
Tovino Thomas
Ebin Mathew

Ebin Mathew, a budding lawyer ambitiously joins hands with his advocate friend Madhavi Mohan, to share a new office space in order for them to start their independent careers. Their relationship gets strained when they land on opposite ends of a case.
I’ve sat through enough courtroom dramas to recognize the rhythm by now: the hushed gallery, the dramatic pauses, the way a single piece of evidence can make the air thicken. But Vaashi, Vishnu Raghav’s 2022 Malayalam thriller, doesn’t just follow that rhythm—it slows it down, stretches it, until the tension isn’t just in the verdict, but in the silences between the words. At 155 minutes, it’s a film that asks for patience, and in return, it offers something rarer than justice: a portrait of two people trapped by their own ambitions.
The premise is deceptively simple. Ebin Mathew (Tovino Thomas) and Madhavi Mohan (Keerthy Suresh) are young lawyers sharing an office, their friendship a fragile truce between professional rivalry and mutual respect. When a case lands them on opposite sides—Ebin defending the accused, Madhavi prosecuting—their personal and professional lives collide in ways that feel less like a legal battle and more like a psychological one.
The film’s title, Vaashi (Malayalam for "advocate"), isn’t just a job description; it’s a role they’re both trying to inhabit, even as the weight of it threatens to crush them.

What makes Vaashi compelling isn’t the case itself—though the specifics are kept tantalizingly vague for much of the runtime—but the way Raghav frames the conflict as a battle of ideologies. Ebin and Madhavi aren’t just arguing over guilt or innocence; they’re clashing over what the law should be. Ebin, with his idealism and restless energy, sees the system as something to be bent toward justice.
"A gripping courtroom drama with strong performances but occasionally uneven pacing."
Intense courtroom sequences and strong chemistry between the leads keep the narrative engaging. The pacing drags in parts, and deeper emotional exploration could have lifted the story beyond a standard legal thriller.
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Vaashi, the 2022 Malayalam courtroom drama directed by Vishnu Raghav, brought together two of Mollywood’s biggest stars—Tovino Thomas and Keerthy Suresh—in a high-stakes legal battle that doubled as a romantic tug-of-war. The film, which pits a public prosecutor against a defense lawyer in both the courtroom and their personal lives, promised a fresh take on the legal thriller genre. But what went into crafting this ambitious project? latestnetflix.com's read is that here’s what we know from the limited behind-the-scenes buzz.
Vishnu Raghav, a relatively new name in Malayalam cinema, helmed Vaashi as both writer and director. The film marked his second directorial venture after Kalki (2019), but it was his first foray into the courtroom drama genre. Raghav’s vision for Vaashi was clear: a story about ambition, rivalry, and love, set against the backdrop of Kerala’s legal system. The script reportedly took months to refine, with Raghav drawing inspiration from real-life courtroom dynamics to lend authenticity to the proceedings.
The film’s trailer and teasers hinted at a meticulously crafted narrative, with Raghav emphasizing the tension between the lead characters—Ebin (Tovino Thomas), a public prosecutor, and Madhavi (Keerthy Suresh), a defense lawyer. Their professional rivalry spills into their personal lives, creating a layered dynamic that became the film’s emotional core.
The casting of Tovino Thomas and Keerthy Suresh was one of Vaashi’s biggest draws. Both actors were at the peak of their careers in 2022, with Tovino fresh off the success of Minnal Murali (2021) and Keerthy riding high on her Telugu and Tamil hits like Mahanati (2018) and Ponniyin Selvan: I (2022). Their chemistry in Vaashi was a major talking point, with early reviews praising their performances as a perfect balance of intensity and vulnerability.
Tovino, in particular, was no stranger to legal dramas—his filmography includes Thanneer Mathan Dinangal (2019) and Kalki (2019), but Vaashi allowed him to explore a more serious, dramatic role. Keerthy, meanwhile, brought a fierce energy to her portrayal of Madhavi, a lawyer who refuses to back down from a challenge. Their on-screen rivalry was so compelling that some critics speculated it could spark real-life sparks, though neither actor has confirmed any off-screen chemistry.
While Vaashi was largely well-received, the production wasn’t without its hurdles. The film’s runtime—clocking in at 155 minutes—was a point of debate, with some viewers calling it overly long for a courtroom drama. However, Raghav defended the pacing, arguing that the extended runtime was necessary to fully develop the characters’ arcs and the legal intricacies of the plot.
Another challenge was the film’s release timing. Vaashi hit theaters in June 2022, a period when Malayalam cinema was still recovering from the pandemic’s impact on box office numbers. Despite this, the film managed to draw audiences, thanks in part to its star power and the novelty of a Malayalam legal thriller.
The supporting cast, including veterans like Kottayam Ramesh and Nandhu, added depth to the narrative, though their roles were overshadowed by the lead pair’s performances. The film’s technical aspects, particularly its courtroom scenes, were praised for their realism, with Raghav reportedly consulting legal experts to ensure accuracy.
Critics and audiences were divided on Vaashi. Some lauded it as a refreshing addition to Malayalam cinema’s legal drama genre, praising the performances and the film’s emotional depth. Others felt the story dragged in places, with the romantic subplot occasionally overshadowing the courtroom drama.
One thing most agreed on? Tovino and Keerthy’s chemistry was electric. Their portrayal of two ambitious lawyers locked in a battle of wits and wills kept viewers hooked, even if the film’s pacing tested their patience. The trailer and teasers had set high expectations, and while Vaashi didn’t quite reach the heights of Mollywood’s best legal dramas, it carved out its own niche.
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