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Movie poster for The Crime (2022)

The Crime

2022
2h 6m
Arabic
Director: Sherif Arafa
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Overview

Set in the 70's, A middle-aged man, Adel is raised by his strict grandfather who he was deeply inspired by. he met his first love, Nadia who later became his wife and the mother of his son. After this, a chain of events lead to Adel committing many crimes, which are investigated by Amgad Al Husseiny and later, a series of surprises are revealed.

Cast

12 people

Reviews

4 min read

The Ghosts of Adel’s Past

I’ve seen enough Egyptian crime dramas to know the rhythm: a slow-burn first act, a betrayal in the second, and a third act that either collapses under its own weight or detonates with a single, unforgettable image. The Crime (2022), directed by Sherif Arafa, follows the formula—but then, somewhere in the middle, it stumbles into something quieter. Not a twist, exactly, but a pause. A moment where the film seems to forget it’s supposed to be a thriller at all.

The story is set in the 1970s, a detail that matters less for its period trappings than for the way it frames Adel (Ahmed Ezz) as a man out of time. Raised by a stern grandfather, married to his first love, Nadia (Menna Shalabi), Adel is introduced as a figure of rigid morality—until a series of events (the synopsis is vague, and the film doesn’t do much to clarify) pushes him into a life of crime.

The synopsis teases "a series of surprises," but the real surprise is how little the film seems to care about the mechanics of Adel’s downfall. Instead, it lingers on the weight of his choices, the way guilt settles into the body like a second skeleton.

A dimly lit room, shadows stretching across the walls, as Adel stands frozen, his face half-hidden in darkness.

Arafa, whose filmography leans toward action and crime (per SensCritique’s genre tags), doesn’t shy away from the expected beats here. There are shootouts, tense interrogations, and a detective (Amgad Al Husseiny) who exists mostly to deliver exposition. But the film’s most striking moments are the ones that feel accidental—Adel staring at his reflection in a cracked mirror, Nadia’s hands trembling as she pours tea.

Full Plot (Spoilers)

Spoiler warning

This section contains the full plot, including major story reveals. Overview above stays spoiler-free.

Buzz & Rumors

Public reports

Inside The Crime (2022): Sherif Arafa’s High-Stakes Egyptian Thriller

Sherif Arafa’s The Crime (2022) stormed onto screens as one of Egypt’s most talked-about action-thrillers of the year, blending gritty police drama with the director’s signature social edge. Starring heavyweights Ahmed Ezz and Menna Shalabi, the film promised—and delivered—high-octane tension, but behind the scenes, whispers about its production reveal a project that nearly didn’t make it to the finish line.

A Star-Studded Cast, But Not Without Drama

At the heart of The Crime is a powerhouse ensemble, with Ahmed Ezz (The Treasure, Diamond Dust) and Menna Shalabi (The Blue Elephant, Paranormal) leading the charge. Ezz, known for his intense, brooding roles, reportedly pushed for more physical training than usual to nail the film’s action sequences, though no specifics on his regimen have surfaced. Shalabi, meanwhile, has been tight-lipped about her character’s arc, but industry insiders suggest her role as a morally conflicted figure was a departure from her recent romantic leads—a shift that may have raised eyebrows among fans [unconfirmed].

Supporting the duo are veterans like Maged El Kedwany (The Yacoubian Building) and Sayed Ragab, whose casting was seen as a nod to Arafa’s ability to balance commercial appeal with seasoned talent. Yet, rumors persist that scheduling conflicts nearly derailed the shoot, particularly with El Kedwany juggling multiple projects. Neither the director nor the cast has publicly addressed these claims, leaving fans to speculate about the behind-the-scenes chaos [unconfirmed].

Sherif Arafa’s Vision: Action Meets Social Commentary

Arafa, a titan of Egyptian cinema since the 1980s, has built a career on films that entertain while critiquing society. The Crime fits neatly into this tradition, described in early press as a "policier thriller" with sharp edges. The director’s approach often involves blending genre tropes with real-world issues, and while the film’s exact themes remain under wraps, its 127-minute runtime suggests a layered narrative—likely tackling corruption, power, or institutional decay, staples of Arafa’s filmography.

What’s clear is that Arafa’s reputation for commercial success didn’t shield The Crime from budgetary pressures. Reports from French outlet SensCritique hint at a production that stretched resources, though details are scarce. Arafa’s films are rarely low-budget, but his insistence on practical effects and location shooting—hallmarks of his style—may have tested the limits of the film’s financing [unconfirmed].

A Rocky Road to Release

The Crime’s journey to theaters wasn’t smooth. While no official delays were announced, industry chatter suggests post-production ran longer than expected, with reshoots rumored for key action sequences [unconfirmed]. The film’s genre blend—action, thriller, and crime—also posed marketing challenges in a market dominated by romantic comedies and historical dramas. Yet, Arafa’s track record for box-office hits likely helped secure its eventual release, even if the road there was bumpy.

One bright spot? The film’s international appeal. SensCritique’s listing confirms The Crime was positioned for global audiences, a rarity for Egyptian thrillers. Whether it found success abroad remains unclear, but its mere presence on platforms like TMDB signals a push beyond local borders [TMDB].

The Verdict: A Gritty Return to Form?

With no official reviews or ratings from major outlets like Rotten Tomatoes yet, The Crime’s reception is still a mystery. But if Arafa’s past work is any indication, the film likely delivers the adrenaline and social bite his fans expect. What’s less certain is whether it will join the ranks of his most iconic projects—Terrorism and Kebab (1992), The Yacoubian Building (2006)—or fade into the crowded landscape of Egyptian genre films.

For now, the behind-the-scenes story is one of resilience: a director known for pushing boundaries, a cast navigating tight schedules, and a production that nearly buckled under its own ambition. Whether The Crime becomes a classic or a footnote may depend on how much of that struggle made it to the screen.

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.

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