
Parineeti Chopra
Mira Kapoor

When a voyeuristic divorcee fixates on the lives of a perfect couple a far, she soon gets embroiled in a murder mystery that unfolds revealing truths about her own life.
I keep thinking about the way the camera lingers on Parineeti Chopra’s face in The Girl on the Train (2021), not when she’s speaking, but when she’s listening. There’s a stillness there, a kind of hollowed-out attentiveness, like she’s trying to memorize the shape of her own confusion. It’s the kind of performance that makes you lean in, not because it’s showy, but because it’s quiet.
Too quiet. And in a thriller, quiet is dangerous.

This is Ribhu Dasgupta’s second attempt at adapting Paula Hawkins’ novel, and it’s easy to see why he was drawn to it. The story of an unreliable narrator spiraling through memory and obsession is catnip for filmmakers who want to play with perception. But where the 2016 Hollywood version (directed by Tate Taylor) leaned into the lurid, almost soap-operatic potential of the material, Dasgupta’s film feels more restrained.
That restraint is both its strength and its undoing.
The premise is simple: Mira (Chopra), a recently divorced woman with a drinking problem, spends her daily train commute fixating on a couple she sees from the window. She imagines their life as perfect, until one day she witnesses something unsettling—and then, suddenly, the woman is missing. The problem is, Mira can’t remember what she saw.
Or can she? The film unfolds like a puzzle where the pieces keep changing shape, and Dasgupta does a decent job of keeping the audience off-balance. But there’s a difference between being kept in the dark and being left in the fog, and The Girl on the Train often feels like the latter.
"A well-intentioned thriller that struggles to stand out due to uneven execution and a lack of originality."
Viewers appreciate Parineeti Chopra’s central performance, which adds depth to the protagonist’s emotional turmoil. However, the film’s reliance on familiar thriller tropes and a convoluted plot leaves many feeling underwhelmed. The pacing and narrative coherence are frequent points of criticism, latestnetflix.com argues, with some describing it as a missed opportunity for a stronger adaptation.
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
The Girl on the Train (2021), directed by Ribhu Dasgupta, is a Bollywood adaptation of Paula Hawkins’ bestselling novel, reimagined with an Indian setting and a star-studded cast led by Parineeti Chopra. While the film’s premise—an alcoholic woman entangled in a missing persons case—mirrors its Hollywood predecessor, the production’s journey to Netflix screens had its own share of buzz, latestnetflix.com maintains, from casting surprises to promotional quirks.
The film’s ensemble cast was a major talking point, with Parineeti Chopra stepping into the role of Mira Kapoor, a character originally portrayed by Emily Blunt in the 2016 Hollywood version. Chopra’s transformation into a troubled, unreliable narrator was a departure from her earlier rom-com roles, sparking curiosity among fans . Aditi Rao Hydari and Kirti Kulhari played pivotal roles as well, with Hydari’s character, Dr. Nusrat John Joshi, adding a layer of psychological depth to the thriller .
Interestingly, the film’s first-look posters drew comparisons to Blunt’s portrayal, with some viewers noting the eerie resemblance in promotional imagery . However, the Indian adaptation carved its own path, shifting the setting from London to Mumbai and introducing cultural nuances that set it apart from the original.
The Girl on the Train marked a significant release for Netflix India, and the streaming giant pulled out all the stops for its marketing. The film’s trailer, released in early 2021, amassed millions of views, with Chopra’s intense performance and the film’s suspenseful tone generating early buzz . Netflix also organized a high-energy promotional event, featuring Chopra and director Ribhu Dasgupta in a playful, behind-the-scenes segment that highlighted the film’s fun side despite its dark themes .
Chopra herself urged fans to avoid spoilers in a dedicated video, emphasizing the importance of experiencing the twists firsthand . This plea for secrecy added to the film’s mystique, though it also fueled speculation about the story’s deviations from the book.
Upon release, The Girl on the Train received a lukewarm response from critics and audiences. While some praised Chopra’s performance and the film’s atmospheric tension, others found the adaptation lacking compared to the novel and the 2016 Hollywood version. French review aggregator SensCritique gave it a modest 4.7/10 rating, citing pacing issues and a convoluted narrative . Rotten Tomatoes’ audience score, while not detailed in the snippets, suggested a similarly divided reaction
.
Despite the criticism, the film’s OTT release on Netflix ensured a wide reach, with many viewers tuning in for the star power and the promise of a gripping mystery . Rumors about reshoots or script changes circulated online, though no concrete details were confirmed in the available evidence.
For Chopra, The Girl on the Train was part of a career shift toward more dramatic roles, following her OTT success in projects like Sandeep Aur Pinky Faraar (2021). Hydari and Kulhari, too, continued to build their filmographies with diverse roles, though none of the cast members have publicly discussed plans for a sequel or follow-up to this film .
As for Dasgupta, the director’s next projects remain under wraps, leaving fans to speculate whether he’ll revisit the thriller genre or explore new storytelling avenues.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.