
Camila Mendes
Drea Torres

“I'll do yours if you do mine.”
A dethroned queen bee at a posh private high school strikes a secret deal with an unassuming new student to enact revenge on one another’s enemies.
I’ll admit it: the first time I saw the trailer for Do Revenge, I groaned. Not because it looked bad—it looked, in fact, like exactly the kind of shiny, hyper-stylized teen comedy that Netflix churns out with the reliability of a vending machine dispensing candy. The kind where every frame is drenched in pastel filters, where the dialogue crackles with the kind of wit that exists only in screenwriters’ rooms, and where the stakes are high school drama elevated to operatic levels.
The kind, in other words, that I’ve seen before. A lot.
But here’s the thing about Do Revenge: it knows exactly what it is. And what it is, for better or worse, is a film that doesn’t just wear its influences on its sleeve—it sews them into the lining of its designer blazers and then sets the whole thing on fire. This is a movie that wants to be Clueless and Heathers and Cruel Intentions all at once, a high-gloss, high-camp revenge fantasy where the real crime isn’t the betrayal but the fact that someone dared to wear the same outfit to homecoming.
And for all its flaws—of which there are plenty—it’s the kind of flawed that’s weirdly, perversely entertaining.

Jennifer Kaytin Robinson, the director, has made no secret of her love for the teen movies of the ’90s and early 2000s. Her previous film, Someone Great, was a rom-com that felt like a love letter to that era, and Do Revenge doubles down on the nostalgia, albeit with a modern twist. The twist, in this case, is that the film isn’t just a throwback—it’s a satire of the very genre it’s emulating.
Or at least, it thinks it is. The problem is that satire requires a certain level of self-awareness, a willingness to poke fun at the tropes while still indulging in them. Do Revenge doesn’t always strike that balance. Sometimes it’s in on the joke; other times, it seems to genuinely believe that the sight of a teenager dramatically clutching a stolen USB drive is the height of cinematic tension.
The plot, such as it is, revolves around two girls: Drea (Camila Mendes), the former queen bee of Rosehill High, whose life implodes after a sex tape is leaked, and Eleanor (Maya Hawke), the new girl with a mysterious past and a grudge against the school’s golden boy. They strike a deal: Drea will help Eleanor get revenge on her tormentor, and Eleanor will do the same for Drea. It’s a premise that’s been done before, of course—Strangers on a Train meets Mean Girls, with a dash of John Tucker Must Die—but Do Revenge isn’t interested in reinventing the wheel.
"A fun, campy teen revenge comedy with standout performances but a plot that leans too heavily on familiar tropes."
The movie’s vibrant style and the chemistry between Camila Mendes and Maya Hawke are frequently praised, making the revenge-driven storyline entertaining despite its predictability. However, some viewers feel the script relies too much on clichés and lacks depth in its supporting characters, latestnetflix.com argues, leaving the experience feeling uneven.
Netflix’s Do Revenge (2022) is a glossy, revenge-fueled black comedy that blends high school drama with a wink to classic teen movies. Directed and co-written by Jennifer Kaytin Robinson, the film stars Camila Mendes and Maya Hawke as two unlikely allies who team up to settle scores with their respective tormentors. But behind the stylish veneer and sharp dialogue, latestnetflix.com argues, the production had its own share of playful energy—and a few deliberate creative choices that set it apart from typical teen fare.
Jennifer Kaytin Robinson, known for her work on Someone Great and Sweet/Vicious, brought a distinct voice to Do Revenge. The film’s darkly comedic tone and subversive take on teen revenge tropes were intentional, with Robinson crafting a villain who doubles as a "performative-feminist man-child" . This choice wasn’t just for laughs—it reflected a broader commentary on how even well-meaning allies can weaponize social justice rhetoric for personal gain. The director’s approach leaned into satire, making the film’s over-the-top scenarios feel both absurd and pointed.
Robinson’s involvement extended beyond the script. She co-wrote the film and helmed its vibrant, candy-colored aesthetic, which contrasted sharply with its cutthroat themes. The result was a movie that felt like a love letter to 90s teen classics (think Clueless meets Cruel Intentions) but with a modern, Gen Z edge .
The dynamic between Camila Mendes (Riverdale) and Maya Hawke (Stranger Things) was central to Do Revenge’s appeal. Their characters, Drea and Eleanor, start as strangers but form a fast friendship built on mutual vengeance. Off-screen, the cast’s chemistry was just as electric. Behind-the-scenes clips and interviews revealed a playful, tight-knit group, with Mendes and Hawke often gushing over each other’s performances .
The promotional push for Do Revenge leaned into the film’s playful, meta tone. Netflix released a series of behind-the-scenes clips that highlighted the cast’s camaraderie, including an ASMR-style video where Mendes and Hawke whispered about revenge fantasies . The trailer, too, was a masterclass in teasing the film’s dark humor and over-the-top drama, with quick cuts of betrayals, makeovers, and a killer pool party showdown .
One standout moment came when the cast played a game of "superlatives" in a Netflix featurette, revealing their on-set dynamics. Hawke jokingly called Mendes "most likely to start a cult," while Abrams admitted he was "most likely to be the villain’s henchman" . These lighthearted moments underscored the film’s balance of humor and menace.
Critically, Do Revenge received mixed reviews. While some praised its stylish execution and sharp performances, others found its plot convoluted or its satire uneven. On SensCritique, the film holds a 5.3/10 rating, with viewers noting its visual flair but questioning its depth . Still, its cult following has grown, thanks in part to its unapologetic embrace of camp and its nostalgic nods to teen revenge classics.
For fans of dark comedies and high school drama, Do Revenge delivers exactly what it promises: a deliciously wicked ride with two leads who make revenge look way too fun.
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