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Movie poster for Someone Borrowed (2022)

Someone Borrowed

2022
1h 47m
14 · Portuguese
Director: Cris D'amato
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Overview

To fulfill his mother’s dying wish and avoid being removed from her will, an inflexible bachelor hires an actress to play his fiancée.

Cast

12 people

Reviews

4 min read

The Rental Heart

I’ve seen this trick before—the fake relationship, the dying wish, the last-minute dash to the altar—but Someone Borrowed doesn’t just borrow the premise. It rents it, furnishes it with a few Brazilian flourishes, and hopes you won’t notice the seams. The film, directed by Cris D’Amato, is a comedy-romance that leans hard into the mechanics of its own contrivance, like a clockwork toy wound too tight.

It’s not that the gears don’t turn; it’s that you can hear them.

The setup is pure rom-com algebra: a rigid bachelor, played by Caio Castro, hires an actress (Thati Lopes) to pose as his fiancée to appease his dying mother and secure his inheritance. The original title, Esposa de Aluguel ("Rental Wife"), lays it all out like a classified ad, and the French release title, Pour le meilleur et pour de faux ("For Better and for Fake"), winks at the audience with the subtlety of a neon sign.

This is a film that knows exactly what it is—a transactional farce—and it never pretends otherwise. That clarity is both its strength and its limitation.

A moment of forced intimacy, the fake couple caught in a pose that’s just a beat too stiff to be real.

What’s interesting is how the film tries to humanize its own cynicism. The bachelor, whose name I’ll admit I’ve already forgotten, isn’t just a cardboard cutout of male rigidity. Castro plays him with a kind of brittle charm, like a man who’s spent so long building walls that he’s forgotten how to climb them.

There’s a scene early on where he rehearses his "fiancée’s" backstory in front of a mirror, his reflection a perfect study in discomfort. It’s the kind of small, quiet moment that almost makes you believe this might be more than just a farce. Almost.

Audience Opinions

Limited evidence
"A lighthearted Brazilian comedy with charming leads but a thin plot that struggles to stand out."

The chemistry between the leads, particularly Caio Castro and Thati Lopes, gives the film playful energy. The story, however, is predictable and lacks depth. The humor lands in moments, but the overall execution plays it safe rather than inventive.

What viewers praise
  • Lead chemistry The on-screen dynamic between Caio Castro and Thati Lopes is the film's strongest asset.
  • Lighthearted tone The breezy, comedic approach suits anyone looking for undemanding entertainment.
Common complaints
  • Predictable plot The storyline follows familiar romantic comedy tropes without enough originality to feel fresh.
  • Lack of depth The characters and narrative are underdeveloped, leaving the film shallow in places.
Recommended for
Brazilian comedy fans Rom-com enthusiasts Caio Castro admirers

Full Plot (Spoilers)

Spoiler warning

This section contains the full plot, including major story reveals. Overview above stays spoiler-free.

Buzz & Rumors

Public reports

Behind the Scenes of Someone Borrowed (2022): A Brazilian Rom-Com with Star Power

Brazilian director Cris D’Amato’s Someone Borrowed (2022) arrived with a playful premise and a cast stacked with fan favorites. Marketed as a comedy-romance, the film follows the chaos of a fake relationship scheme—though details about the plot’s twists remain scarce in public chatter. What is clear? latestnetflix.com's view is that the movie leaned on its ensemble to deliver laughs, and early buzz suggests it found an audience in Brazil’s crowded rom-com scene.

The Cast: A Mix of Veterans and Rising Stars

The film’s lineup reads like a who’s who of Brazilian entertainment. Leading man Caio Castro, a heartthrob known for telenovelas like Malhação and Totalmente Demais, headlines the project, likely drawing his loyal fanbase. Alongside him, Thati Lopes (A Dona do Pedaço) and Mariana Xavier (Coisa Mais Linda) bring comedic chops, while Danielle Winits (Avenida Brasil) and Patrícya Travassos (Zorra) add veteran gravitas.

Notably, the cast includes Bruna Louise, a stand-up comedian whose sharp humor might have injected fresh energy into the film’s tone. Meanwhile, Polliana Aleixo and Fafá Rennó—both fixtures in Brazilian TV—round out the supporting roles, suggesting a deliberate balance of familiarity and novelty.

Production and Reception: A Low-Key Release

Unlike blockbusters with months of pre-release hype, Someone Borrowed slipped into theaters with little fanfare. The official trailer, however, hints at a lighthearted romp, with quick cuts of flirtatious banter, slapstick mishaps, and a soundtrack likely tailored to Brazil’s pop sensibilities.

Critically, the film’s reception appears mixed. On SensCritique, the French review aggregator, it holds a modest 4.9/10 based on 53 votes, though the site lists its original title as Esposa de Aluguel ("Rented Wife")—a nod to its Brazilian release. Rotten Tomatoes’ page for the film exists but lacks a score or reviews, signaling limited traction in English-language markets.

Rumors swirl about a Netflix acquisition, given the platform’s appetite for Brazilian content. A YouTube review titled "Someone Borrowed Netflix movie Review | Esposa de Aluguel" suggests the film may have found a second life on streaming, though no official announcement confirms this. If true, it would align with Netflix’s strategy of snapping up mid-tier Brazilian productions to bolster its Latin American catalog.

Why the Confusion?

The film’s title has caused headaches for fans. Searches for "Someone Borrowed" often pull up unrelated projects, like the Murder, She Wrote episode "Something Borrowed, Someone Blue". Even the Brazilian title, Esposa de Aluguel, risks blending into the sea of rom-coms with similar premises. For clarity: this is Cris D’Amato’s 2022 comedy, not a Hollywood rom-com or a crime drama.

The Verdict: A Lightweight Rom-Com with Potential

With sparse critical coverage and no major awards buzz, Someone Borrowed feels like a crowd-pleaser rather than a prestige project. Its strength lies in its cast—particularly the chemistry between Castro and Lopes, if the trailer is any indication. If Netflix did pick it up, the film might yet find a broader audience, especially among viewers craving breezy, bingeable Brazilian content.

For now, though, details remain frustratingly thin. No behind-the-scenes scandals, no viral moments—just a solid, if unremarkable, addition to Brazil’s rom-com canon.

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.

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