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Movie poster for Mirror, Mirror (2022)

Mirror, Mirror

2022
1h 19m
Director: Marc Crehuet
Play trailer
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Overview

Employees at a cosmetics firm grapple with their respective desires by arguing with themselves in the mirror, ahead of their company’s anniversary party.

Cast

12 people
Photo of Malena Alterio as Cristina / Cristian

Malena Alterio

Cristina / Cristian

Photo of Natalia de Molina as Paula

Natalia de Molina

Paula

Photo of Santi Millán as Álvaro

Santi Millán

Álvaro

Photo of Verónica Forqué as Merce (Madre Álvaro)

Verónica Forqué

Merce (Madre Álvaro)

Photo of Carlos Areces as Alberto

Carlos Areces

Alberto

Reviews

5 min read

The Funhouse Reflection: How Mirror, Mirror Turns Vanity Into a Hall of Laughs

I’ve always been suspicious of mirrors. Not in the superstitious way—though I do knock on wood after breaking one—but in the way they flatten three dimensions into two, turning a face into a mask. Mirror, Mirror (2022), Marc Crehuet’s Spanish comedy, takes that suspicion and runs with it, literalizing the idea that the person we see in the glass is both us and not us. The film’s premise is simple: employees at a cosmetics firm, on the eve of their company’s anniversary party, start arguing with their reflections.

Not in the metaphorical sense, but in full-blown, split-screen, Fight Club-lite confrontations where the mirror image becomes a separate, often nastier version of themselves. It’s a gimmick, sure, but one that lands with surprising emotional weight—because what starts as farce quickly reveals itself as a sharp, if uneven, satire of self-delusion, ambition, and the performative nature of identity.

A woman in a sleek office bathroom, her reflection in the mirror glaring back at her with a smug, knowing expression.

The film’s greatest strength is its cast, a who’s-who of Spanish comedy and drama veterans who bring a lived-in physicality to their roles. Malena Alterio, as the ambitious but insecure marketing director, has a way of tilting her head just slightly when she’s lying, as if her body is already bracing for the fallout. Natalia de Molina, playing the office’s resident cynic, moves through the film with the weary slouch of someone who’s seen this movie before and knows how it ends.

And then there’s Verónica Forqué, in one of her final roles, whose presence alone feels like a gift. She plays the company’s matriarch with a mix of warmth and steel, her eyes crinkling at the corners when she’s amused but narrowing to slits when she’s about to deliver a verbal gut-punch. The chemistry among the cast is electric, and it’s their performances that sell the film’s central conceit—that these reflections aren’t just visual tricks but manifestations of repressed desires, insecurities, and outright pettiness.

Crehuet’s direction leans into the absurdity of the premise without letting it tip into outright surrealism. The film’s visual language is clean and functional, with the mirror scenes shot in a way that makes the reflections feel like distinct characters. The camera lingers on the actors’ faces, capturing the micro-expressions that betray their inner turmoil.

Audience Opinions

Limited evidence
"A lighthearted Spanish comedy with uneven humor and little depth."

The ensemble cast, particularly Malena Alterio and Santi Millán, brings comedic timing and charm. The humor is uneven and the plot unoriginal, so the film plays more like a collection of sketches than a cohesive story. Coverage of its reception is sparse, with few detailed discussions available.

What viewers praise
  • Strong ensemble cast The performances, especially by Malena Alterio and Santi Millán, have comedic energy and chemistry.
  • Lighthearted tone The breezy, upbeat approach makes it an easy, uncomplicated watch.
Common complaints
  • Uneven humor Jokes fall flat or rely on predictable comedic tropes.
  • Lack of depth The plot is thin and underdeveloped, with little to set it apart from other comedies.
Recommended for
Fans of Spanish comedy Ensemble cast enthusiasts Fans of light entertainment

Full Plot (Spoilers)

Spoiler warning

This section contains the full plot, including major story reveals. Overview above stays spoiler-free.

Buzz & Rumors

Public reports

Behind the Scenes of Mirror, Mirror (2022): A Dark Comedy with Identity Crises and Star Power

Mirror, Mirror (2022), directed by Marc Crehuet, is a Spanish dark comedy that dives into the chaotic lives of its characters—each grappling with their own reflections, both literal and metaphorical. Starring a powerhouse cast including Malena Alterio, Natalia de Molina, and Santi Millán, the film made waves at the Toronto International Film Festival (TIFF) 2022, where its trailer premiered. latestnetflix.com's view is that but what’s the real story behind this twisted tale of identity and deception?


A Cast of Scene-Stealers

The film’s ensemble is packed with heavy hitters, but two actresses have been singled out as standouts. Malena Alterio, playing Christina, and Natalia de Molina, as Paula, have both been dubbed "showstealers" in fan reactions and early buzz. Their performances seem to anchor the film’s blend of humor and psychological unease, though details about their characters remain scarce.

Santi Millán, another key player, joined Crehuet and de Molina in a promotional interview where they hinted at the film’s themes. "Identity problems have always existed," Millán remarked, suggesting Mirror, Mirror explores how people confront—or avoid—their true selves. The trio’s chemistry in the interview teases a dynamic on-screen rapport, though whether that translates to comedy or conflict isn’t clear from the snippets.

Verónica Forqué, a beloved Spanish actress, also appears in the film, adding gravitas to the cast. Her involvement, along with veterans like Loles León and Carlos Bardem, suggests a mix of generations and styles, though specifics about their roles are unconfirmed.


Director Marc Crehuet’s Vision

Crehuet, known for his sharp, satirical edge, seems to be leaning into the film’s darkly comedic tone. In a rare behind-the-scenes clip, he and Alterio appeared together in a casual interview, hinting at a collaborative process. While the snippet doesn’t reveal much about the film’s production, it underscores Crehuet’s hands-on approach with his cast.

The trailer, which debuted at TIFF 2022, offers a glimpse of the film’s aesthetic: sleek, stylized, and dripping with irony. The visuals suggest a modern, possibly surreal take on identity, though without a full plot breakdown, it’s hard to say how deep the metaphor goes. Rumors (unconfirmed) swirl that the film plays with the idea of doppelgängers or fractured personalities, but the evidence doesn’t back this up explicitly.


What We Know (and What We Don’t)

  • Premiere and Reception: The film’s trailer dropped at TIFF 2022, but critical reception remains a mystery. Rotten Tomatoes lists the cast but offers no reviews or audience scores. Without deeper coverage, it’s unclear how the film was received. - Themes: The promotional material and interviews emphasize "identity problems," but specifics are thin. Is Mirror, Mirror a farce, a thriller, or something in between? The trailer leans toward dark comedy, but the full tone is anyone’s guess. - Legacy Actress: Verónica Forqué’s involvement is a highlight, though her role isn’t detailed in the available snippets. Given her status in Spanish cinema, her presence likely adds depth to the film’s emotional core.

The Bottom Line

Mirror, Mirror (2022) is a tantalizing enigma—a film with a stellar cast, a director known for biting satire, and a premise that promises psychological twists. Yet, the behind-the-scenes details are frustratingly sparse. Early buzz highlights Alterio and de Molina as standouts, and the trailer hints at a visually striking, darkly comedic ride. But without reviews, plot details, or deeper interviews, the film’s true impact remains a mirror we can’t quite see into.

For now, fans will have to settle for the trailer’s glimpses and the cast’s star power—until more details emerge.

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.

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