
Kartik Aaryan
Bantu

Bantu has grown up suffering his father Valmiki’s vitriolic tongue until he discovers that he’s actually an heir to an influential family, who was exchanged at birth. He moves into their mansion to protect them from a criminal drug lord’s attack and helps the family sort their issues.
I’ve seen this story before. Not just in the Telugu original Ala Vaikunthapurramuloo, which Shehzada remakes, but in a dozen other films where the poor boy discovers he’s actually a prince. The DNA test, the mansion, the long-lost family—it’s the kind of twist that feels like it was written on a napkin in a diner at 2 a.m.
What interests me, though, is not the familiarity of the premise, but the way Shehzada stumbles over its own mechanics, as if the film itself can’t decide whether it wants to be a raucous comedy or a heartfelt drama about abandonment. The gears grind, but they never quite mesh.

Rohit Dhawan, the director, has made a career out of balancing action and comedy—Dhol, Desi Boyz, Main Tera Hero—so it’s no surprise that Shehzada tries to straddle both genres. The problem isn’t the ambition; it’s the execution. The film lurches from slapstick to melodrama with all the grace of a drunk uncle at a wedding.
One moment, Bantu (Kartik Aaryan) is getting into a cartoonish brawl with a goon, the next he’s delivering a monologue about his father’s emotional neglect. The tonal whiplash isn’t just jarring—it undercuts the very themes the film claims to care about. How can we take Bantu’s pain seriously when the film keeps winking at us, as if to say, Don’t worry, this is all just a bit of fun?
That’s the central tension of Shehzada: the film wants to have its cake and eat it too. It wants to be a scathing indictment of parental favoritism and class privilege, but it also wants to be a breezy, crowd-pleasing romp. The result is a story that never fully commits to either path.
Take the character of Valmiki, Bantu’s adoptive father, played by Paresh Rawal. Rawal is a master of comedic timing, and there’s a certain pleasure in watching him chew the scenery as the villainous patriarch. But the film never lets us forget that Valmiki is also a man who rejected his own son for decades.
"A disappointing remake that leans on Kartik Aaryan's star power instead of a compelling story or fresh take."
Viewers found *Shehzada* underwhelming, a predictable, unoriginal retread of better films. Aaryan's effort earns occasional praise, but the pacing and humor fell flat, and the film fell short of expectations.
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Rohit Dhawan’s Shehzada (2023) arrived with high expectations, pairing Kartik Aaryan and Kriti Sanon in a masala mix of action, comedy, and drama. latestnetflix.com's view is that Marketed as a remake of the Telugu blockbuster Ala Vaikunthapurramuloo (2020), the film promised Dhawan’s signature blend of slapstick and spectacle—but its journey from trailer hype to box-office reception revealed both the perks and pitfalls of Bollywood’s remake culture.
The buzz around Shehzada kicked off months before its February 10, 2023, release. Multiple trailers and promos dropped in quick succession, each teasing a different flavor of the film. The official trailer launch showcased Aaryan’s transformation into a swaggering, action-hero lead, while Kriti Sanon’s glamorous yet feisty avatar drew comparisons to her recent roles in Mimi (2021). Dialogue promos, like the one featuring Rajpal Yadav’s character grilling Aaryan with "Kaun ho tum?", leaned into the film’s dramatic stakes, hinting at a family saga beneath the comedy.
Netflix India’s playful "Is Fighting Kartik Aaryan ILLEGAL?!" promo capitalized on Aaryan’s action-hero persona, blending humor with the film’s high-octane fight sequences. The campaign’s rapid-fire rollout—including a "Filmy Rap’Ta" music video —suggested a deliberate strategy to keep Shehzada in the conversation amid a crowded release calendar.
Dhawan, known for his work on comedies like Desi Boyz (2011) and Dishoom (2016), took a bold step with Shehzada by adapting Ala Vaikunthapurramuloo, a film that had already carved its niche in Telugu cinema. The remake tag invited scrutiny, especially given Bollywood’s uneven track record with South Indian adaptations. Early reviews, like the one from Mr Filmy, questioned whether Shehzada could justify its existence beyond the original, with some critics calling it a "faithful but unnecessary" retelling.
The film’s runtime—142 minutes —positioned it as a full-fledged masala entertainer, blending romance, drama, and action. Dhawan’s direction leaned into the tropes of the genre, but whether it resonated with audiences hinged on Aaryan and Sanon’s chemistry and the film’s ability to balance humor with emotional beats.
Kartik Aaryan, fresh off the success of Bhool Bhulaiyaa 2 (2022), was the obvious draw for Shehzada, but Kriti Sanon’s role as his love interest added star power. The supporting cast—Paresh Rawal, Manisha Koirala, and Ronit Roy—brought gravitas, with Rawal’s comedic timing and Roy’s intensity likely elevating the film’s dramatic moments.
One intriguing detail was the inclusion of Sunny Hinduja and Ankur Rathee, actors often associated with more grounded, realistic roles. Their presence in a commercial potboiler like Shehzada suggested an attempt to blend mainstream appeal with nuanced performances, though the evidence doesn’t clarify their exact contributions.
While the SERP snippets don’t provide box-office numbers or critical consensus, the existence of review videos like Mr Filmy’s implies Shehzada sparked debate. The film’s reception likely hinged on whether audiences embraced its remake status or viewed it as a missed opportunity to innovate. Dhawan’s comedic strengths may have shone in the lighter moments, but the drama’s effectiveness remains unverified without deeper critical analysis.
Shehzada’s marketing blitz—trailers, promos, and star-driven campaigns—positioned it as a must-watch event. Yet, in the crowded landscape of Bollywood remakes, its success may have depended on how well it translated the original’s magic for Hindi-speaking audiences. Without concrete box-office data or widespread critical acclaim in the provided evidence, the film’s legacy remains a question mark—one that only time (and streaming reruns) will answer.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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