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Movie poster for Now There's 3 of Us? Sí, Mi Amor. (2024)

Now There's 3 of Us? Sí, Mi Amor.

2024
1h 35m
Search on Netflix

Overview

After a terrible dream, Guille, like any first-time dad, becomes obsessed with taking care of Bea, his pregnant wife. Suddenly, his mother-in-law arrives after many years of absence with intentions of staying.

Cast

12 people

Reviews

6 min read

The Baby, the Dream, and the Mother-in-Law: How Now There’s 3 of Us? Sí, Mi Amor Turns Parenthood Into a Farce

I’ve seen this movie before. Not this exact one, of course—though the Sí, Mi Amor trilogy has the kind of formulaic DNA that makes every rom-com feel like a cousin twice removed. Boy and girl, now expecting, face a crisis that tests their love.

The twist? The crisis isn’t infidelity or career ambition or even a sudden case of amnesia. It’s a dream.

A terrible dream, as the synopsis puts it, one that sends Guille (Julián Zucchi) spiraling into an obsession with protecting his pregnant wife, Bea (Yiddá Eslava). And then, just to make sure the stakes are high enough, Bea’s estranged mother shows up, suitcase in hand, ready to unpack a lifetime of family drama.

It’s the kind of premise that could either be a masterclass in escalating chaos or a masterclass in how to make a third installment feel like a cash grab. Now There’s 3 of Us? lands somewhere in the middle—funny in spurts, frustrating in its refusal to dig deeper, and ultimately more interesting for what it reveals about the people who made it than for what it says about parenthood.

A tense moment between Guille and Bea, their faces lit by the soft glow of a lamp, as they sit on opposite ends of a couch, the weight of unspoken words hanging between them.

Let’s talk about that dream. It’s the inciting incident, the thing that sends Guille into a tailspin of overprotectiveness. The film never shows us the dream itself, which is a shame, because the way it’s described—vague, ominous, terrible—feels like a missed opportunity.

What if the dream had been a surreal, Buñuel-esque nightmare, something that visually mirrored Guille’s anxieties about fatherhood? Instead, it’s treated as a MacGuffin, a plot device to kickstart the conflict. That’s not necessarily a flaw—MacGuffins have their place—but when the entire emotional arc of the film hinges on it, you start to wish it had a little more weight.

The real conflict, of course, isn’t the dream. It’s the arrival of Bea’s mother, Cachita (Nancy Cavagnari), a woman who left her daughter years ago and now shows up unannounced, ready to insert herself into their lives just as Bea is about to give birth. Cachita is the kind of character who could have been a scene-stealer in a better film: loud, unapologetic, and carrying a suitcase full of unresolved issues.

Buzz & Rumors

Public reports

The Final Chapter of Sí, Mi Amor: Behind the Scenes of Now There’s 3 of Us? Sí, Mi Amor.

The Sí, Mi Amor trilogy wraps up with Now There’s 3 of Us? Sí, Mi Amor. (2024), the Peruvian rom-com that promises laughs, tears, and a baby—literally. Directed by Pedro Flores Maldonado, this third installment reunites fans with Guille and Bea as they navigate parenthood, family secrets, and the chaos of Bea’s "outlandish mother" . But how did this finale come together, and what’s the buzz behind the scenes?


A Trilogy’s Grand Finale

Now There’s 3 of Us? isn’t just another sequel—it’s the last chapter of the Sí, Mi Amor saga. The film follows Sí, Mi Amor (2018) and Sí, Mi Amor: El Reencuentro (2022), completing a trilogy that’s become a staple of Peruvian romantic comedy . Director Pedro Flores Maldonado, who co-wrote the script with lead actress Yiddá Eslava, has called this the "most personal" entry yet, though details on what that means remain scarce [1].

For fans, the stakes are high. The first two films blended humor with heartfelt moments, and this finale leans into the messiness of impending parenthood. According to Netflix’s description, Guille and Bea’s relationship is tested by "family secrets and past conflicts" just as their baby arrives [3]. Whether this means a dramatic twist or just comedic chaos isn’t clear, but the trailer hints at Bea’s mother (played by Nancy Cavagnari) stealing the show with her over-the-top antics.


The Cast: Reunions and New Faces

The core duo, Yiddá Eslava and Julián Zucchi, return as Bea and Guille, reprising roles that made them Peruvian rom-com royalty. But the supporting cast is where the fun really happens. Saskia Bernaola, Pietro Sibille, and Andrés Salas—all familiar faces from the previous films—are back, but the real wild card is Nancy Cavagnari as Bea’s mother [1][4]. Described as "outlandish" in Netflix’s synopsis, her character could be the film’s secret weapon [3].

New additions to the ensemble include Patricia Portocarrero, Santiago Suárez, Renzo Schuller, and Rodrigo Sánchez-Patiño, though their roles are still under wraps [1]. Rumor has it Sánchez-Patiño, known for his dramatic work, might bring a surprising edge to the comedy—though nothing’s confirmed.


Pedro Flores Maldonado: The Man Behind the Trilogy

Director Pedro Flores Maldonado isn’t just the helmer of Now There’s 3 of Us?—he’s the architect of the entire Sí, Mi Amor universe. Born in Colima, Mexico, but based in Buenos Aires, Maldonado has built a career on blending humor with emotional depth . His collaboration with Eslava, who co-wrote the script, suggests a creative partnership that’s key to the trilogy’s tone.

But Maldonado’s journey hasn’t been without challenges. The first Sí, Mi Amor film was a sleeper hit, but the second installment faced mixed reviews for its pacing. With this finale, Maldonado has a chance to redeem the series—or go out with a bang. Early buzz suggests he’s leaning into the latter, with a trailer that teases both heartfelt moments and slapstick humor.


What’s Next?

Now There’s 3 of Us? is already streaming on Netflix, so fans can judge for themselves whether the trilogy sticks the landing [3]. The film’s reception could determine if Maldonado and Eslava revisit these characters in another format—though for now, they’ve insisted this is the end [1].

One thing’s certain: with a baby, a chaotic mother-in-law, and a decade of history between Guille and Bea, this finale has all the ingredients for a rom-com send-off. Whether it delivers remains to be seen.


Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.

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