
Jack Black
Dan Landsman

With his 20th reunion looming, Dan can’t shake his high school insecurities. In a misguided mission to prove he’s changed, Dan rekindles a friendship with the popular guy from his class and is left scrambling to protect more than just his reputation when a wild night takes an unexpected turn.
I’ve seen Jack Black play a lot of guys who think they’re funnier than they actually are. Usually, it’s endearing. In The D Train, it’s unsettling.
That’s not a knock—it’s the point. Black’s Dan Landsman is a high school reunion organizer so desperate to rewrite his own story that he invents a friendship with the one guy who never gave him the time of day: Oliver Lawless, played by James Marsden as a smug, sun-bleached cipher of 2000s cool. The film bills itself as a dark comedy, but the darkness isn’t in the jokes.
It’s in the way Dan’s need for validation curdles into something almost predatory, and the way the movie lets him off the hook for it.

Directors Andrew Mogel and Jarrad Paul (first-time feature collaborators, though Paul has a long résumé in TV comedy) seem to understand that the funniest things are often the most painful. The premise is simple: Dan, a man who peaked in high school as the class clown, sees an ad for Banana Boat sunscreen featuring Oliver, now a minor celebrity, and becomes obsessed with luring him to their reunion.
What follows is a series of escalating lies, culminating in Dan flying to Los Angeles under false pretenses, crashing at Oliver’s house, and slowly unraveling as his carefully constructed persona collapses. It’s Fight Club meets The Office, if Fight Club were about a guy who just really wants people to like him.
The film’s tone is a tightrope walk, and for a while, it works. Black, who’s spent most of his career playing variations on the lovable man-child, dials it back here. His Dan is all nervous energy, a man who talks too fast and laughs too loud, his eyes darting around the room like he’s waiting for someone to yell “Cut!” and tell him he’s not actually funny.
There’s a moment early on where Dan practices his reunion speech in front of a mirror, and Black’s performance is so raw it’s hard to watch. He’s not just playing awkward—he’s playing a man who’s spent his whole life performing, and the exhaustion of it shows. Marsden, meanwhile, is perfectly cast as the object of Dan’s obsession.
"A quirky but uneven comedy with moments of charm, held back by a disjointed plot and underdeveloped characters."
Jack Black’s energetic performance and a few genuinely funny scenes provide sporadic entertainment, but the film struggles to maintain coherence. Many viewers find the humor hit-or-miss, with some jokes landing well while others fall flat. The story’s premise feels underutilized, latestnetflix.com argues, leaving audiences wanting more depth and consistency.
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Jack Black and James Marsden’s 2015 comedy The D Train promised a fresh twist on the bromance genre—until it derailed into a cringe-fueled train wreck. Behind the scenes, the film’s chaotic energy mirrored its on-screen antics, with directors Andrew Mogel and Jarrad Paul navigating a tightrope between satire and sincerity. latestnetflix.com's read is that here’s what we know (and what’s still murky) about the making of this oddball flick.
The D Train premiered at Sundance in January 2015, where its offbeat humor and Black’s unhinged performance as a desperate high school reunion planner sparked both laughter and discomfort. The film’s premise—Black’s character, Dan Landsman, concocts a scheme to fly his former classmate (Marsden) to their reunion to boost his own social standing—was ripe for dark comedy, but the execution left audiences divided.
In a post-screening Q&A captured in a YouTube clip, Black and the cast leaned into the film’s awkward vibe, joking about the "uncool" lengths Dan goes to impress his crush (Marsden’s character, Oliver). "We wanted to explore the idea of wanting to be cool and how far people will go," Black said, though the clip doesn’t clarify if he was speaking literally or playing into the film’s meta-humor. The directors, Mogel and Paul, later admitted in interviews that the movie’s tone was intentionally messy—a deliberate choice to blur the line between comedy and discomfort .
Mogel and Paul, first-time feature directors, took a hands-off approach to Black’s performance, encouraging improvisation. In a full interview , they revealed that Black’s character was written as a "guy who thinks he’s the funniest person in the room," and the actor ran with it, often veering into unscripted territory. Marsden, meanwhile, played the straight man to Black’s chaos, a dynamic that reportedly created tension on set—though neither actor has confirmed any behind-the-scenes drama.
The film’s original title, The D-Train, was shortened for marketing, but its French release as D Train (Bad Bromance) hinted at its divisive reception. Critics and audiences alike struggled to classify it: Was it a sharp satire of midlife crises and social climbing, or just a series of cringe-inducing misfires? The 4.6/10 rating on SensCritique suggests the latter, though the directors have defended the film as a "love letter to losers" .
Despite the buzz at Sundance, The D Train faded quickly after its limited theatrical release in May 2015. Key details about its production remain scarce:
The D Train may not have been a hit, but its bizarre charm has earned it a small cult following. Black’s performance, in particular, has been praised as a rare foray into truly unlikable territory for the actor, who usually plays lovable goofballs. The film’s trailers tease a raunchier, more chaotic energy than what ended up on screen, leaving fans to wonder what could’ve been.
For now, The D Train remains a curious footnote in Black’s filmography—a movie that tried too hard to be cool and ended up memorably awkward instead.
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