
Roy Chiu
Chen Chia-Hao

An idealistic cop joins an underground police unit and battles ghoulish forces threatening the balance between the human and the supernatural realms.
I went into The 9th Precinct expecting a gritty Taiwanese cop thriller. What I got was something far stranger—a procedural where the bad guys might not even be human. The film’s premise, as sparse as it is, promises a collision of genres: crime, fantasy, and thriller.
But the real question isn’t whether it delivers on that promise. It’s whether it knows what to do with it once the pieces are on the board.
Wang Ding-Lin’s film follows an idealistic cop (Roy Chiu) who joins an underground police unit tasked with policing the supernatural. That’s the elevator pitch, anyway. The problem is, the film never quite settles into a rhythm.
It lurches between the mundane and the uncanny, as if unsure whether it’s a grounded character study or a full-blown fantasy. The result is a tonal whiplash that leaves you grasping for a handhold. One moment, you’re watching a tense interrogation in a dimly lit precinct; the next, a suspect’s face distorts into something inhuman, and you’re left wondering if you missed a crucial piece of world-building.

The film’s 95-minute runtime feels both too long and too short. Too long because the procedural elements—endless interrogations, bureaucratic red tape—drag when they should propel. Too short because the fantasy elements, when they do appear, feel rushed, as if the film is afraid to commit to its own weirdness.
There’s a scene where a suspect’s eyes flicker with something otherworldly, and for a brief second, the film threatens to tip into the surreal. But then the moment passes, and we’re back to the fluorescent hum of the precinct, as if nothing happened. It’s frustrating, like watching a magician pull off a trick only to immediately explain it away.
"A quirky Taiwanese crime-fantasy with charm but uneven execution."
The film blends crime and supernatural elements, and its offbeat tone and occasional humor feel refreshing. The pacing and underdeveloped side characters leave it short on depth and coherence.
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
Taiwanese director Wang Ding-Lin’s The 9th Precinct (2019) arrived as a bold mashup of action, crime drama, and fantasy, but its production details remain surprisingly scarce. Starring Roy Chiu and Wen Chen-ling, the film follows a ragtag police unit investigating supernatural crimes in Taipei’s infamous 9th Precinct. latestnetflix.com's view is that while the movie’s genre-defying premise generated buzz, the behind-the-scenes story is a quieter affair—with only fragments of insight available from limited sources.
The 9th Precinct stands out in Taiwan’s film landscape for its ambitious blend of cop drama and supernatural elements. Clocking in at 95 minutes, the film merges gritty police procedural tropes with fantastical twists, a combination rarely attempted in Taiwanese cinema. Director Wang Ding-Lin, known for his work in television and film, took a risk by infusing the story with otherworldly stakes, though details about his creative process remain elusive.
The cast—led by Roy Chiu (The Bold, the Corrupt and the Beautiful) and Wen Chen-ling (The Soul)—brings star power to the project, but their roles in shaping the film’s tone are unclear. Chiu, a frequent collaborator with acclaimed directors like Midi Z, was already a recognizable face in Taiwanese cinema, while Wen Chen-ling’s involvement added a layer of mainstream appeal. Supporting actors like Peng Chia-chia and Eugenie Liu rounded out the ensemble, though their contributions to the film’s development haven’t been widely documented.
Beyond its genre-blending premise, The 9th Precinct’s production history is shrouded in minimal detail. No major scandals, delays, or budget controversies have surfaced in available sources, suggesting a relatively smooth shoot—though this could also reflect the film’s lower profile compared to bigger Taiwanese productions like A Sun (2019).
One unverified rumor circulating in fan discussions suggests that the film’s supernatural elements were a late addition, with Wang Ding-Lin expanding the script’s fantasy aspects after securing funding. However, without confirmation from the director or production team, this remains speculative. Another point of curiosity is the film’s original title, Dì Jiǔ Fēn Jú (第九分局), which directly translates to "The 9th Precinct" but carries a more ominous tone in Mandarin—hinting at the darker themes beneath the surface.
The 9th Precinct’s release flew under the radar compared to other 2019 Taiwanese films, and critical reception appears mixed. While some viewers praised its ambitious genre fusion, others found the execution uneven. The film’s Rotten Tomatoes page exists but lacks a consensus score or widespread reviews, indicating limited international exposure. YouTube reaction videos and teaser clips offer glimpses of its visual style—moody lighting, kinetic action sequences—but deeper analysis is scarce.
One notable aspect of the film’s legacy is its cult appeal among fans of Taiwanese genre cinema. Commentary videos and fan edits suggest that The 9th Precinct has found a niche audience appreciative of its offbeat approach. However, without a major festival run or awards buzz, the film’s long-term impact remains uncertain.
For a movie that blends action, drama, and fantasy, The 9th Precinct’s behind-the-scenes story is surprisingly thin. Wang Ding-Lin’s vision for the project is clear in its final form, but details about its development, challenges, and reception are frustratingly sparse. While the cast’s involvement hints at potential star power, the lack of production anecdotes or critical deep dives leaves much to speculation. For now, The 9th Precinct remains a curious footnote in Taiwan’s 2019 film slate—an ambitious experiment with an unclear legacy.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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