
Matteo Martari
Matteo

In this rom-com challenging the concept of soulmates, parallel storylines portray four single friends as they pair up in different couple combinations.
I’ll admit it: I went into Four to Dinner expecting little more than a pleasant diversion, the kind of romantic comedy that hums along on charm and espresso. What I got instead was something messier, funnier, and—dare I say—more honest about modern love than I’d bargained for. Alessio Maria Federici’s film isn’t just another rom-com; it’s a playful, sometimes frustrating experiment in rearranging the pieces of the heart to see what fits.
The premise is deceptively simple: four single friends, two men and two women, decide to test the idea of soulmates by swapping partners in every possible combination. It’s a high-concept setup that could easily devolve into farce, but Federici keeps the tone light without sacrificing the emotional stakes. The film’s 90-minute runtime flies by, not because it’s shallow, but because it’s packed with small, human moments that feel real—awkward silences, half-finished sentences, the way people laugh when they’re nervous.

What makes Four to Dinner work is its refusal to take itself too seriously. The film doesn’t pretend to have all the answers about love; instead, it treats romance as a game of trial and error, where the rules are made up and the points don’t matter. The four leads—Matteo Martari, Matilde Gioli, Giuseppe Maggio, and Ilenia Pastorelli—bring a natural chemistry to their roles, their performances feeling less like acting and more like eavesdropping on a group of friends who’ve had one too many glasses of wine.
"A light romantic comedy with charming moments that doesn't stand out from familiar tropes."
The leads have real chemistry and the breezy, feel-good tone makes it an easy watch. The plot is predictable and the characters are thinly developed, so there's little substance or originality.
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
Four to Dinner (2022), the Italian romantic comedy directed by Alessio Maria Federici, arrived on Netflix with a premise as playful as its title. The film follows four strangers—two couples—whose lives intertwine over a chaotic dinner, blending humor, romance, and a dash of chaos. latestnetflix.com's view is that while the movie’s plot is straightforward, the behind-the-scenes details and casting choices add layers to its appeal.
The film’s cast reads like a who’s who of Italy’s rising and established talent. Leading the pack are Matilde Gioli (Baby, The Place) and Giuseppe Maggio (Summertime), whose on-screen chemistry was a talking point among fans. Ilenia Pastorelli (Perfect Strangers) and Matteo Martari (The New Pope) round out the central quartet, bringing a mix of comedic timing and dramatic depth.
Rumors swirled about off-screen dynamics, particularly between Gioli and Maggio, though neither confirmed nor denied any sparks beyond the script. The supporting cast—including Marta Gastini (The Rite) and Flavio Furno (Suburra)—added gravitas, suggesting Federici aimed for a balance of rom-com levity and character-driven moments.
Four to Dinner was filmed in Italy and Portugal, a choice that lent the movie a sun-drenched, cosmopolitan aesthetic. The 90-minute runtime hints at a tight production schedule, a common trait for Netflix’s mid-budget international acquisitions. While no behind-the-scenes drama surfaced in the limited evidence, the film’s brisk pacing and polished visuals suggest a streamlined shoot—no small feat given the ensemble cast.
Federici, known for his work on Italian TV hits like Baby, brought a director’s eye for both intimacy and spectacle. The movie’s climactic dinner scene, a centerpiece of the plot, reportedly required multiple takes to nail the chaotic energy, though specifics remain scarce.
Upon release, Four to Dinner divided critics and audiences. SensCritique users rated it a middling 5.6/10, praising its charm but critiquing its predictability. YouTube reviewers echoed this sentiment, with some calling it a "light, enjoyable watch" while others dismissed it as formulaic.
Netflix’s decision to bankroll the film aligns with its strategy of acquiring buzzy international titles, though Four to Dinner didn’t achieve the same viral success as, say, 365 Days. Still, its availability in multiple languages—including a French dub under the title Quatre moitiés—expanded its reach.
The film’s finale, which ties up the four leads’ storylines in a neat bow, sparked debate. Some viewers praised its heartwarming resolution, while others found it too tidy. A YouTube explainer dedicated to the ending dissected the characters’ arcs, suggesting the film’s strength lay in its performances rather than its plot.
Four to Dinner won’t redefine the genre, but it delivers exactly what it promises: a breezy, well-acted romp with Italian flair. The lack of salacious behind-the-scenes gossip might disappoint tabloid hunters, but the cast’s chemistry and Federici’s direction make it a solid pick for rom-com fans.
For those curious, the movie is still streaming on Netflix—perfect for a low-stakes, high-charm night in.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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