Adam Devine
Bull (voice)
Overview
After learning he's getting neutered, a dog has 24 hours to squeeze in one last balls-to-the-wall adventure with the boys.
Cast
12 people
Reviews
6 min read AI-generated editorial review
The Last Howl: Genndy Tartakovsky’s Fixed and the Problem with Raunch for Raunch’s Sake
I’ll admit it: I laughed. Not at the bleached-anus gag—though, fine, that got a snort—but at the sheer audacity of it all. Here was Genndy Tartakovsky, the man who gave us the silent, primal poetry of Primal and the swashbuckling elegance of Samurai Jack, directing a movie where a dog’s testicles have a full-blown existential crisis. The dissonance is the point, I think. Fixed wants to be both a raunchy, R-rated romp and a surprisingly tender story about masculinity, friendship, and the fear of losing what makes you you. The problem? It keeps tripping over its own dick jokes.
Tartakovsky has always been an animator’s animator, a director whose work is defined by its how rather than its what. His action sequences in Samurai Jack didn’t just move—they danced, each frame a brushstroke in a larger kinetic painting. Fixed is no different in that regard. The hand-drawn animation is a marvel, all fluid lines and exaggerated expressions that make the dogs feel alive in a way that CGI often can’t. When Bull (Adam DeVine) and his pack sprint through the city, their bodies stretch and squash like rubber, their movements a perfect blend of cartoon physics and real-world weight. There’s a moment early on where Bull, panicked after learning he’s about to be neutered, bolts through a pet store, knocking over displays in a whirlwind of fur and chaos. It’s Looney Tunes meets Mad Max, and it’s thrilling to watch.
But animation, no matter how beautiful, is just the delivery system. The real question is what it’s delivering. Fixed’s premise is simple: Bull, a lovable but irresponsible mutt, has 24 hours before his neutering appointment, and he’s determined to cram in one last epic adventure with his friends. It’s The Hangover with dogs, or Superbad if Michael Cera were a horny, overgrown golden retriever. The setup is ripe for both comedy and pathos—after all, what’s more universal than the fear of losing a part of yourself, even if that part is, well, literal?
The film tries to have it both ways. On one hand, it’s a no-holds-barred comedy, packed with enough profanity, sex gags, and gross-out humor to make South Park blush. There’s a canine brothel (yes, really), a subplot involving a sentient, talking testicle (again, really), and a running gag about a dog who can’t stop humping everything in sight. The humor is relentless, and if you’re the kind of person who finds the phrase “bleached anus” inherently funny, you’ll probably have a good time. But if you’re not? Well, the film doesn’t seem to care. It’s shock for shock’s sake, and after the third or fourth identical gag, the law of diminishing returns kicks in hard.
I’ll admit it: I laughed. Not at the bleached-anus gag—though, fine, that got a snort—but at the sheer audacity of it all. Here was Genndy Tartakovsky, the man who gave us the silent, primal poetry of Primal and the swashbuckling elegance of Samurai Jack, directing a movie where a dog’s testicles have a full-blown existential crisis. The dissonance is the point, I think. Fixed wants to be both a raunchy, R-rated romp and a surprisingly tender story about masculinity, friendship, and the fear of losing what makes you you. The problem? It keeps tripping over its own dick jokes.
Tartakovsky has always been an animator’s animator, a director whose work is defined by its how rather than its what. His action sequences in Samurai Jack didn’t just move—they danced, each frame a brushstroke in a larger kinetic painting. Fixed is no different in that regard. The hand-drawn animation is a marvel, all fluid lines and exaggerated expressions that make the dogs feel alive in a way that CGI often can’t. When Bull (Adam DeVine) and his pack sprint through the city, their bodies stretch and squash like rubber, their movements a perfect blend of cartoon physics and real-world weight. There’s a moment early on where Bull, panicked after learning he’s about to be neutered, bolts through a pet store, knocking over displays in a whirlwind of fur and chaos. It’s Looney Tunes meets Mad Max, and it’s thrilling to watch.
But animation, no matter how beautiful, is just the delivery system. The real question is what it’s delivering. Fixed’s premise is simple: Bull, a lovable but irresponsible mutt, has 24 hours before his neutering appointment, and he’s determined to cram in one last epic adventure with his friends. It’s The Hangover with dogs, or Superbad if Michael Cera were a horny, overgrown golden retriever. The setup is ripe for both comedy and pathos—after all, what’s more universal than the fear of losing a part of yourself, even if that part is, well, literal?
The film tries to have it both ways. On one hand, it’s a no-holds-barred comedy, packed with enough profanity, sex gags, and gross-out humor to make South Park blush. There’s a canine brothel (yes, really), a subplot involving a sentient, talking testicle (again, really), and a running gag about a dog who can’t stop humping everything in sight. The humor is relentless, and if you’re the kind of person who finds the phrase “bleached anus” inherently funny, you’ll probably have a good time. But if you’re not? Well, the film doesn’t seem to care. It’s shock for shock’s sake, and after the third or fourth identical gag, the law of diminishing returns kicks in hard.
Audience Opinions
AI summary of viewer review patterns
Audience 7.2/10 AI
"A visually inventive and darkly comedic animated film that charms with its unique style but struggles with pacing and narrative depth."
Genndy Tartakovsky’s signature animation style and dark humor are the standout features, drawing praise for their creativity and energy. However, some find the story meandering, with uneven pacing and a plot that doesn’t always justify its runtime. The voice cast delivers strong performances, but the characters occasionally feel underdeveloped.
What viewers praise
- Unique animation style Tartakovsky’s distinct visual flair and fluid animation are widely celebrated for their creativity and originality.
- Dark humor and tone The film’s offbeat, irreverent humor resonates with many, adding a fresh and entertaining edge.
- Strong voice performances The cast, including Adam Devine and Idris Elba, brings energy and personality to their roles.
- Creative world-building The film’s setting and aesthetic are praised for their imaginative and immersive qualities.
Common complaints
- Uneven pacing Some viewers feel the story drags in places, lacking the tight rhythm needed to sustain engagement.
- Thin narrative The plot is criticized for being underdeveloped, with some characters and subplots feeling shallow or rushed.
- Mixed tonal balance While the dark humor works for many, others find it jarring or inconsistent with the film’s emotional moments.
Recommended for
Fans of Genndy Tartakovsky’s work Lovers of dark comedy animation Those who enjoy unique visual styles Adult animation enthusiasts Voice acting aficionados
Full Plot (Spoilers)
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Buzz & Rumors
Public reports AI-researched entertainment notes
Genndy Tartakovsky’s Fixed (2025) Brings Star-Studded Chaos to Animated Comedy
Genndy Tartakovsky, the animation powerhouse behind Hotel Transylvania and Primal, is back with Fixed—a 2025 animated comedy that’s already turning heads for its stacked voice cast and the director’s signature blend of humor and heart. While details remain scarce, the project’s confirmed talent and Tartakovsky’s track record suggest a wild, visually inventive ride.
A-List Voices, But What’s the Plot?
The cast reads like a who’s-who of comedy and dramatic talent: Adam Devine (Workaholics, Pitch Perfect), Idris Elba (Luther, The Suicide Squad), Kathryn Hahn (WandaVision, Glass Onion), and Fred Armisen (Portlandia, SNL) lead the ensemble, joined by Bobby Moynihan, Beck Bennett, Michelle Buteau, River Gallo, Scott Weil, and Aaron LaPlante 
. That’s a lot of firepower for a movie with no official synopsis yet.
Tartakovsky’s previous work—especially Hotel Transylvania—proves he knows how to wrangle big-name actors into zany, fast-paced comedies. But Fixed isn’t just another monster romp. The title itself hints at something more mechanical or sci-fi-adjacent, though whether it’s a literal "fixer" story or a play on words remains unclear. The French title Couic! (a slang term for a quick, sharp sound) suggests slapstick physical comedy, a Tartakovsky specialty .
Tartakovsky’s Animation Playground
If Fixed follows Tartakovsky’s usual style, expect hyper-expressive characters, dynamic action sequences, and a mix of irreverent humor and emotional beats. His Hotel Transylvania films balanced broad comedy with surprisingly tender moments, and Primal showcased his ability to tell gripping, dialogue-free stories. Fixed could split the difference—imagine The Lego Movie meets Wall-E, with Devine’s manic energy and Elba’s gravitas anchoring the chaos.
The runtime clocks in at 85 minutes, per French listings, making it a tight, likely high-energy affair [2]. That’s shorter than Hotel Transylvania’s 90+ minutes, suggesting a leaner, punchier narrative—perhaps a one-off rather than a franchise starter.
What We Don’t Know (Yet)
- Release Date: No official date beyond 2025. Tartakovsky’s projects often take years to materialize (see: Primal’s long gestation), so don’t expect a trailer soon.
- Studio Backing: Unconfirmed, but Tartakovsky’s recent work has been with Sony Pictures Animation (Hotel Transylvania). Fixed could follow suit.
- Genre Blend: The SensCritique listing tags it as "Animation, Adventure, Comedy," but the lack of a "Fantastique" label (unlike Hotel Transylvania) hints at a more grounded, if still absurd, premise [2].
- River Gallo’s Role: The actor and activist’s casting is intriguing. Gallo, known for Ponyboi and LGBTQ+ advocacy, could signal a more progressive or inclusive angle for Tartakovsky’s typically broad humor.
The Bottom Line
Fixed is shaping up to be a high-profile gamble: a star-studded, original animated comedy in an era dominated by IP-driven sequels and reboots. Tartakovsky’s involvement alone guarantees visual flair, but whether the story can match the cast’s potential remains the big question. For now, fans will have to settle for the tantalizing promise of Devine and Elba trading barbs in a world only Tartakovsky could dream up.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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