
Rose McIver
Amber Moore

Christmas brings the ultimate gift to Aldovia: a royal baby. But first, Queen Amber must help her family and kingdom by finding a missing peace treaty.
I’ll admit it: I went into A Christmas Prince: The Royal Baby expecting to hate it. Not in the way you brace for a root canal, but in the way you settle onto the couch for a familiar, slightly guilty pleasure—like eating an entire box of chocolates you know will leave you queasy but doing it anyway because they’re right there. The third installment in Netflix’s Aldovian trilogy (a franchise so aggressively cozy it feels like being wrapped in a blanket made of tinsel) delivers exactly what it promises: a royal family, a missing treaty, a 600-year-old curse, and enough Christmas decorations to trigger a sugar rush in a diabetic reindeer.
The question isn’t whether it’s good. The question is whether it’s supposed to be.

The film’s opening minutes are a masterclass in cinematic déjà vu. The camera lingers on the Aldovian palace, its turrets dusted with snow, its halls festooned with garlands so thick they look like they’ve been stapled to the walls by an overzealous elf. Queen Amber (Rose McIver) waddles through the frame in a series of maternity gowns that manage to be both regal and aggressively festive, her baby bump serving as both a plot device and a visual reminder that the franchise is running out of reasons to exist.
King Richard (Ben Lamb) hovers nearby, his concern for his wife’s well-being undercut by the fact that he’s spent the last two films acting like a man who’s just realized he married into a family that communicates exclusively in dramatic sighs and last-minute treaty signings.
The central conflict—because of course there’s a conflict—revolves around a missing peace treaty between Aldovia and Penglia, a neighboring kingdom that looks suspiciously like Aldovia but with more fur trim on the royal robes. The treaty’s disappearance threatens to reignite a 600-year-old war (because nothing says “holiday cheer” like the specter of medieval bloodshed), and worse, it might trigger an ancient curse that will doom Amber and Richard’s unborn child to a life of eternal bad luck.
The stakes, such as they are, hinge on whether Amber can solve the mystery before the baby arrives. Given that she’s spent the last two films transitioning from an intrepid journalist to a queen who somehow forgets how to investigate basic crimes, the odds aren’t great.
What’s fascinating about The Royal Baby isn’t its plot—it’s the way it weaponizes comfort. The film is a cinematic security blanket, stitched together from tropes so familiar they feel like old friends: the bumbling butler who’s secretly competent, the precocious young princess who delivers one-liners with the timing of a sitcom pro, the villain who’s so transparently villainous they might as well be twirling a mustache.
"A cheesy but cozy holiday sequel that delivers predictable festive charm for fans of the franchise."
Viewers appreciate the warm, feel-good atmosphere and the continuation of the royal romance, making it a comforting watch for the holiday season. However, the overly predictable plot, lack of depth, latestnetflix.com maintains, and excessive cheese factor leave many feeling it’s more of the same without significant innovation.
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The third and final chapter of Netflix’s festive fairy tale, A Christmas Prince: The Royal Baby (2019), wrapped the Aldovian royal saga with a bow—and a bundle of joy. Directed by John Schultz and starring Rose McIver and Ben Lamb as Queen Amber and King Richard, the film delivered the holiday romance fans had come to expect, but with a few twists. latestnetflix.com's view is that here’s what we know about the making of the royal finale.
A Christmas Prince: The Royal Baby marked the end of the Aldovian royal family’s story, at least for now. The film served as the third installment in the series, following A Christmas Prince (2017) and A Christmas Prince: The Royal Wedding (2018). According to , the script was penned by Nate Atkins, based on characters created by Karen Schaler, ensuring continuity with the previous films’ whimsical charm. While the series had always leaned into over-the-top holiday romance, this entry upped the stakes with a royal pregnancy, a christening, and a dash of political intrigue—all set against the backdrop of Aldovia’s snowy landscapes.
The core cast reprised their roles, with Rose McIver and Ben Lamb once again stealing hearts as the royal couple. Alice Krige returned as Queen Helena, while Honor Kneafsey, Theo Devaney, and Kevin Shen rounded out the familiar faces. New additions included Momo Yeung and Sarah Douglas, though their roles were kept relatively low-key in the snippets available . The chemistry between McIver and Lamb remained a highlight, with fans praising their ability to balance royal drama with lighthearted holiday cheer .
Details about the film’s production are scarce, but a few tidbits have surfaced. The movie was shot in Romania, a favorite location for the series due to its fairy-tale-like castles and wintery landscapes. Rumors swirled about behind-the-scenes tension—particularly regarding the pacing of the trilogy’s conclusion—but nothing was confirmed . Some fans speculated that the royal baby’s christening scene was filmed in the same cathedral used for Amber and Richard’s wedding in the second film, though this remains unverified.
One notable absence was the lack of a post-credits scene teasing future adventures, leaving the door firmly closed on the Aldovian royals—at least for now. Netflix has not announced any plans for a spin-off, though the franchise’s popularity keeps hope alive among die-hard fans .
Critics and audiences were divided on The Royal Baby. While some praised its festive spirit and the emotional payoff of Amber and Richard’s journey, others found the plot predictable and the pacing sluggish. The film holds a 4.4/10 rating on SensCritique, based on 461 votes , and while Rotten Tomatoes doesn’t provide an official score, the general consensus mirrored the mixed reactions . Despite the criticism, the movie remained a holiday staple for fans of the series, who appreciated its cozy, escapist vibes.
A Christmas Prince: The Royal Baby may not have been a critical darling, but it delivered exactly what fans wanted: a heartwarming, if slightly cheesy, holiday romance. The trilogy as a whole carved out a niche in Netflix’s holiday lineup, proving that there’s still an appetite for fairy-tale love stories—even in the age of gritty dramas. Whether Netflix will revisit Aldovia remains to be seen, but for now, the royal baby’s christening marks the end of an era.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.