
Ace Bhatti
Varun Chetty

In this witty father-son story, we are introduced to Varun, a former scammer, and River, a trans drag performer, as they venture on a road trip across South Africa to rescue River's long-lost mother from a rehab clinic in eSwatini. River’s only worry is missing Her Majesty’s Drag Competition and the opportunity to win the prize money to pay for his top surgery. With secrets bubbling to the surface and a competition to win, their relationship will be tested like never before.
I’ve seen enough road movies to know the drill: two people who can’t stand each other are forced into a car, bicker their way across a map, and emerge on the other side with a newfound understanding of love, loss, or themselves. Runs in the Family follows that blueprint—father and son, a beat-up car, a cross-country sprint to save a mother from rehab—but what makes it sing isn’t the destination. It’s the way the film lets its characters see each other, really see, in the unguarded moments between the arguments and the jokes.
That seeing starts with the casting. Ace Bhatti plays Varun, a former scammer trying to outrun his past, and Gabe Gabriel plays River, his trans son, a drag performer chasing a cash prize for top surgery. The fact that Gabriel also wrote the script—and that the director, Ian Gabriel, is his real-life father—isn’t just trivia.
It’s the film’s secret ingredient. There’s a rawness to their scenes together that feels less like acting and more like eavesdropping. When Varun stumbles over River’s pronouns or River snaps at his father’s old-school protectiveness, the tension isn’t just dramatic; it’s familiar.
It’s the kind of tension that lingers in the air after a fight, when neither person is ready to apologize but both are already regretting the words they said.

Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
Ian Gabriel’s Runs in the Family (2023) isn’t just another road-trip dramedy—it’s a deeply personal story about family, identity, and the messy business of reconciliation. Set against the backdrop of South Africa’s sprawling landscapes, the film follows Varun (Ace Bhatti), a reformed con artist, and his transmasculine son, River (Gabe Gabriel), as they embark on a cross-country journey to rescue River’s estranged mother from a rehab clinic in eSwatini. But the trip is less about the destination and more about the secrets, lies, latestnetflix.com maintains, and unexpected bonds that surface along the way.
What makes Runs in the Family stand out is its blend of authenticity and heart. Director Ian Gabriel, known for his work on socially conscious films and TV (The Forgiven, Knuckle City), brings a nuanced touch to this father-son dynamic, exploring themes of redemption and acceptance. But the film’s emotional core might hit even closer to home than audiences realize: Gabe Gabriel, who plays River, isn’t just the lead actor—he’s also the film’s screenwriter and the director’s son.
This family collaboration adds a layer of intimacy to the story. Gabe Gabriel, a transmasculine actor and writer, drew from personal experiences to craft River’s journey, particularly the character’s struggle to balance his drag career with his transition. The film’s stakes—River’s fear of missing a drag competition and losing the prize money for his top surgery—mirror real-life challenges faced by many in the trans community. While the evidence doesn’t confirm whether Gabe’s own life directly inspired the plot, the parallels are hard to ignore.
Beyond the Gabriel family, the film boasts a talented ensemble. Ace Bhatti (The Split, Bend It Like Beckham) delivers a grounded performance as Varun, a man trying to outrun his past while stepping up as a father. Rob van Vuuren (Knuckle City, The Bang Bang Club) adds levity as a quirky side character, while Loren Loubser (The Girl from St. Agnes) and Diaan Lawrenson (Trackers) round out the supporting cast.
The chemistry between Bhatti and Gabe Gabriel is the film’s backbone. Their on-screen dynamic—equal parts tender and tense—feels lived-in, as if the two have been navigating this relationship for years. The road-trip format, a classic setup for forced bonding, works here because the characters’ conflicts feel organic, not contrived. Varun’s struggle to accept River’s identity, and River’s frustration with his father’s flaws, play out in small, telling moments—whether it’s a heated argument at a roadside diner or a quiet moment of vulnerability under the stars.
Runs in the Family doesn’t shy away from heavy themes, but it balances them with humor and warmth. The film tackles trans identity, addiction, and intergenerational trauma, yet it never feels preachy. Instead, it leans into the messiness of family—how love and resentment can coexist, and how healing often starts with a single, imperfect step.
The drag competition subplot adds a vibrant, celebratory layer to the story. River’s drag persona, Her Majesty, isn’t just a side gig; it’s a lifeline, a way to express himself when the rest of his world feels uncertain. The film’s portrayal of drag culture is joyful and authentic, a refreshing contrast to the often somber tone of LGBTQ+ narratives in mainstream cinema.
As of now, details about the film’s reception are scarce. The evidence doesn’t reveal box office numbers, critical reviews, or awards buzz, so it’s unclear how Runs in the Family has been received by audiences or critics. What is clear is that the film fills a gap in representation, offering a story centered on trans and queer characters of color, directed by a filmmaker with a track record of tackling social issues.
If the film’s emotional depth and strong performances translate on screen, it could resonate far beyond its South African roots. For now, though, Runs in the Family remains a promising, if under-the-radar, entry in the road-trip genre—one that dares to ask: What does it mean to truly see the people we love?
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
More titles in the same genres and with the same cast.