
Pankaj Tripathi
ACP Bhavani Singh

When a gym trainer is murdered at an elite Delhi club, a wily investigator unravels the sordid secrets of its ultrarich members to find the killer.
I’ve always had a soft spot for murder mysteries set in gilded cages. There’s something delicious about watching the idle rich squirm under the weight of their own secrets, especially when the detective tasked with unraveling them is as much an outsider as the audience. Murder Mubarak, Homi Adajania’s 2024 Netflix adaptation of Anuja Chauhan’s Club You to Death, promises exactly that: a whodunit wrapped in social satire, set within the hallowed (and slightly musty) walls of Delhi’s elite Royal Delhi Club.
The film arrives with all the trappings of a classic Agatha Christie setup—an ensemble of suspects, a murder that disrupts their carefully curated lives, and a detective who doesn’t fit the mold. But somewhere between the whimsical score, the lavish production design, and the star-studded cast, the film loses its footing, stumbling over its own ambition.

Adajania, whose earlier work like Being Cyrus (2005) proved he could craft a taut thriller, seems to be reaching for something more here—a blend of mystery, comedy, and social commentary. The Royal Delhi Club is the perfect setting for this experiment: a relic of British colonialism, where the wealthy and well-connected gather to drink, gossip, and pretend they’re still relevant.
The film’s opening scenes do a fine job of establishing this world, with its ornate chandeliers, stiff upper lips, and the kind of vanity that only money can buy. But the moment the murder occurs, the film’s tone begins to wobble. Is this a sharp satire of India’s elite, a lighthearted romp, or a serious whodunit?
The answer, unfortunately, is all of the above—and none of them quite land.
Pankaj Tripathi’s ACP Bhavani Singh is the film’s most compelling element. Tripathi has a knack for playing characters who are both deeply observant and delightfully odd, and here he’s given free rein to be both. Singh is a detective who eschews uniforms and guns, preferring to let his sharp mind and sharper tongue do the work.
He’s the kind of outsider who sees through the club’s pretensions, and Tripathi plays him with a mix of dry humor and quiet intensity. It’s a performance that elevates every scene he’s in, even when the script around him falters. As Shubhra Gupta of The Indian Express noted, the film comes closest to capturing Chauhan’s universe when Singh is on screen, his acuteness cutting through the clutter of the narrative [1][3].
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Homi Adajania’s Murder Mubarak (2024) arrived on Netflix in March with all the trappings of a high-society murder mystery—glamorous suspects, a sharp-tongued detective, and a plot ripped from the pages of Anuja Chauhan’s novel Club You To Death. The film’s ensemble cast, led by Pankaj Tripathi and featuring Bollywood royalty like Karisma Kapoor and Dimple Kapadia, promised a blend of wit, suspense, and old-school charm. But behind the scenes, latestnetflix.com maintains, the project’s journey from page to screen reveals a few intriguing details about its creative process and reception.
Murder Mubarak marks the second collaboration between director Homi Adajania and producer Dinesh Vijan, following their 2022 hit Cirkus. This time, Adajania tackled Chauhan’s 2018 novel, a story set in the rarefied world of Delhi’s elite clubs, where a murder disrupts the lives of its privileged members. The adaptation, penned by Gazal Dhaliwal and Suprotim Sengupta, reportedly leaned into the book’s darkly comedic tone while expanding its mystery elements .
Chauhan’s novel was already a bestseller, known for its sharp social satire and whodunit structure. Adajania’s challenge was translating that into a visual medium without losing the book’s biting humor. Early buzz suggested the film would balance comedy, romance, and horror—a tall order, but one the director seemed eager to tackle. The Netflix release on March 15, 2024, gave the project a global platform, though critical reactions were mixed, with some praising its stylish execution and others finding the tone uneven .
The film’s ensemble cast was one of its biggest selling points. Pankaj Tripathi, fresh off his acclaimed performance in OMG 2, took on the role of the unconventional police officer investigating the murder. His chemistry with the rest of the cast—including Sara Ali Khan, Vijay Varma, and Tisca Chopra—was a key focus of promotions. Khan, in particular, was coming off a string of high-profile projects like Zara Hatke Zara Bachke, while Varma’s star had risen sharply after Darlings and Gangubai Kathiawadi.
The veteran trio of Karisma Kapoor, Dimple Kapadia, and Sanjay Kapoor added gravitas to the proceedings. Kapadia, a longtime collaborator with Adajania (she starred in his 2011 film Cocktail), was reportedly drawn to the project’s blend of mystery and dark comedy. Meanwhile, Karisma Kapoor’s return to the big screen after a hiatus was a talking point, though her role in Murder Mubarak was more of a supporting turn .
While the film’s production was largely smooth, a few behind-the-scenes details emerged in the lead-up to its release:
Murder Mubarak arrived at a time when Bollywood’s murder-mystery genre was seeing a resurgence, with films like Drishyam 2 and The Railway Men drawing audiences. However, the film’s reception was lukewarm. Critics praised its stylish cinematography and Tripathi’s performance but found the plot convoluted and the humor hit-or-miss. Netflix’s algorithm-driven release strategy meant it quickly faded from the spotlight, overshadowed by bigger titles .
Still, the project’s star power and Adajania’s direction ensured it wasn’t forgotten entirely. For fans of Chauhan’s novel, the adaptation offered a visually rich, if imperfect, take on her story. And for the cast, it was another notch in their belts—particularly for Khan and Varma, who continued to solidify their status as Bollywood’s next big leads.
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