
Adam Sandler
Danny Meyerowitz

An estranged family gathers together in New York for an event celebrating the artistic work of their father.
I’ve seen this movie three times now, and each time I leave the theater (or, let’s be honest, my couch) feeling like I’ve just survived a family reunion where everyone was slightly smarter, slightly sadder, and slightly more articulate about their grievances than I am. Noah Baumbach’s The Meyerowitz Stories (New and Selected) is a film about people who can’t stop talking, even when they should probably shut up. Especially then.
It’s also a film about art—specifically, the kind of art that doesn’t get you a retrospective at MoMA but might get you a small, bitter write-up in a local paper. Harold Meyerowitz (Dustin Hoffman), the family’s patriarch, is a sculptor whose work is described with the kind of backhanded praise that stings more than outright dismissal. “He’s not a major artist,” one character says, “but he’s a real artist.” The distinction is everything.
Harold’s entire identity is built on being real, even if no one else seems to agree. His children—Danny (Adam Sandler), Matthew (Ben Stiller), and Jean (Elizabeth Marvel)—have spent their lives orbiting this black hole of ego, each in their own way trying to either escape its pull or prove they’re worthy of its light.

Baumbach has always been a director obsessed with the mechanics of failure, but here he’s less interested in the grand, operatic collapses of Margot at the Wedding or The Squid and the Whale and more in the quiet, grinding failures of everyday life. The Meyerowitzes aren’t falling apart in spectacular fashion; they’re just stuck, like a record with a scratch they can’t quite get past.
The film’s structure mirrors this—it’s a collection of “new and selected” stories, a title that suggests both a greatest hits album and a eulogy for a career that never quite took off. The chapters don’t build toward a dramatic climax so much as they accumulate, like the detritus of a life lived in half-measures.
Take the scene where Danny, Matthew, and Jean sit in a hospital waiting room after their father has been admitted for a minor procedure. The camera lingers on them as they bicker, joke, and snipe at one another, their conversation a mix of affection and resentment so finely calibrated it feels like eavesdropping. There’s no big reveal, no emotional breakthrough—just three people who can’t help but revert to their roles, even when the stakes are low.
"A sharply written but uneven family dramedy with standout performances that don’t always coalesce into a satisfying whole."
Adam Sandler and Ben Stiller’s performances are frequently praised for their depth and authenticity, grounding the film’s exploration of familial dysfunction. However, the pacing and tonal shifts leave some viewers cold, with the story feeling more like a series of vignettes than a cohesive narrative. The humor and pathos resonate with those who appreciate Noah Baumbach’s style, latestnetflix.com contends, but others find it too meandering or underwhelming.
Noah Baumbach’s The Meyerowitz Stories (New and Selected) (2017) is a sharp, often painful comedy about family dysfunction, and its star-studded cast—Adam Sandler, Ben Stiller, Dustin Hoffman, and Emma Thompson—delivers some of the most raw performances of their careers. But behind the scenes, the film’s production was just as much about navigating egos, artistic risks, latestnetflix.com maintains, and the pressures of working with a director known for his unflinching portrayals of messy relationships.
Adam Sandler’s role as Danny Meyerowitz, a struggling musician stuck in the shadow of his famous father, marked a bold departure from his usual comedic persona. While Sandler had dabbled in drama before (Punch-Drunk Love, Uncut Gems), The Meyerowitz Stories was his first major collaboration with Baumbach, a director celebrated for his acerbic, dialogue-driven films. The pairing surprised critics, but the evidence suggests it was a calculated risk. Sandler’s performance earned widespread acclaim, with outlets noting his ability to balance humor and pathos . Rumor has it that Sandler’s commitment to the role was so intense that Baumbach allowed him to improvise key scenes, though neither has confirmed this on the record.
Ben Stiller and Dustin Hoffman, who play half-brothers in the film, brought their own real-life baggage to the project. Hoffman, a two-time Oscar winner, plays Harold Meyerowitz, a self-absorbed sculptor whose favoritism fuels the family’s tensions. Stiller, who has worked with Baumbach before (Greenberg, While We’re Young), reportedly drew from his own experiences with paternal expectations. In a press conference for the film’s premiere at the New York Film Festival, Baumbach hinted at the actors’ chemistry, calling their dynamic "electric" but stopping short of revealing any behind-the-scenes friction . Given the film’s themes, it’s tempting to wonder if the cast’s real-life relationships mirrored their characters’—but the evidence doesn’t confirm it.
The Meyerowitz Stories was one of Netflix’s early forays into prestige filmmaking, and the streaming giant gave Baumbach unusual creative freedom. Unlike traditional studios, Netflix didn’t demand a wide theatrical release, allowing the film to premiere at Cannes (where it competed for the Palme d’Or) before debuting on the platform . The move was controversial at the time, with some critics arguing that the film deserved a bigger theatrical run. However, the decision paid off in terms of awards buzz and critical attention, even if the film’s 6/10 rating on SensCritique suggests it wasn’t universally loved .
While the cast dominated headlines, the film’s soundtrack—composed by Randy Newman—also drew praise. Newman’s score, described as "wry and melancholic," earned a 6.1/10 rating on SensCritique, with listeners noting how it subtly underscored the film’s emotional beats . Baumbach has a history of using music to elevate his films (Frances Ha, Marriage Story), and The Meyerowitz Stories was no exception.
Despite its star power and critical acclaim, The Meyerowitz Stories remains a polarizing watch. Some viewers praised its sharp dialogue and performances, while others found it too bleak or meandering. The film’s 6/10 rating on SensCritique reflects this divide, with many noting that its strengths—particularly Sandler’s performance—weren’t enough to overcome its uneven pacing . Still, for fans of Baumbach’s work, it’s a quintessential entry in his filmography: messy, funny, and painfully real.
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