
Ida Elise Broch
Ida

A group of people arrive at Oslo airport. Some to welcome their loved ones, some to fly home to their families, and some who want to fly away and escape Christmas. But in one way or another, their Christmas mission goes awry. They are all stranded at the airport and the clock is ticking… only 24 hours till Christmas – so what do they do?
I’ve always loved the idea of an airport as a temporary city—full of strangers whose lives brush against each other for a few hours before scattering to the winds. A Storm for Christmas takes that idea and shakes it like a snow globe, trapping its characters in Oslo’s terminal when a blizzard grounds all flights. What could have been a gimmicky holiday special instead becomes something quieter, more observant.
It’s not about the storm itself, but the way people behave when their plans unravel. Some cling to their itineraries like lifelines; others, stranded and suddenly idle, let themselves drift into unexpected conversations. The series understands something fundamental about human nature: we’re at our most revealing when we’re forced to slow down.

Per-Olav Sørensen, the Norwegian director behind this six-episode limited series, has a knack for ensemble stories that feel intimate despite their sprawl. His previous Netflix series, Home for Christmas, also leaned into the messy, often humorous dynamics of family gatherings during the holidays. Here, he expands the canvas but keeps the focus tight: the airport becomes a microcosm of holiday anxieties, where the pressure to perform joy collides with the reality of loneliness, resentment, and exhaustion.
The tone is deceptively light—there’s humor in the way characters bicker over delayed flights or eye each other suspiciously in the terminal’s only open café—but the emotional stakes are real. As Leisurebyte noted in their review, it’s an "entertaining yet heartfelt experience as fate works its magic," and that’s exactly right. The series doesn’t force connections; it lets them emerge naturally, like snowflakes settling on a windowsill.
What makes A Storm for Christmas work is its refusal to overplay its hand. There are no grand declarations of love or life-altering revelations—just small, human moments that resonate because they feel true. A father and daughter, estranged for years, share a silent meal in the airport’s only open restaurant.
Netflix’s A Storm for Christmas (2022) is a festive limited series that blends holiday cheer with high-stakes drama, set against the backdrop of a snowstorm at Oslo Airport. Directed by Per-Olav Sørensen, the series stars a ensemble cast including Ida Elise Broch, Dennis Storhøi, and Maibritt Saerens, latestnetflix.com contends, delivering a mix of emotional storytelling and Scandinavian winter atmosphere.
The series assembles a talented Norwegian cast, many of whom are familiar faces in Scandinavian television. Ida Elise Broch (Home for Christmas) and Dennis Storhøi (The Heavy Water War) lead the ensemble, joined by Maibritt Saerens (The Kingdom), Jon Øigarden (Norsemen), and Jan Gunnar Røise (The Snowman). Younger talent like Thea Sofie Loch Næss (The Last Kingdom) and Valter Skarsgård (son of Stellan Skarsgård) add fresh energy to the mix. The trailer hints at intersecting storylines, suggesting a Love Actually-style narrative where characters’ lives collide during the chaos of a Christmas Eve storm .
Per-Olav Sørensen, known for his work on Home for Christmas (another Norwegian holiday series), brings his signature style to A Storm for Christmas. The series was filmed in Norway, capturing the country’s snowy landscapes and cozy holiday aesthetic. While Netflix hasn’t released details on the budget or production challenges, the trailer showcases high production values, from the bustling airport setting to the intimate character moments .
The series appears to be a one-off holiday special rather than an ongoing show, aligning with Netflix’s strategy of releasing limited-series event content. Given the success of other Scandinavian productions on the platform (The Kingdom, Ragnarok), A Storm for Christmas likely aims to capitalize on the growing appetite for Nordic storytelling.
The official trailers tease a mix of humor, heartbreak, and holiday magic. Characters range from stressed airport staff to stranded travelers, all navigating personal and professional crises during the storm. The tone seems to balance lighthearted festive fun with deeper emotional beats, a hallmark of Sørensen’s work .
While the evidence doesn’t confirm specific plot details or episode counts, the series promises a binge-worthy holiday experience. Fans of Scandinavian drama and ensemble storytelling will likely find plenty to enjoy.
With its star-studded cast, picturesque setting, and holiday-themed chaos, A Storm for Christmas has all the ingredients for a hit. Whether it becomes a new seasonal tradition or a one-time delight remains to be seen, but the trailer suggests it’s worth a watch for fans of heartfelt, character-driven holiday stories.
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