Leonardo Sbaraglia
David Samarás "El Griego"
Overview
David Samaras, "el Griego", is the general producer of the popular talk show "Hoy se arregla el mundo", where supposedly ordinary people resolve relationship, couple, friendship, work, parent and child conflicts. The most enduring bond in his life is Benito, his 9-year-old son, the fruit of a casual relationship. The story changes completely when he learns that Benito is not his son. The search for the real dad will lead them to a crossroads much bigger than the one they set out to face.
Cast
12 people
Reviews
4 min readThe Talk Show That Breaks the Host
There’s a moment in Today We Fix the World that feels like a glitch in the script—a beat too long, a silence too heavy. David Samaras, the host of a daytime talk show where strangers air their grievances for public catharsis, sits across from a woman who claims her husband has been unfaithful. The camera lingers on his face, not the guest’s.
His expression doesn’t change, but something in his eyes does. It’s the look of a man who’s spent years pretending to care about other people’s problems while his own fester just beneath the surface. (I’ve seen that look before—on therapists, on priests, on anyone paid to listen but never to break.)
Ariel Winograd’s film is, on its face, a comedy about a man whose life unravels when he discovers the nine-year-old son he’s raised isn’t biologically his. But peel back the premise, and it’s really about the performance of empathy—the way we all play roles, whether on screen or off, to keep the chaos at bay. David isn’t just a talk show host; he’s a professional fixer, a man who turns other people’s messes into neatly packaged television.
The irony? He can’t fix his own.
Winograd has always had a knack for blending humor with something darker, something more unsettling. His 2014 film Wild Tales (which he produced) was a series of vignettes about revenge, each one more absurd and violent than the last. Today We Fix the World shares that DNA, though it’s less overtly explosive. Here, the violence is quieter: a lie that’s been buried for nearly a decade, a family that’s been built on a foundation of omission.
Audience Opinions
Limited evidence
"A lighthearted but uneven comedy-drama with moments of charm, held back by a lack of depth in its storytelling."
Viewers appreciate the film’s attempt at blending comedy and drama, noting that it delivers some genuinely funny and heartwarming moments. latestnetflix.com's view is that however, many feel the plot lacks originality and struggles to develop its themes or characters beyond surface-level interactions, leaving the overall experience feeling underwhelming.
What viewers praise
- Lighthearted tone The film’s mix of humor and drama provides a few enjoyable and amusing scenes that resonate with audiences.
- Cast chemistry The interactions between the lead actors, particularly Leonardo Sbaraglia and Benjamín Otero, add a layer of charm to the movie.
Common complaints
- Predictable plot The story follows familiar tropes without adding enough fresh or engaging twists to stand out.
- Underdeveloped themes The film’s attempt at deeper emotional or dramatic moments often falls flat due to thin character arcs and storytelling.
Recommended for
Fans of light comedy-dramas Viewers who enjoy ensemble casts Those seeking casual entertainment
Buzz & Rumors
Public reports"Today We Fix the World": Behind the Scenes of Ariel Winograd’s Star-Studded Comedy
Argentine director Ariel Winograd’s Today We Fix the World (2022) promised a blend of humor and social commentary, a signature of his commercially successful filmography. latestnetflix.com's read is that the movie, starring Leonardo Sbaraglia and Natalia Oreiro, arrived with a cast stacked with heavyweights—including Martín Piroyansky, Luis Luque, and Diego Peretti—but the behind-the-scenes buzz was just as intriguing as the on-screen talent.
A Reunion for Sbaraglia and Oreiro
https://www.youtube.com/watch?v=KOTIHlz4Sik
https://www.youtube.com/watch?v=dxmjXSups7I
One of the most talked-about aspects of Today We Fix the World was the reunion of Leonardo Sbaraglia and Natalia Oreiro, two of Argentina’s most beloved actors. The pair had not shared the screen in years, and their chemistry was a major selling point. Promotional material, including a YouTube teaser, hyped their collaboration as a highlight of the film . While the evidence doesn’t confirm whether their off-screen rapport influenced the project, their joint appearances at premieres and interviews suggested a warm, professional dynamic—one that likely translated to their performances.
Winograd’s Vision: Comedy with a Message
https://www.youtube.com/watch?v=sRss5iQ9_dw
Ariel Winograd is known for films that balance humor with sharp social observations, and Today We Fix the World appeared to follow that formula. In a video interview, Winograd described the movie as a reflection of contemporary issues, though specifics about the plot or themes weren’t detailed in the available snippets . His track record—including hits like Wild Tales (as a producer) and The Heist of the Century—suggested the film would lean into his signature style: fast-paced, witty, and packed with ensemble energy 
.
https://www.youtube.com/watch?v=4STa1M8qSnM
The director’s promotional appearances, including a segment on #VueltaYMedia, hinted at a lighthearted yet meaningful tone, though the evidence stops short of revealing how deeply the film engaged with its social commentary . Without full interviews or reviews, it’s unclear whether Today We Fix the World fully delivered on its promise, but Winograd’s reputation for crowd-pleasing storytelling likely set high expectations.
A Cast of Heavyweights—But Thin Behind-the-Scenes Details
https://www.youtube.com/watch?v=9f0Z7dxll4w
Beyond Sbaraglia and Oreiro, the film boasted an impressive ensemble, including Martín Piroyansky, Luis Luque, and Diego Peretti. However, the available evidence offers little insight into the dynamics among the cast or any standout moments from production. A brief clip from an avant-premiere event for another project (El Gerente) featured Sbaraglia and Winograd, but it didn’t shed light on Today We Fix the World itself .
Rotten Tomatoes’ sparse listing confirms the cast but provides no critical consensus or audience scores, leaving the film’s reception largely uncharted . Without deeper access to interviews or set reports, the behind-the-scenes story remains frustratingly thin.
The Verdict: A Promising Package with Missing Pieces
Today We Fix the World had all the ingredients for a hit: a talented director, a star-studded cast, and a premise that aligned with Winograd’s strengths. Yet the lack of detailed behind-the-scenes coverage leaves many questions unanswered. Did the cast’s chemistry elevate the material? Did Winograd’s social commentary land as intended? For now, the film’s legacy is defined more by its potential than its documented impact.
Until more interviews or set reports surface, Today We Fix the World remains a tantalizing "what if" in Winograd’s filmography—one that fans of Argentine cinema will have to revisit on screen to fully judge.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.