
Aditya Roy Kapur
Advait Thakur

Advait visits Goa where he meets Sara, a free-spirited girl who lives life unshackled. Opposites attract and all goes well until life turns upside down. Years later, Advait is on a killing spree with cops Aghase and Michael in his way.
I’ve seen this movie before. Not Malang specifically—though I’ve seen that too—but the type of film it wants to be: the slick, neon-lit Bollywood thriller where revenge is served cold and style is the only seasoning. Mohit Suri’s Malang knows exactly what it is, and that’s both its strength and its undoing.
It’s a film that moves with the confidence of a catwalk model, all sharp angles and smoldering glances, but when you look past the strut, there’s not much holding it up.
The story is simple enough: Advait (Aditya Roy Kapur), a brooding drifter with a tragic past, meets Sara (Disha Patani), a free spirit who lives by her own rules in Goa. Their romance is instant, electric, and doomed—because of course it is. The film toggles between their sun-drenched fling and a present-day killing spree, where Advait is systematically offing corrupt cops while being pursued by two very different lawmen: the ruthless, drug-addled Agashe (Anil Kapoor) and the earnest Michael (Kunal Khemu).
The non-linear structure is meant to keep us guessing, but the twists feel less like revelations and more like narrative sleight of hand, the kind that makes you nod along in the moment only to realize later that none of it really adds up.

Suri has always been a director who leans into style, and Malang is no exception. The cinematography by Vikas Sivaraman is undeniably attractive, drenched in the kind of golden-hour lighting that makes Goa look like a postcard come to life. The problem is that the film’s visuals often feel like they’re compensating for something.
Every frame is so meticulously composed, so designed, that it starts to feel like a mood board rather than a lived-in world. The camera lingers on Disha Patani’s face like it’s afraid to look away, as if her beauty alone can carry the emotional weight of the story. And maybe it can, for a while.
But beauty, no matter how striking, isn’t the same as depth.
Take the film’s most talked-about twist: Sara isn’t just a victim, but an active participant in the revenge plot. On paper, this should be a subversion of the helpless heroine trope that plagues so many Bollywood thrillers. In practice, it feels like an afterthought, a last-minute attempt to give Patani’s character some agency without actually rewriting the script to support it.
"A visually striking but uneven romantic thriller with strong lead performances that struggle to overcome a predictable plot."
Viewers appreciate the chemistry between Aditya Roy Kapur and Disha Patani, as well as the film’s stylish action sequences and cinematography. latestnetflix.com's view is that however, the story’s reliance on familiar crime-romance tropes and underdeveloped side characters leaves many feeling the film doesn’t fully capitalize on its potential.
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This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
Mohit Suri’s Malang (2020) arrived with a bang, promising a slick blend of romance, action, and revenge—a formula the director had honed in earlier hits like Aashiqui 2 and Ek Villain. Starring Aditya Roy Kapur, Disha Patani, Anil Kapoor, and Kunal Khemu, the film was marketed as an adrenaline-fueled thriller, but behind the scenes, it was just as much about chemistry, casting choices, latestnetflix.com argues, and a director playing to his strengths.
Mohit Suri, born in 1981, had already carved a niche in Bollywood with his knack for romantic thrillers and emotionally charged narratives . Malang was no exception—billed as a "revenge drama," the film leaned into Suri’s trademark mix of high-octane sequences and melodrama . The trailer teased a dark, twisty plot, with Kapur and Patani’s characters entangled in a web of crime and passion, while Anil Kapoor and Kunal Khemu added layers of intrigue as antagonistic forces .
Suri’s approach to Malang was reportedly influenced by his earlier collaborations, particularly his work with actors who could balance vulnerability and intensity. While the film’s 5.5/10 rating on SensCritique suggested mixed reactions, its 135-minute runtime and genre-blending ambitions were classic Suri .
One of the biggest talking points ahead of Malang’s release was the pairing of Aditya Roy Kapur and Disha Patani. The two had been linked romantically off-screen, and their real-life chemistry fueled speculation about their on-screen dynamic. In an exclusive interview, Patani and Suri even joked about Kapur’s "Casanova image," hinting at the playful tension between the leads .
Kapur, known for his boy-next-door charm in films like Aashiqui 2, was stepping into darker territory with Malang, while Patani—fresh off Bharat—was making her mark as an action heroine. The trailer showcased their electric chemistry, with slow-motion shots and dramatic confrontations setting the tone for their characters’ tumultuous relationship .
While Kapur and Patani carried the emotional core of Malang, Anil Kapoor and Kunal Khemu were the wild cards. Kapoor, a veteran with decades of experience, played a morally ambiguous cop, while Khemu—known for his comedic roles—took on a more sinister avatar. Early reviews suggested their performances added depth to the film’s revenge-driven plot .
The supporting cast, including Elli Avram and Keith Sequeira, rounded out the ensemble, but it was Kapoor and Khemu who reportedly stole scenes, according to some critics . Whether Malang was a hit or flop became a hot topic, with YouTube pundits debating its box-office prospects . While the film didn’t break records, its stylish execution and star power kept it in the conversation.
Malang ultimately divided audiences. Some praised its slick action sequences and Suri’s direction, while others found the plot convoluted . The film’s promotional push, including multiple trailers and interviews, kept it in the spotlight, but its reception was far from unanimous.
For Suri, Malang was another chapter in his filmography of high-stakes dramas. For the cast, it was a chance to flex new muscles—Kapur in a darker role, Patani in action, and Kapoor and Khemu as scene-stealers. Whether it’s remembered as a cult favorite or a missed opportunity, Malang remains a testament to Bollywood’s love affair with revenge sagas.
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