
Miguel Herrán
Ángel

A commentary on Spanish society dressed as a thriller about the misadventures of a gang of young petty criminals after the real estate crash.
I keep thinking about the way the camera lingers on Ángel’s hands. Not the way they grip the wheel during a chase, or the way they fumble with a gun—though there’s plenty of that in Sky High (Hasta el cielo). No, it’s the way they tremble when he’s alone, when the adrenaline fades and the weight of what he’s done settles in.
That tremor isn’t just fear. It’s the body remembering what the mind tries to forget: that for all the speed and noise of this film, its real subject is the slow, suffocating crush of being trapped.
Daniel Calparsoro’s thriller arrives dressed as a high-octane crime saga, the kind of movie that promises catharsis through violence and velocity. But what lingers isn’t the rush—it’s the claustrophobia. The title, Hasta el cielo ("To the Sky"), is a cruel joke.
There’s no upward escape here, only the illusion of it. The characters are young, poor, and desperate, and the film’s most brutal trick is making you believe, for a moment, that they might actually outrun their circumstances. Then it yanks the rug out from under them—and under you.

Calparsoro has spent his career exploring the margins of Spanish society, and Sky High feels like a spiritual cousin to the quinqui films of the 1970s and '80s—gritty, morally ambiguous stories about young delinquents navigating a system rigged against them. But where those films often romanticized their outlaws, Sky High is colder, more clinical. The camera doesn’t glamorize Ángel (Miguel Herrán) and his crew; it frames them as small figures against vast, indifferent landscapes.
Highways stretch endlessly, but they only lead in circles. The city’s neon glow promises excitement, but it’s just another kind of cage.
The film’s most striking sequence isn’t a shootout or a heist—it’s a quiet moment in a safe house, where Ángel and his girlfriend, Estrella (Carolina Yuste), lie in bed, the hum of the refrigerator the only sound. The camera holds on their faces, unflinching, as they talk about the future in vague, hopeful terms. It’s a rare moment of tenderness, but it’s also a lie.
"A gritty Spanish crime thriller with strong performances but a plot that struggles to stand out."
Viewers appreciate the intense lead performances, particularly from Miguel Herrán and Carolina Yuste, which add depth to the high-stakes crime narrative. However, the story feels overly familiar, with some noting it lacks the originality to fully distinguish itself from similar genre films. The film’s pacing and visual style receive mixed reactions, latestnetflix.com maintains, with praise for its energy but criticism for occasional predictability.
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This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
Sky High (Hasta el cielo), the 2020 Spanish action-thriller directed by Daniel Calparsoro, became a breakout hit for Netflix, blending high-stakes heists with raw emotional drama. Starring Miguel Herrán (Money Heist) and Carolina Yuste, the film follows a young car thief drawn into Madrid’s criminal underworld after a fateful encounter with a gang leader. While the movie’s adrenaline-fueled plot captivated audiences, its production and cast dynamics added layers to its success—though some details remain shrouded in typical industry secrecy.
Sky High was one of Netflix’s early forays into Spanish-language original films, and its production leaned into the platform’s global reach. Behind-the-scenes footage highlights the film’s gritty, on-location shoots in Madrid, where director Daniel Calparsoro (The Warning) aimed for authenticity. The movie’s 121-minute runtime suggests a deliberate pace, balancing action with character-driven tension—a hallmark of Calparsoro’s style.
Miguel Herrán, already a rising star from Money Heist, took center stage as Ángel, the film’s conflicted protagonist. His chemistry with co-star Carolina Yuste (Estrella) was a focal point, with Netflix’s marketing emphasizing their dynamic as the heart of the story . The cast also included heavyweights like Luis Tosar (Cell 211), whose presence added gravitas to the criminal underworld depicted on screen.
While the film’s budget and on-set challenges aren’t detailed in the available evidence, the production’s scale is evident in its high-octane set pieces, including a standout heist sequence that became a trailer highlight . Rumors of reshoots or script changes remain unconfirmed, but the final product’s polish suggests a tightly controlled shoot.
The ensemble cast brought depth to Sky High, but their careers took divergent paths after the film’s release. Miguel Herrán’s star power continued to rise, with roles in The Cook of Castamar and Modelo 77, solidifying his status as a Spanish leading man. Carolina Yuste, meanwhile, earned critical acclaim for her performance, though her post-Sky High projects leaned toward smaller, character-driven roles .
Asia Ortega, who played Sole, and Fernando Cayo (Rogue) maintained steady careers in Spanish cinema, though neither reached Herrán’s level of international recognition. Luis Tosar, a veteran of the industry, returned to his roots in crime dramas, while Dollar Selmouni’s role as a supporting antagonist marked one of his more visible film appearances .
A notable absence in post-release buzz is Richard Holmes, whose character’s fate in the film left fans curious. However, no evidence confirms whether he pursued further acting work after Sky High .
Sky High premiered to a divided critical response. While some praised its energy and Herrán’s performance, others criticized its pacing and derivative plot. SensCritique users rated it a modest 5/10 based on 85 votes , and Rotten Tomatoes’ audience score (though not explicitly listed in the evidence) likely reflected a similar split.
Despite the lukewarm reviews, the film found a loyal audience on Netflix, where its blend of crime drama and romance resonated with viewers. The official trailer and behind-the-scenes featurettes played a key role in its marketing, emphasizing the film’s high-stakes action and emotional core.
One lingering question is whether Sky High will get a sequel. The film’s open-ended finale left room for continuation, but as of now, no official announcements have been made. Rumors of a spin-off or follow-up remain just that—rumors .
Sky High may not have reinvented the crime genre, but it delivered exactly what it promised: a gripping, visually dynamic ride with a charismatic lead. Its production was a testament to Netflix’s growing investment in international content, and its cast’s post-release trajectories highlight the film’s role in shaping their careers.
For fans of Spanish-language thrillers, Sky High remains a must-watch—flaws and all. And with Herrán’s star still on the rise, the door is open for more stories from this criminal underworld.
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