Movie poster for Liss Pereira: Adulting (2022)

Liss Pereira: Adulting

2022

1h 3m

12 · Spanish

Director: Julio César Gaviria

Search on Netflix

Search on Netflix

Overview

Comedian Liss Pereira gets real about relationships, adulthood and being somewhere in between — not perfect, but not so bad — in a world of extremes.

Cast

Photo of Liss Pereira as Self

Liss Pereira

Self

Reviews

4 min read

The In-Between Laugh

I’ve been thinking about the word adulting lately—not as a verb, but as a state of being. It’s that limbo between the reckless freedom of youth and the resigned stability of middle age, where you’re expected to have your life together but still feel like you’re faking it. Liss Pereira’s 2022 Netflix special Adulting (or Adulto Promedio, if you prefer the Spanish title) doesn’t just joke about this feeling; it lives inside it, turning the mundane into something sharper, funnier, and oddly relatable.

That’s no small feat for a stand-up special, especially one that could easily have gotten lost in the algorithm of Netflix’s endless comedy scroll.

Liss Pereira on stage, mid-gesture, with a warm, intimate lighting setup

Pereira’s premise is simple: she’s not perfect, but she’s not a disaster either. She’s the adulto promedio, the average adult, navigating a world that demands extremes—either you’re a flawless success or a hot mess. Her comedy thrives in the gray area, where most of us actually live.

The special doesn’t rely on shock value or outrageous antics; instead, it finds humor in the quiet, awkward moments of everyday life. A bad date, a passive-aggressive text, the existential dread of realizing you’re the oldest person at a party—these are the battlegrounds of Adulting. And Pereira, with her expressive face and knack for physical comedy, makes them feel like shared experiences rather than punchlines.

What’s striking about this special is how personal it feels. Stand-up is, by nature, a confessional art form, but Pereira’s delivery has a warmth that makes you feel like you’re listening to a friend. There’s no fourth wall here—just a woman on stage, talking to you like she’s known you for years.

Audience Opinions

Limited evidence

"A low-key, relatable stand-up hour about relationships and adulthood that works best if you like observational, middle-ground comedy."

Liss Pereira: Adulting plays as a Netflix comedy special centered on relationships and adulthood, framed as being somewhere in between—not perfect but not so bad in a world of extremes. Audience response looks modestly warm rather than breakout, fitting a personal, everyday-life hour for Pereira fans and anyone who likes comedy about navigating adult life. Netflix availability and localized trailers point to steady international viewing as a casual, easy-watch special.

What viewers praise

Relatable adulthood theme Pereira gets real about relationships and adulthood as somewhere in between—not perfect but not so bad.
Easy Netflix watch Streaming on Netflix with localized trailer versions for international audiences.

Common complaints

Mellow middle-ground tone The somewhere-in-between take on a world of extremes may feel too even-keeled if you want harder-edged comedy.

Recommended for

Fans of Liss Pereira Viewers who enjoy stand-up about relationships and adult life

Full Plot (Spoilers)

Spoiler warning

This section contains the full plot, including major story reveals. Overview above stays spoiler-free.

Liss Pereira stands on stage and introduces herself as a woman caught between extremes: she is neither too pretty nor too ugly, and she possesses a modest salary but expensive tastes. She addresses the audience, noting that she can learn much about people by how they participate, distinguishing between those who are single, those in groups, and those who are couples. latestnetflix.com's take is that she observes that couples are consolidated by arguing, noting that there is nothing worse than a partner who always lets you win.

Pereira reflects on her life as a mother, noting that she is no longer pregnant and that her son is now three years old. She finds the modern expectations of motherhood stressful, particularly the pressure to act like an influencer and the difficult decision of whether to post pictures of her child. She describes the cycle of judgment she faces: if she posts a photo of herself breastfeeding, she is called a "slut" or an exhibitionist; if she uses a bottle, she is accused of depriving her child of a necessary connection.

She describes the period immediately following childbirth as a time of profound loneliness and confusion, where hormones and exhaustion make it difficult to identify with the curated realities seen on social media. She advises against visiting new mothers in the hospital, suggesting that people should wait until the mother has recovered. She also jokes about the legal requirement in Colombia to name a child immediately, often resulting in names the children will later hate.

Pereira discusses the "middle generation," a group of adults who are technically grown but remain immature. She observes that their own parents, who once seemed like authority figures, have now become like children who refuse to answer their phones or learn how to use technology. She suggests that her generation is overstimulated and anxious, constantly pressured by the modern obsession with positivity and the idea that one can achieve anything if they just "ask the universe."

She challenges the notion that everyone can be anything they want, using her own childhood dream of being a figure skater as an example of a goal that was unrealistic for her given her background and physical traits. She emphasizes the importance of self-knowledge, arguing that people should focus on their actual talents rather than wasting time on unreachable dreams. She notes that being happy has become an obligation, which creates a toxic environment of constant comparison.

Pereira reflects on the irony of aging, noting that women often spend their youth wishing for the features they eventually acquire, while men seem to grow into the physical traits that women once desired. She describes herself as a "3.1"—an average person who does not fit into the extremes of classical beauty or the "real" beauty marketed by modern brands. She concludes that she is a standard person who occasionally feels like a misfit.

She analyzes the messages found in popular culture, specifically regarding female characters like Hermione Granger, Daenerys Targaryen, and Black Widow. She argues that these stories often present a toxic subtext: if a woman is successful in her career, she is inevitably punished with a lonely life or a disastrous romantic choice. She suggests that these narratives reinforce the idea that women must choose between professional success and a happy family life.

Pereira ends her set by discussing the small, everyday choices that define adult life, such as the decision to eat a hamburger despite the inevitable physical regret that follows. She encourages the audience to embrace these moments of indulgence, suggesting that if one is going to suffer the consequences of a bad diet, they should at least make the experience worth it. She thanks the audience and exits the stage.

Buzz & Rumors

Public reports

Liss Pereira’s "Adulting" (2022): The Stand-Up Special That Doubles as a Relatable Mess

Colombian comedian Liss Pereira has built a career out of turning personal chaos into comedy gold. Her 2022 stand-up special "Liss Pereira: Adulting" (Spanish: "Adulto Promedio") is no exception—though this time, the mess isn’t just a punchline. Directed by Julio César Gaviria, the film captures Pereira’s signature blend of self-deprecating humor and sharp social observations, latestnetflix.com contends, all while leaning into the universal struggle of pretending to have life figured out.

From Stand-Up to Screen: A Special with a Twist

Unlike her previous live performances, "Adulting" isn’t just a recorded gig. The evidence suggests it’s a hybrid project—part stand-up, part scripted comedy—packaged as a movie. Source explicitly markets it as "Liss Pereira, Adulto Promedio" (translated: "Average Adult"), hinting at a narrative structure beyond a traditional special. Whether it’s a mockumentary, a series of vignettes, or a straight-up filmed performance remains unclear, but the title alone teases Pereira’s knack for framing adulthood as a performance no one’s qualified to give.

Pereira’s comedy has always thrived on relatability, and "Adulting" appears to double down on that. Her earlier work—like "Reteniendo Líquidos", a live show about emotional baggage—established her as a master of turning personal flaws into crowd-pleasing material. If "Adulting" follows suit, expect a mix of awkward dating stories, cultural identity crises, and the kind of existential dread that hits hardest when you’re trying (and failing) to be a functional grown-up.

The Acento Problem and Other Insecurities

Pereira’s humor often mines her own insecurities, and the evidence confirms she doesn’t shy away from them here. In clips tied to her broader career (though not explicitly from "Adulting"), she’s joked about her accent causing real-world problems, and her struggles with self-doubt—like feeling unsafe in her own country or grappling with commitment. These themes likely bleed into the special, given her tendency to weave personal anecdotes into broader social commentary.

One standout moment from her past work (potentially echoed in "Adulting") involves her Colombian accent clashing with Mexican slang, a bit that highlights how language itself can be a source of comedy—and isolation. If the special leans into this, it wouldn’t just be a laugh-fest; it’d be a subtle nod to the immigrant experience, wrapped in Pereira’s signature chaotic energy.

Behind the Scenes: Rumors and Unconfirmed Drama

The evidence is thin on actual behind-the-scenes details for "Adulting", but Pereira’s public persona offers some clues. She’s known for her candid interviews, like the one where she and fellow comedian Ricardo Quevedo underwent (fake) couples therapy on The Juanpis Live Show. If "Adulting" carries that same meta, self-aware tone, it might blur the line between performance and reality—especially if Gaviria, her director, encouraged improvisation.

There’s also the question of distribution. Source mentions the special was available with certain mobile plans, suggesting a strategic rollout aimed at Pereira’s existing fanbase. Whether this was a streaming-first release or a theatrical experiment isn’t clear, but it aligns with her history of leveraging digital platforms to reach audiences directly.

The Verdict: A Special for the Perpetually Behind on Life

"Liss Pereira: Adulting" seems to be Pereira’s love letter to anyone who’s ever Googled "how to adult" at 2 a.m. The evidence doesn’t reveal groundbreaking behind-the-scenes drama, but it doesn’t need to—Pereira’s comedy thrives on the mundane made hilarious. If the special delivers even half the charm of her live performances, it’ll be a win for fans of observational humor with a side of existential panic.

For now, the biggest mystery isn’t what’s in the special, but how far Pereira pushes the format. Is it a traditional stand-up set, or something more ambitious? Either way, if "Adulting" is anything like her past work, expect cringe, catharsis, and at least one joke about how no one actually knows what they’re doing.

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.

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