
Henry Cavill
Theseus

Theseus is a mortal man chosen by Zeus to lead the fight against the ruthless King Hyperion, who is on a rampage across Greece to obtain a weapon that can destroy humanity.
Total failure of doing a movie with the aesthetics and success of "300". Mediocre story, bad planned action scenes, tons of Fx, poorly developed characters and tons of stereotypes.
Read full reviewEveryone talks about how _Immortals_ is a _300_ ripoff, and don't get me wrong, it absolutely is, but I haven't yet seen anyone talk about how it's also a bit of a _God of War_ ripoff. I'm actually quite fond of historically-set mythology films, but I don't believe the problem with _Immortals_ isn't the setting or the genre, it's the motivation behind its being made the way it was. The _300_ movie exists to be an adaptation of the _300_ comic book, the _Immortals_ movie exists because the _300_ movie made money. (Don't get me wrong, I know that the real motivation behind both these, and of any other studio film, is money. But someone involved somewhere has to want more from their movie than that. And _Immortals_ doesn't give me the vibe that anyone did). I can handle _Immortals_ doing what _300_ does. Hell, if enough people rip an idea off over a long enough period of time, in movies, we call that a genre. My issue is that it **only** exists to do what _300_ did, yet it does **all** of it so much worse. There are maybe two fights in _Immortals_ that last for longer than 30 seconds, even with all that slow-mo stretching the runtime, and neither are filmed as well as the ones in _300_. It's nowhere near as fun, it's not superior in any technical category, it's harder to tell what the fuck is going on. Even the acting, which is NOT _300's_ strong suit, is worse here than it is there. There were maybe flashes where you could glimpse a cohesive idea that desired to form, but it never even got close. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Read full reviewImmortals is like stepping into a Greek mythology fever dream where everyone looks like they just walked out of a tanning booth, but hey, it works for the aesthetic. The movie is a visual powerhouse, with Tarsem Singh crafting a bold, surreal take on mythology that feels more like a painting in motion than your average action flick. The fight scenes are undeniably the highlight, stylized, brutal, and dripping with energy. Henry Cavill shines as Theseus, delivering a performance that feels grounded amidst the chaos, while Mickey Rourke's Hyperion brings an intimidating presence, even if his character lacks complexity. Where Immortals stumbles is in its story, which feels more like a vehicle for the visuals than an engaging narrative. The characters are serviceable, but most lack depth, leaving you wanting more from the emotional stakes. That said, if you’re here for striking visuals, intense action, and a unique twist on Greek mythology, it’s still a fun ride. Think of it as a movie you watch for the spectacle--not for the substance. Worth watching if you’re in the mood for a stylized, no-strings-attached mythological adventure.
Read full reviewThe megalomanic Hyperion (Mickey Rourke) is bent on releasing the imprisoned Titans from their gilded cage deep inside the mountain. Using a magical bow and arrow he's stolen from Ares (Daniel Sharman) he is about to cause havoc when Zeus (Luke Evans) engages the services of Theseus (Henry Cavill) to help thwart his plans and thus save the Greeks from tyranny. With some sagely advice from John Hurt, he now embarks on a lively series of escapades that allows the full panoply of mythological beasts, a shirtless hero and lots of entertaining visual effects to fill a couple of hours. No, the acting isn't really great nor is the script, but it's a vehicle for some beautiful people to present some intricately choreographed action scenes whilst the CGI boys do their best to create an atmosphere that's ideal for this story of the mortal trying to save the day. Rourke delivers well, if really quite sparingly, as the menacing baddie and there's always Stephen Dorff to add to the bevvy of hunks on display here. If you like the genre, and I do, then this isn't really very substantial and the story all rather weak, but this isn't really about a story it's about a computer-enhanced aesthetic showcasing some handsome people plundering ancient legend for our entertainment. It's not "Clash of the Titans" (1981) but it's not terrible, either - and that metal roasting cow - yikes!
Read full reviewThe Immortals is an absolute masterpiece of stylized action and grand-scale mythology, effortlessly earning a perfect 10/10. Director Tarsem Singh transforms every single frame into a breathtaking, living painting, blending high-contrast classical art aesthetics with brutally intense choreography. The story plunges straight into the legendary clash between mortal defiance and divine wrath, anchored by an electrifying sense of momentum, striking set pieces, and a commanding atmosphere that captivates from the very first minute to the last.
Read full review"A gorgeous, hyper-stylized Greek myth bloodbath undermined by a thin, messy story and clumsy mythology."
Striking visuals, bold production design, and brutally satisfying action scenes make the film an entertaining piece of eye candy for those who like stylized mythic battles. Weak writing, uneven pacing, and heavy-handed changes to Greek mythology leave the plot forgettable and the characters underdeveloped, so the impact rarely matches how good it looks.
Before Henry Cavill put on the cape, he put on a toga… and gave us one of the messiest, thirstiest behind‑the‑scenes legends in modern myth-making. From near career-quit meltdowns to a very famous backside that wasn’t actually famous, the real drama of Immortals happened far away from Mount Olympus.
Years later, Evans admitted that when he arrived on the Immortals set—fresh off another movie with very generous catering—he saw Cavill peel off his shirt and thought: “I can’t do this.” The Zeus actor said on the Men’s Health UK podcast that Cavill’s shredded “rig” was so intimidating he briefly considered walking away, before an intense bootcamp whipped him into god-shape in a matter of weeks.
The story goes that Evans’ moment of panic became a turning point rather than a goodbye: the training pushed him to drop the extra weight at warp speed and gave him one of those “am I actually built for this business?” epiphanies — all thanks to Cavill’s terrifyingly disciplined torso.[1]
The film’s steamiest moment—Phaedra dropping her toga before tumbling into bed with Theseus—sparked plenty of breathless chatter in 3D. Pinto later coolly revealed the truth: “It wasn’t really my butt. It was a butt double. I’m relieved I don’t have to deal with that issue.” So yes, the most replayed frame of the movie belongs to an anonymous, impeccably cast backside.
Pinto said Tarsem Singh decided the love scene should be her day-one icebreaker: “The director gave me the love scene to be the first thing that I shot in the film. I was like, ‘Really? I hardly even know Henry.’ I guess that was a bit nerve-racking.”
Pinto called Cavill “an absolute gentleman” who did everything he could to keep her calm, pointing out that he already knew the cast and made sure she felt looked after while someone else’s butt did the heavy lifting.[3]
Cavill has described the pressure around his shirtless work in Immortals as so intense he’d wake up every morning wondering, “Can I still see that vein in my abs?” It wasn’t just flexing; it was full psychological warfare against carbs.
Fans and outlets have repeatedly highlighted that Cavill refused steroids to build his physique and rejected digital touch-ups on his body for these roles. That eight-pack? As brutally earned as it looks.
The on-screen chemistry between Cavill and Pinto is so intense that fans still speculate about off-camera sparks. But in the press, Pinto stuck firmly to professionalism, praising him as calming and respectful, and there’s no confirmed evidence they dated.[3]
Cavill and Luke Evans, on the other hand, have leaned into their Immortals bond. Evans has joked about seeing Cavill topless for the first time, while Cavill has shared nostalgic throwbacks celebrating their time as Theseus and Zeus. It’s all friendship, no feud—unless you count Evans’ brief “I might quit” moment as a battle wound.[1]
Around the time of Immortals, Tarsem was openly embracing his “visuals first, story second” reputation. Coverage of Comic-Con 2011 and critics alike framed the film as a “painting action movie,” with the director prioritizing painterly tableaux over tight plotting. Fans loved the aesthetic—but those choices fueled plenty of snark about the movie being more torso showcase than coherent myth.
While there are no widely reported blow-ups from the Immortals set, Rourke used the same era to trash Marvel publicly and was widely described by Hollywood insiders as a brilliant but volatile eccentric—“his own worst enemy,” as one profile put it. That brooding, fruit-slurping, hat-wearing Hyperion? Let’s just say the line between performance and persona felt thin.
Pinto wasn’t even asked to bare all; the director opted for the double from the start, leaving her to focus on face-acting while the mystery butt became a minor cult figure in online chatter.[2][3]
The idea that Zeus himself nearly bailed because Theseus’ abs were too much is the kind of myth even Homer couldn’t dream up—and it’s straight from Evans’ own mouth.[1]
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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