Jean Reno
Jean Pierre

“Nothing happens in the desert, but on board a 4L everything happens”
To find Joseba, a dying friend, and see him reunite with his daughter Ely, two old friends, Jean Pierre and Tocho, embark with her on a road trip through the Sahara desert, from Spain to Mali.
I’ve always been suspicious of road movies that promise transformation. The open road, the dusty horizon, the inevitable breakdown—it’s a well-worn metaphor, one that often feels more like a narrative crutch than a lived truth. But 4L, Gerardo Olivares’ 2019 comedy-drama, manages to sidestep the clichés by grounding its journey in something far more interesting: the stubborn, unglamorous reality of male friendship.
This isn’t a film about reinvention. It’s about the weight of what’s already been carried, and the quiet terror of realizing you might not be able to carry it much longer. The premise is simple, almost too simple: two old friends, Jean Pierre (Jean Reno) and Tocho (Hovik Keuchkerian), set off across the Sahara in a battered Renault 4L to find Joseba (Juan Dos Santos), a dying man who wants to see his daughter, Ely (Ileana Wilson), one last time.
The tagline—"Nothing happens in the desert, but on board a 4L everything happens"—hints at the film’s tonal tightrope walk. It’s a comedy, but the humor is dry, almost reluctant, as if the characters are too exhausted by life to muster anything more than a weary chuckle. And it’s a drama, but one that refuses to sentimentalize its central relationships.
These men aren’t heroes. They’re just two guys who’ve spent decades disappointing each other, and now they’re stuck in a car together, hurtling toward a destination that might not even want them.

Olivares, whose earlier work L’Aigle et l’enfant (2016) leaned into the mythic grandeur of nature, seems to be working in a different register here. The Sahara in 4L isn’t a backdrop for adventure; it’s a mirror. The endless dunes, the blinding light, the way the horizon seems to recede just as you think you’re getting closer—it all reflects the characters’ own sense of being stuck in time.
4L (2019), directed by Spanish filmmaker Gerardo Olivares, is a road-trip comedy-drama that pairs Jean Reno with a ragtag ensemble cast for a journey across the Sahara. The film, originally titled 4 latas ("4 Cans"), blends humor, drama, and adventure as its characters traverse the desert in a battered old car. But behind the scenes, the production had its own share of challenges—and a few surprises.
Gerardo Olivares, known for his documentary work spanning over 100 countries, brought a unique perspective to 4L. His filmography often explores human resilience in extreme environments, from wildlife documentaries to dramas like Brothers of the Wind (2016) . With 4L, Olivares shifted gears into fiction but kept his signature focus on adversity and camaraderie. The film’s premise—a cross-desert road trip in a decades-old car—mirrors the director’s real-life experiences filming in remote locations
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Olivares’ transition from documentaries to narrative filmmaking wasn’t seamless. In interviews, he and Reno joked about the cultural differences between Spanish and French filmmaking styles. Reno, a veteran of Hollywood and European cinema, admitted to being initially surprised by the more improvisational approach on set [7][8]. Yet, the collaboration worked: 4L leans into a loose, character-driven energy, with Reno’s deadpan charm anchoring the film’s emotional core.
Reno, best known for his roles in Léon: The Professional and The Da Vinci Code, took on 4L as a lighter project—though the shoot was anything but easy. Filming in the Sahara Desert presented logistical hurdles, from extreme heat to sandstorms disrupting production. In a 2019 interview on La Resistencia, Reno recounted how the crew had to adapt quickly, sometimes shooting scenes in short bursts to avoid the worst of the conditions [8].
The actor also revealed that he bonded with co-star Hovik Keuchkerian (who plays his estranged friend) over their shared love of motorcycles—a detail that made its way into the film’s script. Reno’s character, Jean-Pierre, is a former rally driver, and the actor’s real-life enthusiasm for bikes added authenticity to the role [2][7].
Despite its star power and scenic backdrop, 4L received mixed reviews. On SensCritique, the film holds a modest 4.6/10 rating, with some viewers praising its heartfelt moments but criticizing its pacing . Rotten Tomatoes’ audience score is similarly lukewarm, though the site’s critics’ consensus remains unscored
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Still, the film’s trailer—showcasing Reno’s comedic timing and the desert’s stark beauty—generated buzz ahead of its March 2019 release [5][6][10]. Olivares’ ability to balance humor and drama, a hallmark of his documentaries, shines through in 4L, even if the final product didn’t fully resonate with audiences.
4L may not have been a blockbuster, but it offered Reno a chance to flex his comedic muscles in a setting far removed from his usual action roles. For Olivares, it was another step in his evolution as a storyteller, blending fiction with the real-world grit he’s known for. The film’s legacy? A quirky, sun-soaked road movie that proves even a beat-up car can carry a lot of heart.
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