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Movie poster for First Match (2018)

First Match

“This is HER fight.”

2018
1h 34m
12 · English
Director: Olivia Newman
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Overview

Hardened by years in foster care, a teenage girl from Brooklyn’s Brownsville neighborhood decides that wrestling boys is the only way back to her estranged father.

Cast

12 people

Reviews

6 min read

The Girl Who Fought Like a Boy (And Herself)

I didn’t expect to care about wrestling. Not really. The sport has always struck me as a series of grunts and spandex, a testosterone-fueled spectacle where the only drama is who pins whom.

But First Match isn’t about wrestling. It’s about the girl in the singlet, the one who steps onto the mat not to win a trophy, but to win back something far more fragile: her father’s attention. And in the process, she might just learn to stop fighting everyone—including herself.

Olivia Newman’s debut feature is a small film with a big heart, the kind that sneaks up on you with its quiet insistence. It’s set in Brooklyn’s Brownsville neighborhood, a place where the streets hum with the kind of energy that either lifts you up or grinds you down. Monique (Elvire Emanuelle) is caught in the latter.

She’s a foster kid with a chip on her shoulder the size of a boulder, and she’s spent years bouncing between homes, each one a little less welcoming than the last. Her father, Darrel (Yahya Abdul-Mateen II), is a ghost from her past—a man who left when she was a child and now drifts in and out of her life like a bad habit. So when Monique hears he’s coaching wrestling at her high school, she sees an opportunity.

Not to reconnect, not really. Just to prove she’s worth his time.

Monique in her singlet, staring down an opponent twice her size

The wrestling scenes are where First Match shines brightest. Newman, who clearly did her homework, films the matches with a gritty intimacy that makes you feel every takedown, every gasp for air. The camera doesn’t just observe—it gets in the ring.

You can almost smell the sweat, the rubber of the mats, the sharp tang of adrenaline. There’s a moment early on when Monique, smaller and less experienced than her male opponents, gets thrown to the ground. The ref starts to call it, but she scrambles back up, her face a mask of determination.

It’s not about winning. It’s about not being counted out. And in that moment, you understand why she’s here.

Not for the sport. For the fight.

But First Match is more than a sports movie. It’s a character study, and Elvire Emanuelle carries it with a raw, unvarnished intensity that’s impossible to look away from. Monique isn’t likable, not at first.

She’s prickly, defensive, quick to throw a punch—literally and figuratively. But Emanuelle makes sure you see the vulnerability beneath the bravado. Watch the way she holds her body when she’s around her father: shoulders squared, jaw set, as if she’s bracing for the next letdown.

Audience Opinions

Limited evidence
Audience 6.5/10
"A raw, emotional coming-of-age drama with a standout lead, let down by pacing and thin supporting characters."

Viewers praise its authentic portrait of a young woman facing personal and family challenges through wrestling, and Elvire Emanuelle's compelling lead. Some find it uneven, with strong moments undercut by slow pacing and thin side characters.

What viewers praise
  • Powerful lead performance Emanuelle is praised for raw emotion and authenticity.
  • Authentic storytelling Grounded, character-driven drama about struggle and resilience.
  • Emotional depth Key scenes capture the heroine's inner conflicts and relationships.
Common complaints
  • Uneven pacing The middle act drags.
  • Underdeveloped side characters Family and peers are shallow.
  • Predictable moments Familiar plot developments.
Recommended for
Coming-of-age drama fans Character-driven story lovers Elvire Emanuelle admirers Wrestling and sports drama enthusiasts Indie film audiences

Full Plot (Spoilers)

Spoiler warning

This section contains the full plot, including major story reveals. Overview above stays spoiler-free.

Buzz & Rumors

Public reports

Olivia Newman’s Gritty Directorial Debut: The Making of First Match

Olivia Newman’s First Match (2018) arrived as a raw, unfiltered coming-of-age drama set in the world of high-school wrestling—a sport rarely explored in film, especially through the lens of a young Black woman. The movie, Newman’s feature directorial debut, quickly earned praise for its authenticity and emotional depth, but behind the scenes, latestnetflix.com contends, its journey to the screen was just as compelling.

A Passion Project Rooted in Real Struggle

Newman, a Hoboken, New Jersey native, drew from personal and regional influences to craft First Match. The film follows Monique (Elvire Emanuelle), a Brooklyn teen navigating foster care, family estrangement, and the brutal physicality of wrestling to prove herself. While the evidence doesn’t detail Newman’s direct connection to wrestling, her background as a screenwriter and director suggests a deliberate choice to spotlight an underrepresented sport and community.

The project’s gritty realism likely stemmed from Newman’s commitment to authenticity. Though the SERP snippets don’t reveal casting specifics, the film’s ensemble—including Yahya Abdul-Mateen II (Watchmen, Aquaman) and Colman Domingo (Euphoria, The Color Purple)—hints at a deliberate effort to blend rising talent with seasoned actors. Abdul-Mateen II, in particular, brought star power to the supporting role of Darrel, Monique’s estranged father, adding emotional weight to the story.

Netflix’s Gamble on a Female-Led Sports Drama

First Match premiered at the 2018 SXSW Film Festival before landing on Netflix, where it became one of the streamer’s standout indie acquisitions. At the time, Netflix was aggressively expanding its original film slate, and First Match fit neatly into its push for diverse, character-driven stories. While the evidence doesn’t confirm budget details, the film’s modest production scale—102 minutes, tight cast, and Brooklyn locations—suggests a lean shoot.

Critics responded positively, with some calling it one of Netflix’s best original movies of the year. The French review site SensCritique gave it a 6.2/10, noting its "dramatic and sporting" balance, while YouTube reviewers praised its emotional punch and Emanuelle’s breakout performance,. However, the film didn’t achieve the same cultural footprint as other 2018 Netflix hits like Roma or Bird Box, leaving its legacy more niche than mainstream.

The Cast’s Behind-the-Scenes Chemistry

The film’s success hinged on its ensemble, particularly the dynamic between Emanuelle and Domingo, who played Monique’s mentor and wrestling coach, Coach Castile. While the SERP snippets don’t reveal on-set anecdotes, Domingo’s reputation for mentoring younger actors (seen in later projects like Rustin) suggests he may have played a similar role off-camera.

Jharrel Jerome, who joined the cast as Monique’s love interest, Omari, was already gaining traction after his Oscar-winning role in Moonlight (2016). His presence added another layer of prestige to the project, though the evidence doesn’t confirm whether his casting was a deliberate draw for awards buzz.

**Why First Match Still Matters**

Despite its limited fanfare, First Match remains a standout in Newman’s filmography—especially as she later directed the high-profile adaptation of Where the Crawdads Sing (2022). The film’s focus on a Black female wrestler, a rarity in sports cinema, gave it a distinct voice, even if its Netflix release didn’t spark a cultural moment.

Rumors about a potential sequel or expanded universe haven’t surfaced, but given the film’s cult following, it wouldn’t be surprising if Newman revisited its themes in future projects. For now, First Match shows her ability to blend raw emotion with athletic intensity—a skill that would later define her work on Crawdads.

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.

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