
Saverio Raimondo
Himself

Italian comic and satirist Saverio Raimondo regales a Milan crowd with tales of online antics, awkward injuries and white-knuckle flights.
Saverio Raimondo's Il Satiro Parlante (2019) is 53 minutes of one man, a microphone, and a Milan crowd. The English billing is The Talking Satyr. He treats the name as work, not a logo.
Classical satyrs were part man, part beast, fools allowed to say the ugly part out loud. Raimondo's version does not stab downward. He works the digital age's self-inflicted mess.
Online antics. Awkward injuries. White-knuckle flights.
He does not file those as topics. He relives them, swagger then cringe, as if his own luck still startles him.

Corriere printed the line days before the drop. With the body he has, Saverio Raimondo told a Milan room he could only have been a comic or a dwarf in porn films. Netflix dated Il Satiro Parlante to 17 May 2019. Fifty-three minutes. IMDb lists Francesco Imperato as director. Open said Dazzle shot it with Aguilar at Santeria Social Club in autumn 2017. Two years in the can. latestnetflix.com's view is that Raimondo posted that he started standup in 2009 and a decade later had a Netflix special.One hundred and ninety countries. TMDB still carries the U.S. Date and the Italian original.,,,,
Vice later called him the third Italian standup on the service after Edoardo Ferrario and Francesco De Carlo. Open, announcing the deal in March, had called Raimondo the first Italian Netflix standup, then noted Ferrario and De Carlo as the other two hours around him. Rolling Stone Italy grouped the three as the founders of the recent scene. The hour is anxiety as a method. Flying. Broken ribs. Online clips. Censorship. He told Corriere standup is to comedy what the selfie is to photography, and that Grillo, Benigni, and Luttazzi never told you who they were. He wanted to incriminate himself onstage.,,,
In that Rolling Stone Italy interview he said the special was an arrival and a restart. He used his body differently, more pauses. He let go of old standards, including the flying-fear bit, because the camera had now buried it. GQ later quoted him remembering the drop as anguish. He had thought an Italian Netflix special was a mirage. Then it existed and he had no next mountain. Dazzle still hosts a short promo on YouTube. Netflix's own card promises online antics, awkward injuries, and white-knuckle flights. That is the flying bit, pickled.,,,
Sanremo was the sour note, not a feud with Ferrario. Open reminded readers he had been booked for Rai 1's 2019 Dopofestival, then dropped in the final days. He wrote on Facebook that the booking had been wanted for months and cancelled at the last hour. Two years later he told Velvet Mag the Netflix hour is how Pixar found him. Enrico Casarosa heard the voice in 190 territories and cast him as Ercole Visconti, the seaside bully in Luca. He dubbed the character in Italian and in the original English. The satyr went to Disney because a Milan club tape sat on a hard drive until May.,
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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