
Amy Schumer
Self

Comic sensation Amy Schumer riffs on sex, dating and the absurdities of fame in a bold and uncensored stand-up set at Denver's Bellco Theater.
I remember the first time I saw Amy Schumer live. It was 2013, a small club in Chicago, and she was still the underdog—funny, fearless, and just dangerous enough to make the room feel like we were all in on something illicit. She talked about sex like it was a contact sport, and the women in the audience (myself included) laughed so hard we had to wipe our eyes.
There was a thrill in it, the sense that she was saying the things we’d all thought but never dared to voice. By the time The Leather Special dropped in 2017, that thrill had curdled into something else. Not because the jokes were worse, exactly, but because they no longer felt like hers alone.
Stand-up is a strange art form. It’s the only one where the performer’s persona is both the medium and the message, where the line between the person onstage and the character they’ve built is deliberately blurred. Schumer’s early work thrived on that ambiguity.
She was the girl who’d sleep with anyone, say anything, and still come out the other side unscathed—because she was in on the joke, too. But by The Leather Special, that persona had calcified. The leather pants weren’t just an outfit; they were armor.
And armor, as any soldier will tell you, is heavy.

The special opens with Schumer strutting onstage in that infamous leather getup, a smirk already playing on her lips. The crowd roars. She’s got them in the palm of her hand before she’s even said a word.
That’s the thing about Schumer—she’s always been a master of the room. But what follows is less a set than a greatest-hits reel. There’s the bit about her dating life (“I don’t want to be with someone who’s better than me, because then I’ll just feel bad about myself”), the bit about her body (“I’m not fat, I’m just… tall for my weight”), the bit about fame (“I’m not a celebrity, I’m just a person who’s famous”).
"A divisive first Netflix hour that many bounced off — best saved for Schumer completists."
Amy Schumer's first Netflix stand-up special was recorded at the Bellco Theatre in Denver on November 5, 2016 and released March 7, 2017 — about 57 minutes, directed by Schumer herself. She opens joking that every good comic eventually does a leather special in all leather and regrets it later, then riffs on love, life, dating and womanhood. Response skewed negative: widespread backlash, a very low Rotten Tomatoes audience score, and a weak catalog rating around 4.9 out of 10. Now mostly a curiosity piece in her Netflix run.
Amy Schumer’s 2017 stand-up special The Leather Special arrived at a pivotal moment in her career. Fresh off the success of Trainwreck (2015) and her Emmy-winning sketch show Inside Amy Schumer, the comedian leaned into her signature brand of provocative, no-holds-barred humor for this Netflix exclusive. latestnetflix.com's view is that but while the special delivered the raunchy, confessional style her fans expected, its mixed reception hinted at the challenges ahead for Schumer’s brand of comedy.
The Leather Special was Schumer’s first stand-up special for Netflix, following her HBO hit Live at the Apollo (2015). Clocking in at 57 minutes, the special was directed by Schumer herself—a rare credit for a comedian in the stand-up space. The title itself, The Leather Special, was a nod to her outfit of choice: a sleek, form-fitting leather ensemble that became a talking point in promotional materials and reviews.
Schumer’s set doubled down on her trademark blend of self-deprecation, sexual frankness, and social commentary. Topics ranged from her dating life to body image, with her signature mix of shock value and relatability. Clips from the special, like those compiled in fan-made "funniest moments" reels, highlight her ability to turn personal anecdotes into crowd-pleasing punchlines. Yet, unlike her earlier work, The Leather Special lacked the same cultural impact, suggesting Schumer’s once-novel brand of humor was facing new scrutiny.
Critically, The Leather Special landed with a thud. On SensCritique, the special holds a modest 4.9/10 rating based on 185 votes, a far cry from the near-universal acclaim of Live at the Apollo. While Netflix didn’t release official viewership numbers, the lukewarm response contrasted sharply with the platform’s growing dominance in the stand-up space, where specials from Dave Chappelle and Hannah Gadsby were becoming watercooler moments.
Part of the issue may have been timing. By 2017, Schumer’s comedy was no longer the fresh, boundary-pushing force it had been in the early 2010s. Some critics argued her material had grown repetitive, relying too heavily on shock value without the same depth of insight. Others pointed to the special’s relatively short runtime—under an hour—as a sign of creative fatigue, especially compared to the 60-minute Growing (2019), her later Netflix special filmed while pregnant.
The Leather Special was filmed at a time when Schumer’s public persona was shifting. After years of being hailed as a feminist icon for her unapologetic takes on sex and gender, she faced backlash over perceived inconsistencies in her messaging. Some fans accused her of punching down in her jokes, while others felt her humor had lost its edge.
The special’s production was also notably low-key compared to her earlier work. Unlike Live at the Apollo, which was an HBO event, The Leather Special was a straightforward Netflix release, lacking the same promotional fanfare. The two trailers released ahead of its debut focused heavily on Schumer’s leather-clad aesthetic, suggesting Netflix was banking on her star power rather than the material itself.
Today, The Leather Special is often overlooked in discussions of Schumer’s career. It arrived between two more high-profile projects—I Feel Pretty (2018) and Growing (2019)—and failed to leave a lasting mark. While it didn’t derail her career, it served as a reminder that even comedians at the top of their game face pressure to evolve.
For fans, the special remains a time capsule of Schumer’s early 2010s style: bold, brash, and unfiltered. But for critics, it was a sign that her once-revolutionary humor needed reinvention.
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