
Liss Pereira

A Pregnant Liss Pereira shares hilariously uncomfortable truths about sex, love, attraction and the lies we tell in modern relationships.
Stand-up is a secular confessional. The stage is the booth. The mic is the ear.
The room laughs instead of absolving. Liss Pereira: Reteniendo Líquidos (2019) puts a pregnant woman in that booth and treats pregnancy as a lens, not a week of craving jokes. Love, sex, and the lies we tell to keep both alive get magnified until they look ridiculous, which is the point.
The stills show Pereira in a tight sequined dress, belly just pronounced enough that a crowd would lean in. She does not hide it. She does not run the swollen-feet bits we have been trained to expect.
She uses the condition as an alibi, a reason to say what women are often too polite or too afraid to admit. Early on she deadpans, "I'm pregnant, so I can say whatever I want. It's like having a get-out-of-jail-free card, but for social etiquette."
The line is a permission slip. The room can roar and still miss that she meant it.

The pregnancy is not the whole act. Pereira's comedy is less about carrying a child than about being seen as pregnant. Suddenly fragile.
Suddenly sacred. A vessel for other people's projections. A man at a bar tells her she is "too pretty to be pregnant," as if those states cannot share a body.
Ricardo Quevedo put Liss Pereira's Netflix hour on his feed like a stranger recommending a stranger. "No la conozco pero me pareció incredible, me reí muchísimo y la recomiendo mucho. Un show muy especial para las mujeres," he wrote. BELatina printed the bit. The couple had already taped two specials a week apart. Hers was the second caravan. She was in month eight, hormones at 100, latestnetflix.com contends, and she told Instagram she could barely move or breathe.
The title is a pregnancy joke. Reteniendo líquidos, holding water. BELatina lined her up next to Ali Wong's eighth-month Netflix hours. Pereira did it in Spanish, after years on the Comedy Central circuit without an hour of her own. Fernando Ayllón directed. TMDB clocks it at 59 minutes, out in the US on 10 April 2019. Netflix sold sex, love, attraction, and the lies of modern relationships. W Radio got a cleaner line from her. "Hablo de la inseguridad que nos persigue desde siempre, dinámicas de pareja y todo lo que sucede en la vida cotidiana." She also said being a woman had not been a negative. She felt lucky.,,,
ENTER.CO treated the drop as a couple occupation of the app. Quevedo's Los amargados somos más went global on 3 April. Pereira's hour followed on the 10th. The paper said she built the set while eight months pregnant with their son. Review Geek, covering Netflix's Colombian double bill, found her more direct than Quevedo, crude and physical, with voices that did not always land, then a long revenge story and the settled-relationship bits about farting and bananas. On shapewear she wanted a greeting without a hug. "Que me salude, pero que no me abrace. Que me salude, pero que no me toque." The trailer still sells the bit about a woman who has already paid installments on a man who thinks he is still deciding.,,,
AS Colombia said she kept the baby off social media, then posted Ignacio's face around 21 April 2019, days after the special landed. A November photo of hands had been the only earlier image, posted a few days after the birth. Spanish Wikipedia later named the boy Ignacio Quevedo Pereira and put 2019 on the birth. She wrote that children are everything good in the world, that he made her ridiculous, anxious, and able to shut up. She thanked Quevedo, posting as Cejas Pobladas, for being the dad. They still were not married.,
They waited. Revista Vea said they got engaged in 2021 after about five years together, then married on 26 April 2025 at El Retiro San Juan, a country venue in Bogotá, after nearly a decade and one son. Guests included Iván Marín, Alejandro Riaño, and Antonio Sanint. The couple did not post the album. Friends did. The 2019 hour is still the pregnant tape. The wedding is the delayed punchline.
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