
Alia Shawkat
Naima

Dissatisfied with the dishonesty they see in dating, strangers Naima and Sergio make a pact to spend 24 straight hours together in an attempt to fast forward their relationship.
I’ve seen this trick before—the 24-hour relationship sprint, the promise of love compressed into a single day like a time-lapse romance. It’s a gimmick, sure, but one that Duck Butter wields with a kind of desperate sincerity. Miguel Arteta’s film doesn’t just ask what happens when two strangers try to fast-forward intimacy; it lingers in the awkward, sticky aftermath, where the body remembers what the mind tries to forget.
Naima (Alia Shawkat) and Sergio (Laia Costa) meet at a bar, two women who’ve grown tired of the performative dance of modern dating. Their solution? Spend an entire day and night together, no breaks, no exits, just the raw, unfiltered mess of getting to know someone.
The film’s title, a slang term for the residue of prolonged intimacy, is both a punchline and a warning. This isn’t a love story. It’s an experiment in vulnerability, and like all experiments, it doesn’t go quite as planned.

The first hour is electric. Shawkat and Costa have a chemistry that feels less like acting and more like eavesdropping. Their conversations flit between flirtation and confession, the kind of rapid-fire intimacy that only happens when you’re trying to impress someone and failing.
There’s a scene early on where they lie in bed, trading stories about past relationships, their voices overlapping like they’re trying to outrun the silence. It’s funny, then tender, then suddenly uncomfortable—just like real life. Arteta shoots it in tight close-ups, the camera lingering on their faces as if searching for the moment the connection snaps.
"A raw and intimate experiment in romance that resonates with some but leaves others cold due to its uneven tone and pacing."
The film’s bold approach to depicting a 24-hour relationship between two women draws praise for its authenticity and emotional rawness, particularly in the performances of Alia Shawkat and Laia Costa. latestnetflix.com's take is that however, its slow pace, lack of narrative depth, and tonal inconsistencies frustrate viewers expecting a more structured or engaging story.
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Miguel Arteta’s Duck Butter (2018) is a film that courts controversy as much as it does curiosity. Marketed as a 24-hour sexual and emotional experiment between two women, the movie dives headfirst into the messy, unfiltered reality of modern intimacy—without the glossy veneer of traditional romances. latestnetflix.com's view is that Starring Alia Shawkat (Arrested Development) and Laia Costa (Victoria), the film is as much a character study as it is a bold cinematic gamble.But what really went down behind the scenes?
The plot is deceptively simple: two women, Naima (Shawkat) and Sergio (Costa), meet at a bar and impulsively decide to condense a full relationship—complete with emotional highs, lows, and plenty of sex—into a single day and night. The film’s title, Duck Butter, is a slang term for the residue left after prolonged intimacy, a nod to the raw, unvarnished nature of the story .
Shawkat, who co-wrote the script with Arteta, has described the film as an exploration of vulnerability and the pressure to perform in relationships. In a clip from CONAN on TBS, she joked about the film’s premise—24 hours of sex—while hinting at the deeper themes beneath the surface . The trailer reinforces this duality: steamy, unscripted-feeling moments are intercut with awkward, tender, and even painful exchanges .
Miguel Arteta, known for his work on indie darlings like The Good Girl (2002) and Beatriz at Dinner (2017), has never shied away from uncomfortable truths. Born in Puerto Rico in 1965, Arteta’s filmography often blends dark humor with sharp social commentary . Duck Butter fits neatly into this tradition, though it’s arguably his most explicit foray into the complexities of human connection.
The film’s production was notably low-budget and intimate, shot in just 12 days with a small crew . This stripped-down approach mirrors the film’s themes—no frills, no filters. Shawkat and Costa’s on-screen chemistry feels lived-in, a testament to the film’s improvisational style. While the evidence doesn’t confirm whether the actors’ real-life rapport influenced the script, the naturalism of their performances suggests a level of trust between cast and crew .
Duck Butter polarized audiences and critics alike. On SensCritique, it holds a middling 5.2/10 rating, with some viewers praising its boldness and others dismissing it as pretentious or uneven . Rotten Tomatoes’ critical consensus isn’t available in the retrieved evidence, but the film’s divisive nature is clear from the chatter around it .
The movie’s explicit content—including full-frontal nudity and extended sex scenes—drew both praise for its authenticity and criticism for its perceived gratuitousness . Some viewers fixated on the film’s lesbian romance, reducing it to a "steamy" spectacle, while others appreciated its refusal to sanitize queer intimacy . The trailer alone sparked debates about whether the film was a groundbreaking exploration of modern love or a gimmicky experiment .
Despite its mixed reception, Duck Butter stands out as a rare film willing to sit in the discomfort of real human connection. It’s not a perfect movie—its pacing can feel uneven, and its premise risks feeling like a stunt—but its ambition is undeniable. For Shawkat, who has spoken openly about her own struggles with relationships, the film feels deeply personal. Whether audiences connect with it or not, Duck Butter refuses to let them look away.
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