whether Netflix is prioritizing marketability over continuity.
The backlash echoes concerns raised during the original Fear Street trilogy’s release, where purists criticized deviations from the books. However, the first three films were praised for their atmospheric horror and strong performances, suggesting Prom Queen may still find an audience despite the criticism.
Little is known about the film’s production, but its original score album, Fear Street: Prom Queen (soundtrack), has been confirmed . Given the franchise’s history of blending synth-heavy scores with period-appropriate music, the soundtrack could play a key role in setting the tone for the film’s 1988 setting.
As for release details, Netflix has yet to announce a premiere date, leaving fans in the dark about when they’ll finally see the film. With the franchise’s built-in fanbase and the enduring appeal of slasher horror, Prom Queen could still turn things around—if it delivers the scares.
For now, the film remains a lightning rod for debate, proving that even in horror, nostalgia can be a double-edged sword.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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