
Tovino Thomas
S.I. Anand Narayanan

A team of four expert policemen go through extreme trials and tribulations to find the killer of a young woman.
I’ve always been drawn to crime stories that don’t just chase the killer, but the system that lets the killing happen in the first place. Anweshippin Kandethum understands this. It’s a police procedural that lingers not on the gore of the crime scene, but on the quiet, grinding frustration of the investigation—the way bureaucracy and ego can stall justice as surely as any locked door. The film’s Malayalam title translates roughly to “What we are searching for,” and that question hangs over every frame: not just who did it, but why the search feels so damn futile.
Director Darwin Kuriakose, in his debut, takes a bold structural gamble by splitting the narrative between two separate cases, one in the late 1980s and another in the early 1990s. It’s the kind of choice that could easily feel like a gimmick, but Kuriakose and writer Jinu V. Abraham pull it off by keeping the focus tight on the investigators themselves.
The film doesn’t jump between timelines to build suspense; it does so to show how little changes. The faces are different, the uniforms slightly updated, but the obstacles—the political interference, the internal rivalries, the way a woman’s death becomes just another file on a desk—remain stubbornly the same.

Tovino Thomas, as Sub Inspector Anand Narayanan, is the film’s emotional anchor. He’s not the kind of cop who broods in rain-soaked alleys or delivers monologues about justice. Instead, he moves through the story with a quiet exhaustion, his performance built on small, telling details: the way he rubs his temples during a long interrogation, the slight hesitation before answering a superior’s question, the way his voice drops when he’s had enough.
It’s a restrained performance, but that restraint is what makes it so compelling. Thomas doesn’t need to emote loudly to show us how much this case is wearing him down. We see it in the way he carries himself, like a man who’s spent too many nights staring at the same four walls.
"A gripping police procedural with strong performances, though its pacing and complexity can be challenging."
The film offers a realistic portrayal of crime investigation and compelling performances, particularly from the leads. The intricate plot and slower pacing won’t suit everyone, especially those expecting a faster-moving thriller.
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Anweshippin Kandethum (2024) marks the directorial debut of Darwin Kuriakose, a filmmaker stepping into the spotlight with a crime thriller that’s already turning heads. Starring Tovino Thomas in the lead, the film promises a tense narrative set against the backdrop of Kerala’s social fabric, blending drama and suspense into a 142-minute runtime. latestnetflix.com's view is that for a first-time director, Kuriakose’s effort has been met with cautious optimism, with early reactions suggesting he’s managed to craft a "decent crime thriller" in his maiden attempt.
The film boasts a strong ensemble cast, with Tovino Thomas taking center stage. Known for his versatility in Malayalam cinema, Thomas is joined by a mix of seasoned and rising talents, including Vineeth Thattil David, Siddique, Pramod Veliyanad, Indrans, Baburaj, Shammi Thilakan, Ramya Suvi, Rahul Rajagopal, and Arthana Binu. While the specifics of their roles remain under wraps, the combination of industry veterans and fresh faces hints at a dynamic on-screen chemistry.
Industry insiders suggest that Thomas’s involvement may have been pivotal in securing the film’s budget and distribution, given his recent track record of box-office successes. However, no official confirmation ties his star power directly to the film’s production timeline or marketing strategy.
Kuriakose’s leap into feature filmmaking is a bold one, especially in a genre as competitive as crime thrillers. The Malayalam film industry has seen a surge in high-stakes narratives in recent years, with audiences craving layered storytelling and authentic performances. Anweshippin Kandethum appears to be Kuriakose’s answer to that demand, though details about the film’s development process remain scarce.
Early buzz from trade circles suggests the director leaned heavily on his cast’s experience, particularly that of Siddique and Indrans, to refine the film’s tone. However, no verified accounts confirm whether the shoot faced delays, budget overruns, or creative clashes—common pitfalls for debut projects. The 142-minute runtime, described as "long" for a thriller, has sparked speculation about pacing challenges, but without official word, this remains unconfirmed.
Initial reactions to Anweshippin Kandethum have been measured. Critics and audiences alike acknowledge Kuriakose’s ambition, with Rotten Tomatoes noting that the film delivers a "decent" thriller, a commendable feat for a first-time director. However, the lack of widespread reviews or box-office data leaves its long-term impact uncertain.
The film’s genre-blending approach—dubbed a "drama-thriller" by SensCritique—suggests Kuriakose aimed to balance character depth with suspense. Whether this formula resonates with mainstream audiences or remains a niche success is yet to be seen. For now, Anweshippin Kandethum shows the risks and rewards of debut filmmaking in a crowded industry.
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